'These poems pulse with the language and images of a mangrove-lined river city, the beckoning highway, the just-glimpsed muse, the tug of childhood and restless ancestors. For the first time Samuel Wagan Watson's poetry has been collected into this stunning volume, which includes a final section of all new work.' (Source: UQP website: www.uqp.uq.edu.au)
'Smoke Encrypted Whispers is a sequence of 23 poems by the leading Australian indigenous poet Samuel Wagan Watson that pairs the Brisbane-born writer's texts with succinct musical commentaries - part reflection, part response - by 23 of the poet's Brisbanite composer peers.'
'What results – in a performance by the musicians of Southern Cross Soloists interspersed with readings of the individual poems by the distinguished Australian actor Ron Haddrick – is a variegated tapestry given cohesion and coherence by the multiple interwoven threads of Watson’s words.
'Smoke Encrypted Whispers offers tales of the poet’s own interior dreamtime and depth of feeling to produce a vivid and touching picture of growing up in suburban Brisbane.
'While offering one revealing insight after another into the spirituality of displaced indigenous experience in contemporary urban Australia, Watson’s poetry taps into a potent mythology that predates the settled history of the continent – as well alluding to the fears, heartbreaks, hopes and humour that are universal rather than isolated qualities. Through it, we are invited into a magical universe veiled behind the obfuscating layers of our mundane existence.
'Watson’s Brisbane is a Grimm’s fairy-tale world, where half-seen spectres and almost intelligible whispers inhabit the night, and hideous metal gorgons sneer and yowl in the searing light of the day. His vibrant poetry innocently and fearlessly lays bare the stories of his life, and offers incisive glimpses of the mysterious undercurrents that flow deeply beneath and through all of our lives. The triumph of the poems is their facility for capturing and coining that submerged, sub-conscious other-world’s ephemeral and forever changing intimations to give them felt and forceful substance. It also provides a rich muse for his compatriot composers’ evocative miniatures, to which the richly expressive woodwind palette of the Southern Cross Soloists adds piquancy and urgency.
'More cathartic than years of therapy, more fun than meditation, Smoke Encrypted Whispers offers evidence that our own inner dream world is far more vital and vivacious than anything flickering virtually on a cinema, television or computer screen. And it offers a remarkable and rare opportunity to experience poetry of remarkable humanity accompanied by musical performances of scintillating colour and nuance.' (Production summary)
This book contains five sections entitled:
'Do you read Australia’s First Nations (Indigenous) writers? If not, why not? People read for many reasons: information, entertainment, escape, to contemplate in company, to be moved. Reading can also be a political act, an act of solidarity, an expression of willingness to listen and to learn from others with radically different histories and lives.' (Introduction)
In this essay Heiss not only illustrates the breakdown of stereotypes of what Indigenous relationship with land is, but she showcases the wealth of literature being penned nationally by writers who express the diversity of their experiences of 'country'. Whether it be their traditional lands, places they have chosen to relocate to; those that they or their families were removed to; places that people call home and/or connect to; and those who embrace a physical landscape. An historical, social and political space that renders them specifically and culturally significant to individuals, families and community.
In this essay Heiss not only illustrates the breakdown of stereotypes of what Indigenous relationship with land is, but she showcases the wealth of literature being penned nationally by writers who express the diversity of their experiences of 'country'. Whether it be their traditional lands, places they have chosen to relocate to; those that they or their families were removed to; places that people call home and/or connect to; and those who embrace a physical landscape. An historical, social and political space that renders them specifically and culturally significant to individuals, families and community.