'What has happened to Ingrid?
'Beautiful Ingrid inherits a fortune and leaves Australia, and her friends, and Ralph who loves her, to marry Gil Grey and set up home amid the New York art world. There she becomes the stepmother to Gil's teenage artist daughter Fleur, a former child prodigy, and studies ancient curse scrolls at Columbia University.
But at 9am on September 11, 2001, she has an appointment downtown. And is never seen again.
Or is she?
Searching for clues about Ingrid's life a year later, her friend Julia uncovers only further layers of mystery and deception.
Both an unputdownable mystery and a compelling meditation on the nature of art, truth, friendship and love...' (From the publisher's website.)
‘In human reckoning, Golden Ages are always already in the past. The Greek poet Hesiod, in Works and Days, posited Five Ages of Mankind: Golden, Silver, Bronze, Heroic and Iron (Ovid made do with four). Writing in the Romantic period, Thomas Love Peacock (author of such now almost forgotten novels as Nightmare Abbey, 1818) defined The Four Ages of Poetry (1820) in which their order was Iron, Gold, Silver and Bronze. To the Golden Age, in their archaic greatness, belonged Homer and Aeschylus. The Silver Age, following it, was less original, but nevertheless 'the age of civilised life'. The main issue of Peacock's thesis was the famous response that he elicited from his friend Shelley - Defence of Poetry (1821).’ (Publication abstract)
‘In human reckoning, Golden Ages are always already in the past. The Greek poet Hesiod, in Works and Days, posited Five Ages of Mankind: Golden, Silver, Bronze, Heroic and Iron (Ovid made do with four). Writing in the Romantic period, Thomas Love Peacock (author of such now almost forgotten novels as Nightmare Abbey, 1818) defined The Four Ages of Poetry (1820) in which their order was Iron, Gold, Silver and Bronze. To the Golden Age, in their archaic greatness, belonged Homer and Aeschylus. The Silver Age, following it, was less original, but nevertheless 'the age of civilised life'. The main issue of Peacock's thesis was the famous response that he elicited from his friend Shelley - Defence of Poetry (1821).’ (Publication abstract)
