'It is 1943 and each night in a bomb shelter beneath the Berlin Zoo an Australian woman, Vera, shelters with her German husband, Axel, the zoo's director.
'Together, Vera and Axel struggle to look after the animals through the air raids and food shortages of war. When the zoo's staff are drafted into the army, conscripted foreign workers are sent to replace them. At first Vera finds the idea of forced labour abhorrent, but gradually she realises the new workers are the zoo's only hope. Then she finds herself becoming close to one of them - a young Czech, with whom she forms an unexpected bond.
'This is a city where a foreign accent - Czech or Australian - is a constant source of suspicion, where busybodies report the names of neighbours' dinner guests to the Gestapo. As tensions mount in the closing days of the war, nothing, and no one, it seems, can be trusted.' (Back cover)
‘In human reckoning, Golden Ages are always already in the past. The Greek poet Hesiod, in Works and Days, posited Five Ages of Mankind: Golden, Silver, Bronze, Heroic and Iron (Ovid made do with four). Writing in the Romantic period, Thomas Love Peacock (author of such now almost forgotten novels as Nightmare Abbey, 1818) defined The Four Ages of Poetry (1820) in which their order was Iron, Gold, Silver and Bronze. To the Golden Age, in their archaic greatness, belonged Homer and Aeschylus. The Silver Age, following it, was less original, but nevertheless 'the age of civilised life'. The main issue of Peacock's thesis was the famous response that he elicited from his friend Shelley - Defence of Poetry (1821).’ (Publication abstract)
