'In this sweeping epic of friendship, toil, hope and failed promise, multi-award-winning author Roger McDonald follows the story of Kingsley Colts as he chases the ghost of himself through the decades, and in and out of the lives and affections of the citizens of "The Isabel", a slice of Australia scattered with prospectors, artists, no-hopers and visionaries. Against this spacious backdrop of sheep stations, timeless landscapes and the Five Alls pub, men play out their fates, conduct their rivalries and hope for the best.
'Major Dunc Buckler, "misplaced genius and authentic ratbag", scours the country for machinery in a World War that will never find him. Wayne Hovell, slave to "moral duty", carries the physical and emotional scars of Colts's early rebellion, but also finds himself the keeper of his redemption. Normie Powell, son of a rugby-playing minister, finds his own mysticism as a naturalist, while warm-hearted stock dealer Alan Hooke longs for understanding in a house full of women. They are men shaped by the obligations and expectations of a previous generation, all striving to define themselves in their own language, on their own terms.' (From the publisher's website.)
Epigraph:
Peaseblossom.........Ready.
Cobweb.......................... And I.
Moth ......................................And I
Mustardseed....................................And I.
All..........................................................Where shall we go?
- A Midsummer Night's Dream, Act III, Scene I
In an author's note, Roger McDonald lists the publications in which 'early parts of this work appeared'. The titles of the earlier parts published in Australia are listed above as related works. An early part was also published in The O. Henry Prize Stories 2008 (New York, 2008).
Source: Author's Note p. 345
‘In human reckoning, Golden Ages are always already in the past. The Greek poet Hesiod, in Works and Days, posited Five Ages of Mankind: Golden, Silver, Bronze, Heroic and Iron (Ovid made do with four). Writing in the Romantic period, Thomas Love Peacock (author of such now almost forgotten novels as Nightmare Abbey, 1818) defined The Four Ages of Poetry (1820) in which their order was Iron, Gold, Silver and Bronze. To the Golden Age, in their archaic greatness, belonged Homer and Aeschylus. The Silver Age, following it, was less original, but nevertheless 'the age of civilised life'. The main issue of Peacock's thesis was the famous response that he elicited from his friend Shelley - Defence of Poetry (1821).’ (Publication abstract)
'Jo Case talks to influential writers, publishers and critics about that often frustrating definition of 'Australia' literature.' (Editor's abstract)
