Cirrus@Austlit

'This book tells the history of Australia from the standpoint of the original Australians - those who lost most in our country's early colonial struggle for power. Surveying two centuries of Aboriginal-European encounters, it reveals what white Australia lost through unremitting colonial invasion and tells the story of Aboriginal survival through resistance and accommodation. It traces the continuing Aboriginal struggle to move from the margins of colonial society to a more central place in modern Australia.".

'Since its first appearance in 1982 and revision in 1994, Richard Broome's Aboriginal Australians has won a wide readership as a classic text on the history of race relations in Australia. Now fully updated to 2001, this new edition explains the land rights struggle since Mabo, the Hindmarsh Island affair, debates over the 'stolen generation', 'sorry' and reconciliation, and the recent experience of Aboriginal Australia. Aboriginal Australians remains the only concise and up-to-date survey of Aboriginal history since 1788.' (Taken from book jacket of 2002 edition.)

Inspired in part by Melbourne's 1988 Walsh Street murders, Animal Kingdom is a story about the battle between Melbourne's underworld and the police. The story tracks seventeen-year-old Joshua 'J' Cody, a troubled teenager perilously caught between his own criminal family and Detective Leckie, a compromised cop who thinks that he can save 'J'. 'J' comes to realise that in order to survive, he must determine how the game is played. This involves not only writing his own rule book but also choosing his place in the cunning and brutal animal kingdom in which his family lives.

"Most people call me Auntie Rita, whites as well as Aboriginal people. Auntie is a term of respect of our older women folk. You don't have to be blood-related or anything. Everyone is kin. That's a beautiful thing because in this way no one is ever truly alone, they always have someone they can turn to."

Rita Huggins told her memories to her daughter Jackie, and some of their conversation is in this book. We witness their intimacy, their similarities and their differences, the '"fighting with their tongues". Two voices, two views on a shared life.' (Source: Publisher's blurb)

'Beautifully illustrated, Australian Dreaming is an Aboriginal history of the Australian continent and its people, as told by Aboriginal story-tellers. Through traditional myths and legends, it gives an explanation of the formation of the landscape and the creation of many outstanding geographical features.' (Source: TROVE)

'Peta Tully has found her Mr Right. The only trouble is, she's not sure she's ready to settle down. Not just yet, anyway - so when she's offered a twelve-month contract interstate which just might win her the job of her dreams, she puts her Sydney life on hold, packs her bags and jumps on a plane, leaving her doting boyfriend behind.

'Peta takes a voluntary vow of celibacy, but sticking to it proves harder than she imagines.' (Publisher's blurb)

'Set in 1988, Barungin completes the trilogy beginning with The Dreamers and No Sugar. It deals with racially charged issues such as land rights, alcohol abuse and black deaths in custody.'

Source: Publisher's blurb.

'An alienating city street gradually becomes a place to call home. Little by little, baby Tracy grows. She and her neighbours begin to rescue their street. Together, children and adults plant grass and trees and bushes in the empty spaces. They paint murals over old graffiti. They stop the cars. Everything begins to blossom. Belonging explores the re-greening of the city: the role of community, the empowerment of people and the significance of children, family and neighbourhood in changing their urban environment. The streets gradually become places for safe children's play, and community activity and places for nature and wonder.'

(Source: Author's website, http://www.jeanniebaker.com/picture_books_index.htm)

'Blue is the debut graphic novel by Australian cartoonist Pat Grant. Part autobiography and part science fiction, the book follows three spotty teenagers who skip school to go surfing and end up investigating rumors of a dead body on the train line. Provincial values and the emotions aroused by immigration clash as the teenagers encounter strange, blue-skinned foreigners that have arrived in their little beach town. Things become even more confronting when the trail leads them to make first contact with a new wave of immigrants to their coastal town, who might be the harbingers of sweeping change.

'Blue is a delicate and affectionate portrayal of an iconic setting and way of life, told with an unerring ear and eye for the vernacular. But it's also a story about difference, fear and change, and the political implications of this for contemporary Australia.

'Pat Grant's approach to cartooning is largely an old-fashioned one, with each page of images painstakingly drawn on large pieces of illustration board with a sable brush and India ink. The images in Blue have been taken directly from drawings collected over many mornings on the beaches of NSW and Victoria; they are inspired by real life but don't lose their cartoonish charm. Combined with Grant's sparse writing the result is a cinematic story telling experience that lends itself particularly to an Australian experience of place and landscape.' (From the publisher's website.)

'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)

Based on the stage musical of the same name by Jimmy Chi and the band Kuckles, Bran Nue Dae is set in 1969 and follows Willie, a young man who struggles to find a balance between the three things that drive his life: his love for his girl Rosie, his respect for his mother, and his religious faith. Willie's uncomplicated life of fishing and hanging out with his mates and his girl in the idyllic world of Broome is turned upside down when his mother returns him to the religious mission for further schooling and entry into the priesthood. After being punished for an act of youthful rebellion, he runs away from the mission on a journey that leads him to meet his 'Uncle Tadpole' and eventually return to Broome. Along the way, Willie and Uncle Tadpole meet a couple of hippies, spend the night in gaol, and meet a gun-toting roadhouse operator, while managing to stay one step ahead of Father Benedictus, who wants to bring Willie back to the mission.

'This volume brings together historians of imperialism and race, travel and modernity, Islam and India, the Pacific and the Atlantic to show how a ‘transnational’ approach to history offers fresh insights into the past. Transnational history is a form of scholarship that has been revolutionising our understanding of history in the last decade. With a focus on interconnectedness across national borders of ideas, events, technologies and individual lives, it moves beyond the national frames of analysis that so often blinker and restrict our understanding of the past. Many of the essays also show how expertise in ‘Australian history’ can contribute to and benefit from new transnational approaches to history. Through an examination of such diverse subjects as film, modernity, immigration, politics and romance, Connected Worlds weaves an historical matrix which transports the reader beyond the local into a realm which re-defines the meaning of humanity in all its complexity. Contributors include Tony Ballantyne, Desley Deacon, John Fitzgerald, Patrick Wolfe and Angela Woollacott.' (Publication summary)

'Georgie Jutland is a mess. At forty, with her career in ruins, she finds herself stranded in White Point with a fisherman she doesn't love and two kids whose dead mother she can never replace. Her days have fallen into domestic tedium and social isolation. Her nights are a blur of vodka and pointless loitering in cyberspace. Leached of all confidence, Georgie has lost her way; she barely recognises herself.

'One morning, in the boozy pre-dawn gloom, she looks up from the computer screen to see a shadow lurking on the beach below, and a dangerous new element enters her life. Luther Fox, the local poacher. Jinx. Outcast...' (From the publisher's website.)

'Welcome to my world. I'm Amal Abdel-Hakim, a seventeen-year-old Australian-Palestinian-Muslim still trying to come to grips with my various identity hyphens.

'It's hard enough being cool as a teenager when being one issue behind in the latest Cosmo is enough to disqualify you from the in-group. Try wearing a veil on your head and practising the bum's up position at lunchtime and you know you're in for a tough time at school.

Luckily my friends support me, although they've got a few troubles of their own. Simone, blonde, gorgeous and overweight – she's got serious image issues, and Leila's really intelligent but her parents are more interested in her getting a marriage certificate than her high school certificate!

'And I thought I had problems...'

Source: Publisher's blurb.