y separately published work icon Southerly periodical issue   peer reviewed assertion
Issue Details: First known date: 1976... vol. 36 no. 2 June 1976 of Southerly est. 1939 Southerly
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Contents

* Contents derived from the 1976 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Hal Porter's Autobiography, R. G. Geering , single work criticism (p. 123-133)
The Always Beginningi"Their song tells nothing of the place or nature", Robert D. FitzGerald , single work poetry (p. 134-135)
Back in Hobarti"My point of reference is this summer slope,", Vivian Smith , single work poetry (p. 135)
Bikie's Moll, Michael Wilding , single work short story (p. 136-138)
Apollo Reminisces with His Out-of-Work Friendsi"In the goodollongone glory days,", Wendy Jenkins , single work poetry (p. 139)
X-Rayi"So this is the one I love,", Geoffrey Dutton , single work poetry (p. 140)
'The Broad Arrow': An Early Novel of the Convict System, Laurie Hergenhan , single work criticism
Hergenhan argues that The Broad Arrow must be read for its historical significance to extract the greatest benefit because the novel suffers artistically from Leakey's clear didactic purpose. The translation of Leakey's religious belief into the fictional context sets up an exploration of the difficulties of living out such a belief and religion's "restricted effectuality in practice". While recognising that the endemic abuse of power by those in control has a marked effect on the lives of female convicts, Hergenhan criticizes Leakey's characterisation of Maida Gwynnham because it makes her unlike other prisoners and therefore worthy of redemption. The novel does not reject the idea of transportation, but calls for a "kinder" form of transportation.
(p. 141-159)
Bird and Beasti"He spoke of birds", David Campbell , single work poetry (p. 159)
Of the Muse and Gravesi""When I asked, he said he would spend the morning", David Campbell , single work poetry (p. 160)
Stone and Canvasi""Laud, a humble bishop, built the college", David Campbell , single work poetry (p. 160)
Continuity and Development in the Work of Judith Wright, Terry Sturm , single work criticism (p. 161-176)
Anitai"So demure and so polite,", Douglas Stewart , single work poetry (p. 177)
Brothersi"Two days beyond the Last Post dawn", Geoff Page , single work poetry (p. 178)
Mrs Gleam, Gwen Kelly , single work short story (p. 179-184)
How to Seduce Thomas Hardy (for Briga)i"Try frequenting graveyards.", Penelope Nelson , single work poetry (p. 185)
Paradoxes of Bruce Dawe's Poetry, J. D. Hainsworth , single work criticism (p. 186-193)
Unityi"I walked one morning over a green hill", Peter Kocan , single work poetry (p. 194)
Speak to the Future, Donald Stuart , single work short story (p. 195-197)
Mythi"It was like an old poem", Andrew McDonald , single work poetry (p. 198-199)
Under the Pine (after Peter Huchel)i"Needles without eyes", Vivian Smith , single work poetry (p. 199)

Publication Details of Only Known VersionEarliest 2 Known Versions of

X