Cirrus@Austlit

'Scholars considering the acoustics of exploration have focused on how explorers heard Australian space in terms of silence, to argue this silenced Indigenous presence, or that stillness, was incongruous with how a place to be colonised should sound. I focus on the acoustically attuned Ludwig Leichhardt, a science-poet indebted to the Enlightenment, but also engaged with the German Romantic legacy. The manifold acoustic dimensions of expeditioning – including music – were important to him in different ways. The acoustic world could be assayed and harnessed in ways that were often consistent with colonialism. But there was also something fugitive about acoustics. They could mark a site for emotional engagement with place, and sometimes embryonic cross-cultural dialogue. Yet the possibilities were not always heard and, in line with Romanticism, the acoustic could drag down expeditioners’ spirits just as it could buoy them up. It could baffle or be a site for Indigenous resistance.'  (Publication abstract)

'Inspired by the conference theme of ‘Looking Back to Look Forward’ this paper examines the multiple ways in which the Prussian explorer of northern Australia, Ludwig Leichhardt, provides possible new directions for rethinking contemporary concepts such as transnationalism and nationalism. While the paper in its genealogical fashion assumes that the past is not simply available to us to be looked upon but rather is made to appear to us through various, material and ideological productions; it is still inspired by the possibility that re-imagining the past in the present can produce alternative and better futures. ' (Author's abstract)

In this essay, the authors review 'a selection of the more influential writings about Leichhardt to demonstrate both the enduring

interest in his life and the vastly different perspectives held in the texts.' (537)