'Why, White Man, Why?' : White Australia as the Addressee of Apostrophe in Contemporary Aboriginal Writing single work   criticism  
Issue Details: First known date: 2002... 2002 'Why, White Man, Why?' : White Australia as the Addressee of Apostrophe in Contemporary Aboriginal Writing
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AbstractHistoryArchive Description

'Contemporary Australian indigenous literature is characterised by a remarkably prevalent use of apostrophic address directed at the white reader. This mode of direct address in black literary texts draws attention to the political dynamics moulding reader-writer relations in contemporary Australia. The article examines numerous examples of this direct mode of address in prose, poetry and drama, and argues that this direct mode of address is a central element in the message of black writers. The use of apostrophe implies the active 'positioning' of the white reader on the part of the indigenous speaker; only by virtue of this positioning is the reading process made possible. The direct mode of address in these texts thus demands that the reader take up a stance characterised by a readiness to listen attentively to black literary voices.' (Author's abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

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    y separately published work icon Imaginary Antipodes : Essays on Contemporary Australian Literature and Culture Russell West-Pavlov , Heidelberg : Winter Verlag , 2011 Z1819744 2011 selected work criticism 'How can contemporary Australian literature and culture be ‘imagined’ from abroad? What particular refractions may emerge out of an expatriate reflection upon Antipodean literature and culture? This collection of essays summarizes fifteen years’ work done from an explicitly European perspective. The unashamedly outside perspective these essays present envisages a largely ‘imaginary Antipodes’ whose character is regarded from four distinct angles: indigenous literary production, white settler identities, migrant destinies, and the global construction of Australian literature, thereby gesturing towards the transnational perspective that furnishes the framing rationale for the collection itself. The thirteen essays range over a broad selection of literary and filmic texts, from classics such as Patrick White and Crocodile Dundee, via Castro, Davison, Fremd, Gooneratne, Grenville, Hall, Hospital, Lawrence, McGahan, Malouf, Martin, Morgan, Scott, Teo, or Yasbincek, through to wider issues such as indigenous poetry, the post-Mabo ‘history wars’ of the 1990s, and the global translation of Australian literature' (Publisher blurb). Heidelberg : Winter Verlag , 2011 pg. 23-36
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Last amended 25 Sep 2012 15:04:09
166-178 'Why, White Man, Why?' : White Australia as the Addressee of Apostrophe in Contemporary Aboriginal Writingsmall AustLit logo Zeitschrift fur Anglistik und Amerikanistik
23-36 'Why, White Man, Why?' : White Australia as the Addressee of Apostrophe in Contemporary Aboriginal Writingsmall AustLit logo
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