The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
Wiley says of the novel 'it is bound to ring a bell with many teenagers, who must daily walk the line between the two worlds of home and school, family and friends, their parents' culture and traditions and that of their peers.'
Hills uses experiences from her own life to explain the premise behind her novel, that teenagers are interested in all 'ideas, big and small' in their own search for meaning.
Prentice outlines why Southall 'was a voice in Australian Children's literature to be reckoned with by his critics, his fans, his publishers and his close friends'.
Knight says of the book 'It is breathtaking to see a wholly Australian book celebrating working class suburbs and their inhabitiants, revealing their foibles and characteristics with a discerning eye'.
Gordon describes, in a lengthy review, the shift away from past Jennings trademark writing which is a 'lighthearted, funny or embarrassing...journey through adolescence' towards a work with the 'raw emotions of hate, fear, desperation and loneliness that adolescence is notorious for'.
Thomas develops the view that while 'Marc's story is, on some levels, that of a typical sixteen-year-old Australian male...there are complexities to the narrative that lift it from the stereotype' in this review.
Zimmerman gives a reflective review of this volume of works but questions the omission of biographical notes and historical background 'given the prominence of these novels in Australian literature'.