'Prize-winning poet Jordie Albiston’s third book is dramatic. It spotlights the crunch times in the life of Jean Lee 1919-1951 from adventurous girl to hanged woman. It captures the times, the completion of the Harbour Bridge, the youth culture of the milk bars, the 'overpaid, oversexed, over here’ American servicemen during the War, the invasion of petty crims for the 1949 Melbourne Cup won by Faxzami. Above all, it understands. Jean's last God-troubled speeches raise her mean life to suburban tragedy.' (Publication summary)
'From March to November 2020, the Melbourne populace was restricted, curfewed and in ‘lockdown’ due to COVID19, bringing with it a slow-down, a chance to engage deeply with what nourishes. This was a time when I hunkered down with a breadth of poetry collections engaging with themes of isolation, exile and crises. I gravitated to collections of poems that built on an issue, immersing themselves in one world and all of its nuances. This is the mastery of award-winning poet and scholar, Dr Jordie Albiston. She applies outstanding rigour to research and content, as much as she does to form and metre. During the many months of solitary neighbourhood walks, mandatory masks and global crises spreading through airwaves, Albiston’s poems created reflective spaces on how history is only separated by time, and ‘love’ must be activated on a fundamental level.' (Introduction)
