(Publication summary)
Fitzroy North : Black Pepper Fellowship of Australian Writers. Victoria , 2003 pg. 209-210'The quality of Australian poetry has never been higher, nor the number of distinctive voices greater. A landmark publication, this collection presents the astonishing achievements of Australian poetry during the last quarter of a century. Over ten years in preparation, gathering over 200 poets and 500 poems, it makes the case for this country's poetry as a broadening of the universal set for all English-speakers. 'Somewhat astonishingly,' the introduction notes, 'and while no-one was looking, Australian poetry has developed a momentum and a critical mass such that it has become one more luminous field in the English-speaking imagination. Increasingly, anyone who seeks to explore the perspectives or music available in English will also have to consider the perspectives and music which have originated here - Australia having turned itself, too, into a place in the mind.' Both survey and critical review, this anthology offers a rare opportunity to explore the major national achievement of contemporary Australian poetry. (Publication summary)'
Glebe : Puncher and Wattmann , 2016'This new anthology of Australian and New Zealand poetry is remarkable for its exuberance, its vitality, and the notably youthful vibrancy of its free verse as well as its innovative prose poetry. Including a wide range of voices from such well-known poets as John Kinsella, Pam Brown, and John Tranter to relative new-comers like Chris Tse and essa may ranapiri, The Language in my Tongue is full of surprises and special pleasures.
—Marjorie Perloff, Professor Emerita of English
at Stanford University and Florence R. Scott Professor
of English Emerita at the University of Southern California
'Here are vernaculars. Here are modern-day classics. Here is a “mind in an unclear world,” “a space perfection will never survive.” Here is invention permitted to travel the world, in dense prose poems and in chatty ones, in capable free verse and ghazals, “emissaries” and “a russet lock in an envelope.” Here Echnida meets the Spider, “making things transparent,” and here [is] bodily frailty and erotic love. Here, readers, are some highlights of the Antipodes, two—no, far more than two—poetic traditions, made available for you. Investigate. Drink deep.
—Stephanie Burt, Professor of English at Harvard University' (Publication summary)
Australia : FarFlung Editions , 2022 pg. 1-2