'Joe Cashin was different once. He moved easily then; was surer and less thoughtful. But there are consequences when you've come so close to dying. For Cashin, they included a posting away from the world of Homicide to the quiet place on the coast where he grew up. Now all he has to do is play the country cop and walk the dogs. And sometimes think about how he was before.
'Then prominent local Charles Bourgoyne is bashed and left for dead. Everything seems to point to three boys from the nearby Aboriginal community; everyone seems to want it to. But Cashin is unconvinced. And as tragedy unfolds relentlessly into tragedy, he finds himself holding onto something that might be better let go.'
Source: Publisher's website (Sighted 22/8/11)
'After a big city detective is posted to a quiet Australian coastal town, a murder of a local philanthropist throws the town into unrest.'
Source: Australian Television Information Archive. (Sighted: 14/6/2013)
'If Australia can be represented in three books, there can be little better a genre than crime fiction. European Australia originated as a penal colony, and crime and its representation have been an obsession ever since. It began with convict ballads, then true crime in newspapers, to the gradually developing form of the crime novel over the nineteenth century. Australia was a significant generic innovator here, with Fergus Hume’s 1886 The Mystery of a Hansom Cab being the first crime international blockbuster. Crime-writing in Australia has form, content, swaggering style—and some of the results are outstanding literature by any criteria.' (Introduction)