Cirrus@Austlit

'On a steamy, hot day in January 1788, seven Aboriginal men, representing the nearby clans, gather at Warrane. Several newly arrived ships have been sighted in the great bay to the south, Kamay. The men meet to discuss their response to these visitors. All day, they talk, argue, debate. Where are the visitors from? What do they want? Might they just warra warra wai back to where they came from? Should they be welcomed? Or should they be made to leave? The decision of the men must be unanimous -- and will have far-reaching implications for all. Throughout the day, the weather is strange, with mammatus clouds, unbearable heat and a pending thunderstorm ... Somewhere, trouble is brewing.

'From award-winning author and playwright Jane Harrison, The Visitors is an audacious, earthy, funny, gritty and powerful re-imagining of a crucial moment in Australia's history - and an unputdownable work of fiction.' (Publication summary)

'‘Just let him go.’

'Those are words Ky Tran will forever regret. The words she spoke when her parents called to ask if they should let her younger brother Denny out to celebrate his high school graduation with friends, in a neighbourhood growing more unpredictable by the day. That night, Denny – optimistic, guileless, valedictorian Denny – is brutally murdered inside a busy restaurant in the Sydney suburb of Cabramatta, a refugee enclave facing violent crime, a racist police force, and the worst heroin epidemic in Australian history.

'Returning home to Cabramatta for the funeral, Ky learns that the police are stumped by her brother’s case: several people were present at Denny’s murder, but each bystander claims to have seen nothing.

'Ky sets aside her grief and determines to track down the witnesses herself. Peeling back the layers of the place that shaped her, Ky confronts the complex traumas weighing on those present the night Denny died, and finds that the seeds of violence that led to his death were planted well before that fateful night: by colonialism, by the war in Vietnam, and by the choices they’ve all made to survive.' (Publication summary)

'Propelling the reader back and forth between the 1940s, 1960s and 1980s, The Silent Listener is an unforgettable literary suspense novel set in the dark, gothic heart of rural Australia. 

'In the cold, wet summer of 1960, 11-year-old Joy Henderson lives in constant fear of her father. She tries to make him happy but, as he keeps reminding her, she is nothing but a filthy sinner destined for Hell . . .

'Yet, decades later, she returns to the family’s farm to nurse him on his death bed. To her surprise, her ‘perfect’ sister Ruth is also there, whispering dark words, urging revenge.

'Then the day after their father finally confesses to a despicable crime, Joy finds him dead - with a belt pulled tight around his neck ... 

'For Senior Constable Alex Shepherd, investigating George’s murder revives memories of an unsolved case still haunting him since that strange summer of 1960: the disappearance of nine-year-old Wendy Boscombe.

'As seemingly impossible facts surface about the Hendersons – from the past and the present – Shepherd suspects that Joy is pulling him into an intricate web of lies and that Wendy’s disappearance is the key to the bizarre truth.' (Publication summary)

'Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.

'Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.' (Publication summary)