y separately published work icon Made in England : Australia's British Inheritance single work   essay  
  • Author:agent David Malouf http://www.poetrylibrary.edu.au/poets/malouf-david
Issue Details: First known date: 2003... 2003 Made in England : Australia's British Inheritance
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Notes

  • Correspondence relating to Malouf's essay appears in Quarterly Essay no.13 2004.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Melbourne, Victoria,: Black Inc. , 2003 .
      Extent: 1v.p.
      Note/s:
      • This issue includes correspondence relating to Germaine Greer's essay, 'Whitefella Jump Up : The Shortest Way to Nationhood' that appears in Quarterly Essay no.11.
      ISBN: 1863953957
      Series: y separately published work icon Quarterly Essay Peter Craven (editor), Chris Feik (editor), Melbourne : Black Inc. , 2001- Z1064828 2001- series - publisher essay Number in series: 12
  • Appears in:
    y separately published work icon Four Classic Quarterly Essays on the Australian Story Melbourne : Black Inc. , 2006 Z1371699 2006 anthology essay Melbourne : Black Inc. , 2006 pg. 3-70
  • Appears in:
    y separately published work icon A First Place David Malouf , North Sydney : Random House , 2014 6856466 2014 selected work prose essay

    'A collection of personal essays and writing from David Malouf to celebrate his 80th birthday.

    'Topography, geography, history. Multiculturalism, referendums, the constitution and national occasions. Parental and grandparental romances, the sensual and bountiful beauty of Brisbane, the mysterious offerings of Queenslander houses, and leaving home. The idea of a nation and the heart of its people. Being Australian and Australia's relationship to the world. Putting ourselves on the map.

    'All these subjects, and more, are explored from the generous, questioning and original perspective of David Malouf.

    'At the heart of these pieces is the idea of home, where and what it is. What they illustrate is the formation of a man, an Australian and one of the best writers this country has produced.' (Publisher's blurb)

         North Sydney : Random House , 2014     pg. 252-333
VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()

Related Works

y separately published work icon Whitefella Jump Up : The Shortest Way to Nationhood Germaine Greer , Melbourne : Black Inc. , 2003 Z1064840 2003 single work essay
VIEW ALL RELATED WORKS (1)

