The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Author's note: 'The poems are an imaginative depiction of Siddhattha Gotama, who later became the Buddha, as he wanders the towns and forests of north India in around 500bc, before he achieved enlightenment.'
Notes
Forty-five poems of this sequence will be published in Judith Beveridge's book 'Wolf Notes' due for release in October 2003 by Giramondo Publishing Company.
Includes
Dawni
"Beyond, towards the Licchavi",
Judith Beveridge,
2003single work poetry — Appears in:
Heat,
no.
5 (New Series)2003;(p. 121)
Monkeyi
"All morning a gang of brown monkeys have swung",
Judith Beveridge,
2003single work poetry — Appears in:
Heat,
no.
5 (New Series)2003;(p. 122)Wolf Notes2003;(p. 62)
Pathi
"The moon this evening is pulled into a curve",
Judith Beveridge,
2003single work poetry — Appears in:
Heat,
no.
5 (New Series)2003;(p. 123)Wolf Notes2003;(p. 100)
Snakei
"They say a snake feeds on the wind",
Judith Beveridge,
2003single work poetry — Appears in:
UQ News,March
no.
523(p. 9)Heat,
no.
5 (New Series)2003;(p. 124)Wolf Notes2003;(p. 66-67)
Treei
"Above the dust, from the limb of a creaking",
Judith Beveridge,
2003single work poetry — Appears in:
Heat,
no.
5 (New Series)2003;(p. 125)Wolf Notes2003;(p. 69)
Whitei
"Patience, they say, is an apprenticeship to the colour white",
Judith Beveridge,
2003single work poetry
Beyond Imagining : Notions of Transcendence in Judith Beveridge's "Between the Palace and the Bodhi Tree"Michael Heald,
2011single work criticism — Appears in:
Refashioning Myth : Poetic Transformations and Metamorphoses2011;(p. 121-138)'In his analysis of Judith Beveridge's poetry, Mike Heald contrasts
poetic and philosophical engagements with Buddhism, arguing that "the
imagination produces a conception of transcendence very different from
that found in the meditative tradition," with the effect that in Beveridge's
Siddhattha, the reader encounters "a figure who bodies forth the ineluctable
suffering of the human condition, and thus the perennial elusiveness and
implausibility of transcendence, rather than one who embodies the promise
and indeed successful realisation of transcendence." This appears to be an
occasion in which affect-driven literature diverges substantially from
philosophical myth narratives, albeit in a complementary rather than a
mutually exclusive manner.' (Source: Introduction p. 4)
Beyond Imagining : Notions of Transcendence in Judith Beveridge's "Between the Palace and the Bodhi Tree"Michael Heald,
2011single work criticism — Appears in:
Refashioning Myth : Poetic Transformations and Metamorphoses2011;(p. 121-138)'In his analysis of Judith Beveridge's poetry, Mike Heald contrasts
poetic and philosophical engagements with Buddhism, arguing that "the
imagination produces a conception of transcendence very different from
that found in the meditative tradition," with the effect that in Beveridge's
Siddhattha, the reader encounters "a figure who bodies forth the ineluctable
suffering of the human condition, and thus the perennial elusiveness and
implausibility of transcendence, rather than one who embodies the promise
and indeed successful realisation of transcendence." This appears to be an
occasion in which affect-driven literature diverges substantially from
philosophical myth narratives, albeit in a complementary rather than a
mutually exclusive manner.' (Source: Introduction p. 4)