y separately published work icon After Mabo : Interpreting Indigenous Traditions multi chapter work   criticism  
Issue Details: First known date: 1993... 1993 After Mabo : Interpreting Indigenous Traditions
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AbstractHistoryArchive Description

'In After Mabo, Tim Rowse draws on such disciplines as history, political science, anthropology, cultural studies, ecology and archaelogy to introduce some dominant critiques of non-Aboriginal ways of perceiving Aboriginality, focusing on the moral and legal traditions of settlers and indigenous peoples, their different attitudes towards the environment, the institutional heritage of ‘Aboriginal welfare’, tensions between indigenous cultures and indigenous politics, and the representation of Aboriginal identities by indigenous writers.' (Publishers website)

Notes

  • Contents indexed selectively.

Contents

* Contents derived from the Carlton, Parkville - Carlton area, Melbourne - North, Melbourne, Victoria,:Melbourne University Press , 1993 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Lives in Custody, Tim Rowse , single work criticism (p. 27-53)
Art and Identity, Tim Rowse , single work criticism (p. 83-103)
Afterword, Tim Rowse , single work criticism (p. 128-133)
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Works about this Work

'Why, White Man, Why?' : White Australia as the Addressee of Apostrophe in Contemporary Aboriginal Writing Russell West-Pavlov , 2002 single work criticism
— Appears in: Zeitschrift fur Anglistik und Amerikanistik , vol. 50 no. 2 2002; (p. 166-178)
— Appears in: Imaginary Antipodes : Essays on Contemporary Australian Literature and Culture 2011; (p. 23-36) 'Contemporary Australian indigenous literature is characterised by a remarkably prevalent use of apostrophic address directed at the white reader. This mode of direct address in black literary texts draws attention to the political dynamics moulding reader-writer relations in contemporary Australia. The article examines numerous examples of this direct mode of address in prose, poetry and drama, and argues that this direct mode of address is a central element in the message of black writers. The use of apostrophe implies the active 'positioning' of the white reader on the part of the indigenous speaker; only by virtue of this positioning is the reading process made possible. The direct mode of address in these texts thus demands that the reader take up a stance characterised by a readiness to listen attentively to black literary voices.' (Author's abstract)
'Why, White Man, Why?' : White Australia as the Addressee of Apostrophe in Contemporary Aboriginal Writing Russell West-Pavlov , 2002 single work criticism
— Appears in: Zeitschrift fur Anglistik und Amerikanistik , vol. 50 no. 2 2002; (p. 166-178)
— Appears in: Imaginary Antipodes : Essays on Contemporary Australian Literature and Culture 2011; (p. 23-36) 'Contemporary Australian indigenous literature is characterised by a remarkably prevalent use of apostrophic address directed at the white reader. This mode of direct address in black literary texts draws attention to the political dynamics moulding reader-writer relations in contemporary Australia. The article examines numerous examples of this direct mode of address in prose, poetry and drama, and argues that this direct mode of address is a central element in the message of black writers. The use of apostrophe implies the active 'positioning' of the white reader on the part of the indigenous speaker; only by virtue of this positioning is the reading process made possible. The direct mode of address in these texts thus demands that the reader take up a stance characterised by a readiness to listen attentively to black literary voices.' (Author's abstract)
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Last amended 22 Oct 2013 10:31:16
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