Cirrus@Austlit

'Luise Hercus has always had a keen interest in Australian Aboriginal songs and collaborated with musicologists both in the field and in her analysis. Her examination of lyrics and the relationship between songs and the people who sing them encompasses a vast area of Australia. Her work on songs from the ‘Corner Country’ reveal performance as a culmination of social exchange, and her examination of the lyrics reveal Aboriginal people’s detailed knowledge of country (Beckett & Hercus 2009). Her work in the Simpson Desert region documents songs with ancestral themes as well as contemporary events (Hercus & Koch 1996, 1999; Hercus 1994: 91–101; 1995). In many parts of Australia where knowledge of Aboriginal languages is scarce, Hercus’s work on songs provides vital clues to the history, language and culture of such regions (Hercus 1992, 1997). Her linguistic documentation of Wemba Wemba in Victoria (Hercus 1969) finds songs that relate to the gender based totems of this area. How songs reflect and reproduce the beliefs, cultural practices and experiences of the people who sing them is a theme of Luise Hercus’ work that is explored in this paper.' (Introduction)