'This article inverts the title of Hayden White's 1974 essay 'The Historical Text as Literary Artifact' by exploring literary texts as historical artifacts. It uses three novels published by Australian women writers in the mid-nineteenth century - Catherine Helen Spence's Clara Morison (1854), Caroline Louisa Atkinson's Gertrude the Emigrant (1857), and Mary Theresa Vidal's 'Bengala, or Some Time Ago' (1860) - 'as historical sources to explore the emotional culture of colonial Australia in regard to romantic love. Following Sarah Pinto, this article takes the romantic couple as the centre of its analysis, and asks four key questions of the novels in the corpus: What kind of people fall in love? Who do they fall in love with? What kind of love do they fall in? And how do their lives and their loves interact with the colonial Australian landscape? It finds that romantic love in these novels is dependent on romanticised similarity and shared sensibility rather than eroticised otherness. It argues that while this might not necessarily be uniquely nationally distinctive, the Australian chronotopic context means that this narrative would have strong and specific resonances with a female colonial audience.' (Publication abstract)
