'Collects representative short stories by Christina Stead, Peter Cowan, David Malouf, Peter Carey, and Kate Grenville'
London : Faber , 1988 pg. 241-249'Poems, stories, letters and extracts from novels, plays and journals present a great variety of responses to Australia and to the art of writing. Items have been arranged into 12 groupings that reflect different ways of seeing the material of Australian writing. Each section has its own introduction. Problems are explained, theories and contexts for a wider understanding are offered. The book includes biographical guides to all authors and a full chronological table of events in the literary history of Australia.' (Publication summary)
South Melbourne : Macmillan , 1990 pg. 504-509'He is a failed writer turned diplomat, an anarchist learning the value of discipline. He moves in a world which takes him from the Australian wilderness to the conference rooms of Vienna and Geneva; from the whore-house to warzone he feels the pull of the genetic spiral of his ancestry. At the sharp axis of his mid-life he scans the memorabilia of his feelings in the hope of giving answers. In his first full-length novel Moorhouse presents a roving, dissatisfied man entering middle age in a house-of-mirrors portrait: fragmentary and multifaceted. Sean, a hard-drinking, hard-living Australian, has just turned 40; the other half of the title refers to a precocious schoolgirl who is one of his many liaisons. The most important of the other women who drift into and out of his life include his ex-wife Robyn, now unflinching in the face of cancer; Belle, Sean's fellow sexual adventurer; and Edith Campbell Berry, an aging iconoclast whom Sean encounters in Vienna and Israel. Forty-Seventeen is told with characteristic Moorhouse style — candid, wryly insightful and morbidly comic— and, in this resonant and acclaimed book, achieves a new virtuosity.' (Publication summary)
Ringwood : Viking , 1988 pg. 23-31