Works about this Work

Provocatively Calm : On David Malouf as Essayist Patrick Allington , 2017 single work criticism
— Appears in: TEXT Special Issue Website Series , no. 39 2017; ''This article examines the essays of David Malouf, many of which have been recently collected in three thematic volumes: A First Place (2014a), The Writing Life (2014b) and Being There (2015). My starting point is to argue that Malouf’s most important essays are politically charged. As a writer-activist he posits distinctive, sometimes controversial, positions, arguing strongly and passionately for alternative ways of thinking about Australia and the world, and indeed alternative ways for human beings to move through, and participate in, the world. However, Malouf is no firebrand: the tone of his essays is relentlessly calm; he brings together the emphatic and the empathetic, and he still tries to convince the reader. This article focuses on the political implications of Malouf’s calm but opinionated approach to his essays, as well as on how Malouf sets out to persuade readers. (Introduction)
'The Whole Landscape Dazzling and Shrilling' : Soundscapes of War and Peace in David Malouf's Fly Away Peter Fiona Richards , 2016 single work criticism
— Appears in: Southerly , vol. 75 no. 3 2016; (p. 155-168)
What We Have to Work With : Teaching Australian Literature in the Contemporary Context Philip Mead , 2011 single work criticism
— Appears in: Teaching Australian Literature : From Classroom Conversations to National Imaginings 2011; (p. 52-69) 'I would like to explore some aspects of the experience of literary knowledge, amongst and between teachers and students, as reported in the 2010 Australian Learning & Teaching Council (ALTC)-funded project Australian Literature Teaching Survey. This exploration is framed by the contexts of that survey, particularly the history of 'English' in Australian education and its evolution, in the second half of the twentieth century, to include the study of Australian literature (see Dale, 1997; Reid, 1988) and recent responses to a federal government led proposal for a national or 'Australian' curriculum (K-12), which includes Australian literature within the proposed English strand. These reflections on the issues and questions that came out of the work of the ALTC report are influenced by my understanding of the disciplinary history of tertiary literary studies and of literary education at the secondary level, as well as by my own experiences of teaching literature within those educational and institutional contexts. These reflections are also informed by studies of English pedagogy that aim to pay attention to the lifeworlds of students and teachers and their experiences in the classroom (like Doecke and Parr, 2008).' (Author's introduction, 52)
Singing it Anew : David Malouf's Ransom Bernadette Brennan , 2011 single work criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-12) 'In 2009 David Malouf's Ransom was published to great critical and popular acclaim. Ransom presents itself very simply as a beautiful story about (among other things) loss, love, vulnerability and storytelling. But what does it mean to talk about the beautiful in writing? Etienne Gilson argues that writing is a making before it is a knowing or willing, so its primary concern is not a truth to be known or a good to be willed. Its primary concern is beauty. This paper explores how the beautiful operates in, and structures, Ransom.' (Author's abstract)
[Review] Made in England Ged Martin , 2006 single work review
— Appears in: Reviews in Australian Studies , March vol. 1 no. 1 2006;
— Review of Made in England : Australia's British Inheritance David Malouf , 2003 single work essay
Malouf Leads Us Down a Garden Path Best Avoided H. A. Willis , 2003 single work review
— Appears in: The Canberra Times , 13 December 2003; (p. 4a)
— Review of Made in England : Australia's British Inheritance David Malouf , 2003 single work essay
Mind Hoards Morag Fraser , 2003-2004 single work review
— Appears in: Australian Book Review , December-January no. 257 2003-2004; (p. 19-20)
— Review of Whitefella Jump Up : The Shortest Way to Nationhood Germaine Greer , 2003 single work essay ; Made in England : Australia's British Inheritance David Malouf , 2003 single work essay
British to Our Thong-Straps Norman Abjorensen , 2003 single work review
— Appears in: The Sydney Morning Herald , 26-28 December 2003; (p. 20)
— Review of Made in England : Australia's British Inheritance David Malouf , 2003 single work essay ; Griffith Review no. 2 Summer 2003-2004 periodical issue
Remembrance of Things Past Mark McKenna , 2004 single work review
— Appears in: The Age , 10 January 2004; (p. 4)
— Review of Made in England : Australia's British Inheritance David Malouf , 2003 single work essay
The Short List John Carmody , 2004 single work review
— Appears in: Eureka Street , January-February vol. 14 no. 1 2004; (p. 51)
— Review of Made in England : Australia's British Inheritance David Malouf , 2003 single work essay
Singing it Anew : David Malouf's Ransom Bernadette Brennan , 2011 single work criticism
— Appears in: JASAL , Special Issue vol. 11 no. 1 2011; (p. 1-12) 'In 2009 David Malouf's Ransom was published to great critical and popular acclaim. Ransom presents itself very simply as a beautiful story about (among other things) loss, love, vulnerability and storytelling. But what does it mean to talk about the beautiful in writing? Etienne Gilson argues that writing is a making before it is a knowing or willing, so its primary concern is not a truth to be known or a good to be willed. Its primary concern is beauty. This paper explores how the beautiful operates in, and structures, Ransom.' (Author's abstract)
What We Have to Work With : Teaching Australian Literature in the Contemporary Context Philip Mead , 2011 single work criticism
— Appears in: Teaching Australian Literature : From Classroom Conversations to National Imaginings 2011; (p. 52-69) 'I would like to explore some aspects of the experience of literary knowledge, amongst and between teachers and students, as reported in the 2010 Australian Learning & Teaching Council (ALTC)-funded project Australian Literature Teaching Survey. This exploration is framed by the contexts of that survey, particularly the history of 'English' in Australian education and its evolution, in the second half of the twentieth century, to include the study of Australian literature (see Dale, 1997; Reid, 1988) and recent responses to a federal government led proposal for a national or 'Australian' curriculum (K-12), which includes Australian literature within the proposed English strand. These reflections on the issues and questions that came out of the work of the ALTC report are influenced by my understanding of the disciplinary history of tertiary literary studies and of literary education at the secondary level, as well as by my own experiences of teaching literature within those educational and institutional contexts. These reflections are also informed by studies of English pedagogy that aim to pay attention to the lifeworlds of students and teachers and their experiences in the classroom (like Doecke and Parr, 2008).' (Author's introduction, 52)
'The Whole Landscape Dazzling and Shrilling' : Soundscapes of War and Peace in David Malouf's Fly Away Peter Fiona Richards , 2016 single work criticism
— Appears in: Southerly , vol. 75 no. 3 2016; (p. 155-168)
Provocatively Calm : On David Malouf as Essayist Patrick Allington , 2017 single work criticism
— Appears in: TEXT Special Issue Website Series , no. 39 2017; ''This article examines the essays of David Malouf, many of which have been recently collected in three thematic volumes: A First Place (2014a), The Writing Life (2014b) and Being There (2015). My starting point is to argue that Malouf’s most important essays are politically charged. As a writer-activist he posits distinctive, sometimes controversial, positions, arguing strongly and passionately for alternative ways of thinking about Australia and the world, and indeed alternative ways for human beings to move through, and participate in, the world. However, Malouf is no firebrand: the tone of his essays is relentlessly calm; he brings together the emphatic and the empathetic, and he still tries to convince the reader. This article focuses on the political implications of Malouf’s calm but opinionated approach to his essays, as well as on how Malouf sets out to persuade readers. (Introduction)
VIEW ALL WORKS ABOUT (12)

Awards

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Last amended 13 Apr 2018 06:20:00
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