Issue Details: First known date: 2004... 2004 Out of England : Literary Subjectivity in the Australian Colonies, 1788-1867
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AbstractHistoryArchive Description

'...During traces the formation and transformation of 'modern literary subjectivity' in the distinctive conditions of nineteenth century Australia.' Source: Modern Australian Criticism and Theory (2010)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Imagining Australia : Literature and Culture in the New New World Judith Ryan (editor), Chris Wallace-Crabbe (editor), Cambridge : Harvard University, Committee on Australian Studies , 2004 Z1159738 2004 anthology criticism The essays in this volume emerged from a conference sponsored by the Harvard Committee on Australian Studies in late 2002. (p.xiii) Cambridge : Harvard University, Committee on Australian Studies , 2004 pg. 3-21
  • Appears in:
    y separately published work icon Modern Australian Criticism and Theory Aodaliya wen xue pi ping he li lun Wang Guanglin (editor), David Carter (editor), Qindao : China Ocean University Press , 2010 Z1715709 2010 anthology criticism

    'Modern Australian Criticism and Theory brings together a selection of contemporary essays on Australian literature and cultural studies written by leading Australian critics and theorists...

    The essays selected for this volume reflect upon the main critical and theoretical influences on the study of Australian literature and culture since the 1980s...' Source: Modern Australian Criticism and Theory (2010)

    澳大利亚文学批评和理论
    Qindao : China Ocean University Press , 2010
    pg. 61-72
    Note: Includes bibliographical references

Works about this Work

Negotiating the Colonial Australian Popular Fiction Archive Ken Gelder , 2011 single work criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-12)
'There is an identifiable 'archive' of colonial Australian popular fiction consisting of romance, adventure fiction, Gothic fiction, crime fiction, Lemurian fantasy and a significant number of related subgenres (bushranger fiction, convict romance, Pacific or 'South Sea' adventure, tropical romance, 'lost explorer' stories, and so on). Looking at this archive soon reveals both its sheer size and range, and the fact that so little of it is remembered today. Rachael Weaver, Ailie Smith and I have begun to build a digital archive of colonial Australian popular fiction with the primary aim of making this material available to an interested reading public, as well as to scholars specialising in colonial Australian (and transnational) literary studies. At the time of writing we are really only about 20% complete with around 500 authors represented on the site, although many with only a fraction of their work uploaded and with only the bare bones of a scholarly apparatus around them: a few short biographical notes, a bibliography, and the texts themselves: first editions in most cases.' (Author's introduction, p. 1)
Negotiating the Colonial Australian Popular Fiction Archive Ken Gelder , 2011 single work criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-12)
'There is an identifiable 'archive' of colonial Australian popular fiction consisting of romance, adventure fiction, Gothic fiction, crime fiction, Lemurian fantasy and a significant number of related subgenres (bushranger fiction, convict romance, Pacific or 'South Sea' adventure, tropical romance, 'lost explorer' stories, and so on). Looking at this archive soon reveals both its sheer size and range, and the fact that so little of it is remembered today. Rachael Weaver, Ailie Smith and I have begun to build a digital archive of colonial Australian popular fiction with the primary aim of making this material available to an interested reading public, as well as to scholars specialising in colonial Australian (and transnational) literary studies. At the time of writing we are really only about 20% complete with around 500 authors represented on the site, although many with only a fraction of their work uploaded and with only the bare bones of a scholarly apparatus around them: a few short biographical notes, a bibliography, and the texts themselves: first editions in most cases.' (Author's introduction, p. 1)
Last amended 5 Dec 2011 10:07:21
3-21 Out of England : Literary Subjectivity in the Australian Colonies, 1788-1867small AustLit logo
61-72 Out of England : Literary Subjectivity in the Australian Colonies, 1788-1867small AustLit logo
Subjects:
  • 1788-1867
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