Cirrus@Austlit

'The setting is a gorgeous, somewhat decayed, many-roomed Georgian mansion in upstate New York, near the Hudson, in 2012. Nine screens placed around a darkened gallery space each show a room of the house, most of them occupied by a person and a musical instrument: a willowy woman in a slip on a chaise longue, arms wrapped around a cello; a dark-skinned man seated at an ornate desk leaning intently over a bass guitar. There is a man at a grand piano in a room with densely patterned wallpaper, at a drum kit in a kitchen doorway, on a bed with a guitar next to a naked woman. A naked man in a bathtub holds a guitar, not seeming to mind that it dips into the bubbly water. They all wear headphones, listening attentively, mostly unmindful of the camera. One screen shows the front verandah on which a disparate group of people are gathered, standing, sitting, straddling the balcony rail. One by one the musicians take up their instruments.' (Introduction)

'A haunting, hypnotic and enticing novel of grief and desire, by one of Australia's finest, most assured novelists.

'Three years ago, Shelley's lover, Conrad, died in a surfing accident. Now, still in a state of subdued grief, Shelley has just moved into an old Victorian terrace in Paddington with David, her new partner, trying for a new beginning. At home one morning, Shelley discovers a door to a small intriguing room, which is not on the plans. There is a window, a fireplace and a beautiful chandelier. But nothing else.

'When Shelley meets a man who seems to be Conrad's uncanny double, the mysterious room begins to dominate her world, becoming a focus for her secret fantasies and fears, offering an escape which also threatens to become a trap. A waking dream of a novel, HOLD is spellbinding, sensual and unsettling.' (Publication summary)