'Missus takes us behind the lives of Hughie and Mumma, out of the gritty realism of inner city slum life and into the past of the stations, the bush and the country towns.
We meet them as they were in the early 1920s, drifter Hugh Darcy, the unwilling hero who sweeps the dreamily innocent Margaret Kilker off her feet. Ruth Park richly creates the turmoil of those early days of their courtship in the dusty outback, filled with beautifully drawn characters that will make you laugh as much as cry.' (Publication summary)
'Amid the brothels, grog shops and run-down boarding houses of inner-city Surry Hills, money is scarce and life is not easy. Crammed together within the thin walls of Twelve-and-a-Half Plymouth Street are the Darcy family: Mumma, loving and softhearted; Hughie, her drunken husband; pipe-smoking Grandma; Roie, suffering torments over her bitter-sweet first love; while her younger sister Dolour learns about life the hard way.' (Book description from publisher's website.)
'First published in 1949 as the sequel to the award-winning "The Harp in the South", this novel continues the story of the Darcy family of Sydney. The author also wrote "Swords and Crowns and Rings", which won the Miles Franklin Award.' (Publication summary)
'Missus takes us behind the lives of Hughie and Mumma, out of the gritty realism of inner city slum life and into the past of the stations, the bush and the country towns.
We meet them as they were in the early 1920s, drifter Hugh Darcy, the unwilling hero who sweeps the dreamily innocent Margaret Kilker off her feet. Ruth Park richly creates the turmoil of those early days of their courtship in the dusty outback, filled with beautifully drawn characters that will make you laugh as much as cry.' (Publication summary)
Missus
Melbourne
:
Nelson
,
1985
Z389929
1985
single work
novel
'Missus takes us behind the lives of Hughie and Mumma, out of the gritty realism of inner city slum life and into the past of the stations, the bush and the country towns.
We meet them as they were in the early 1920s, drifter Hugh Darcy, the unwilling hero who sweeps the dreamily innocent Margaret Kilker off her feet. Ruth Park richly creates the turmoil of those early days of their courtship in the dusty outback, filled with beautifully drawn characters that will make you laugh as much as cry.' (Publication summary)
The Harp in the South
1947
Z1326724
1947
single work
novel
(taught in 2 units)
'Amid the brothels, grog shops and run-down boarding houses of inner-city Surry Hills, money is scarce and life is not easy. Crammed together within the thin walls of Twelve-and-a-Half Plymouth Street are the Darcy family: Mumma, loving and softhearted; Hughie, her drunken husband; pipe-smoking Grandma; Roie, suffering torments over her bitter-sweet first love; while her younger sister Dolour learns about life the hard way.' (Book description from publisher's website.)
Poor Man's Orange
Sydney
:
Angus and Robertson
,
1949
Z196404
1949
single work
novel
'First published in 1949 as the sequel to the award-winning "The Harp in the South", this novel continues the story of the Darcy family of Sydney. The author also wrote "Swords and Crowns and Rings", which won the Miles Franklin Award.' (Publication summary)
'Ruth Park’s The Harp in the South (1948) and its sequel, Poor Man’s Orange (1949), famously deal with the Irish denizens of Sydney’s Surry Hills slums in the 1940s. This essay seeks to explore the implications of Irishness in these novels, and in the later prequel Missus (1985). The Harp in the South, almost exclusively populated by Irish migrants, stands also as a ‘classic Australian novel’. The characterology draws on transnational tropes of Irishness with a long genealogy that find a new context in the Australian imaginary. The essay explores the ambivalence between hereditarian and cultural notions of Irishness, the way Irish ‘blood’ is foregrounded and resisted, and its tension with Irish ‘names’. The merging of Irish and Australian that the novel promises can only be achieved through omissions and lacunae, especially around questions of colonisation and Indigenous dispossession. Blood and names, we argue, become ways of both evacuating history and summoning it, of opening up allegiances and shutting them down, of appealing to essences and origins, and troubling them at the same time. Ultimately though, whether Irish or Indigenous, blood and names are haunted by the ghosts of ancestors from both near and far.' (Publication abstract)
'Ruth Park’s The Harp in the South (1948) and its sequel, Poor Man’s Orange (1949), famously deal with the Irish denizens of Sydney’s Surry Hills slums in the 1940s. This essay seeks to explore the implications of Irishness in these novels, and in the later prequel Missus (1985). The Harp in the South, almost exclusively populated by Irish migrants, stands also as a ‘classic Australian novel’. The characterology draws on transnational tropes of Irishness with a long genealogy that find a new context in the Australian imaginary. The essay explores the ambivalence between hereditarian and cultural notions of Irishness, the way Irish ‘blood’ is foregrounded and resisted, and its tension with Irish ‘names’. The merging of Irish and Australian that the novel promises can only be achieved through omissions and lacunae, especially around questions of colonisation and Indigenous dispossession. Blood and names, we argue, become ways of both evacuating history and summoning it, of opening up allegiances and shutting them down, of appealing to essences and origins, and troubling them at the same time. Ultimately though, whether Irish or Indigenous, blood and names are haunted by the ghosts of ancestors from both near and far.' (Publication abstract)
