''His beauty and aloofness disturbed the equilibrium of the Rankin family.The stockman for a long time offered a resistance to the efforts of the members of the family to involve him in their lives. He moved about in their familiar world, observing it with unfamiliar eyes; and quietly, industriously he slowly rearranged it.'
'Ward Rankin had not wanted to be tied to the station; he'd imagined a life of travel and experience but there was no-one else. When his mother died, it came to him - owner and manager, now in his fifties, a frustrated man. Ida, his young wife, sees a solution to her own discontent in her growing feelings for the young English stockman Robert Crofts, whose arrival on the station changes their lives forever.
'Set in the remote Central Highlands of Queensland against a backdrop of heat, torrential rain and the strange and lonely landscape, this is a novel of passion, suspense, reinvention and revenge, watched over by the solitary presence of Mt Mooloolong.' (Publication summary)
Literary Migrations : White, English-Speaking Migrant Writers in Australia
Wollongong
:
2011
Z1860612
2011
single work
thesis
'In this thesis, I am arguing that [a] false core/periphery binary has made a particular group of migrants ,-those who are white and have migrated from English-speaking countries - invisible - invisible as migrants, that is. For the writers within this group, this leads to a critical blindness in relation to their work and place within Australian national literature. As a critic, however, I look at the work of Ruth Park, Alex Miller and John Mateer and see it is profoundly influenced by their migrant experience. More often than not they write about themes that are typical of migrant writing: alienation, identity, belonging, home, being in-between cultures, history. For a more appropriate, complete appreciation of their work, this thesis argues that it is imperative to go back to the beginning and return the 'default setting' of migrant to its literal meaning.' [From the author's abstract]
