y separately published work icon Imago : New Writing periodical issue  
Issue Details: First known date: 1997... vol. 9 no. 2 Winter 1997 of Imago est. 1989 Imago : New Writing
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Contents

* Contents derived from the 1997 version. Please note that other versions/publications may contain different contents. See the Publication Details.
How to Read a Rover Thomas : Ruby Plains Killing 2i"Vertical or horizontal?", Geoff Page , single work poetry (p. 1-2)
Second Skin, Paddy O'Reilly , single work short story (p. 3-6)
Rings Interpretedi"my son was fascinated", Chao , single work poetry (p. 7-9)
Sharehouses White Towels and Me, Christine Howes , single work short story (p. 10-13)
The Man Who Cried in His Space Suit, James Pollock , single work short story (p. 16-21)
The Townhouses Called Palm Court, with One Palm Tree Amongst Concretei"[First line removed at the request of Coral Hull]", Coral Hull , single work poetry (p. 22)
The Big Picturei"Not addressing issues of concern to the voters?", Graham Rowlands , single work poetry (p. 23)
Interview with Kerryn Goldsworthy, Anne Galligan (interviewer), single work interview (p. 24-33)
Updatei"The trouble with watching the news", Cornelis Vleeskens , single work poetry (p. 34-35)
Girli"The cigarette smoke climbs her fingers. She stares at the harbour.", Dane Thwaites , single work poetry (p. 36)
In a Modern Playgroundi"-that handicapped boy jerking on his penis,", Dane Thwaites , single work poetry (p. 37-38)
Shakespearean Sonnets : LIIi"Kerouac bounces over the tumbled rocks. Soon, the pack", Dane Thwaites , single work poetry (p. 38)
London, England, Wendy James , single work short story (p. 39-43)
End of the Century Idylli"It's a grey and sullen place this haunt of Clare's", John Kinsella , single work poetry (p. 44-51)
The Gentle Art of Persuasion, Megan Jennaway , single work short story (p. 54-61)
The Day of the Upseti"Nadine, who took my details,", Jill Jones , single work poetry (p. 62-63)
The Kitchen Lighti"If the past is correct, it was here she couldn't move.", Jill Jones , single work poetry (p. 64)
The Postmodern Position: A Reading of Furphy's Such is Life, Anastasia Anderson , single work criticism (p. 65-75)
The Malthousei"I ask now why we never entered", John K. Murphy , single work poetry (p. 76)
Another Witnessi"You collect half-forgotten whispers,", Ian Templeman , single work poetry (p. 77)
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