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y separately published work icon Joan Makes History single work   novel   historical fiction  
Issue Details: First known date: 1988... 1988 Joan Makes History
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AbstractHistoryArchive Description

Australia's history retold through the eyes of Joan, a woman who has never rated a mention in the school books. Joan leads many lives: she is a wife and mother of no great distinction, but in the life of her imagination she is present at all the big moments of Australia's past. (Source: Trove)

Exhibitions

Notes

  • Dedication: For Bruce
  • Discussion notes available.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Latham, Albany, New York (State),
      c
      United States of America (USA),
      c
      Americas,
      :
      British American Pub. ,
      1988 .
      image of person or book cover 248640043779361290.jpg
      This image has been sourced from online.
      Extent: 279p.
      ISBN: 0945167091
    • London,
      c
      England,
      c
      c
      United Kingdom (UK),
      c
      Western Europe, Europe,
      :
      Heinemann ,
      1989 .
      image of person or book cover 173075424841458219.jpg
      This image has been sourced from online.
      Extent: 285p.
      Reprinted: 5 Dec 1991
      ISBN: 0434304506
    • St Lucia, Indooroopilly - St Lucia area, Brisbane - North West, Brisbane, Queensland,: University of Queensland Press , 2014 .
      image of person or book cover 4551953312429146633.jpg
      Cover image courtesy of publisher.
      Extent: 256p.
      Note/s:
      • Published 22 October 2014
      ISBN: 9780702253515
      Series: y separately published work icon UQP Modern Classics St Lucia : University of Queensland Press , 2013-2017 8023624 2013 series - publisher novel
Alternative title: Joan Skriver Historia
Language: Swedish
    • Stockholm,
      c
      Sweden,
      c
      Scandinavia, Western Europe, Europe,
      :
      Legenda ,
      1990 .
      image of person or book cover 6598058566398122346.jpg
      This image has been sourced from online.
      Extent: 211p.
      ISBN: 9158214186

Other Formats

  • Large print.
  • Sound recording.

Works about this Work

Turning the Inside Out : Interiority and Australian Fiction Peter D. Mathews , 2020 single work criticism
— Appears in: The Routledge Companion to Australian Literature 2020; (p. 227-234)

'The notion of interiority in Australian literature can be thought of in two main ways: as a physical, geographical location, such as the outback, or as a subjective notion of what constitutes our identity. Examining a range of representative examples, this chapter examines the way in which Australian fiction has explored, transgressed, and questioned the overlap of these two metaphors of interiority. For authors like Patrick White and Tim Winton, for instance, these liminal moments are often presented as mystical experiences, whereas novels like Kate Grenville’s Joan Makes History or Kim Scott’s Benang explore their colonial and political dimensions. The common intersection for all these narratives lies in their shared ethical confrontation between self and other, internal and external, a contested line that challenges readers of Australian fiction to rethink the borders of their own interiority.'

Source: Abstract

Around 1988 : Australian Literature, History and the Bicentenary Eduardo Marks de Marques , 2020 single work criticism
— Appears in: The Routledge Companion to Australian Literature 2020; (p. 99-106)
‘It is fair to state that one of the most important and heated debates in twentieth-century Australia, both inside and outside academia, is the constitution of the nation’s identity. Were Australians to be seen as the result of a miscegenating convergence of many European (with a certain centrality of British values) and native cultures or should Australians be acknowledged as the result of a powerful resistance against such miscegenation? Both discourses circulated somewhat freely and strongly, especially from the second half of that century; however, it was Russel Ward’s normative account of the constructive elements of the typical Australia that was more deeply embedded in the nation’s imagination. Ward’s The Australian Legend (1958) claims that the Australian national identity is formed by the convergence of a cultural and biological Anglo-Saxon heritage and what he refers to as a unique Australian construction of masculinity, based on notions of mateship, egalitarianism, and (implicit, though questioned) heterosexuality. With the advent of both the New Left and second-wave feminism in Australia, though, Ward’s ideas came under intense attack and dissent brought to the table a disruption of the Wardian formative elements of national identity, bringing as a result a displacement of the central, ‘typical’ Australian that made other dissenting identities (women, Aboriginal and Torres Strait Islander people, and other ethnicities) invisible. The grounds for a policy of multiculturalism were laid and the questioning of an Australian monocultural identity would be at the centre of the most important celebratory event of the end of the twentieth century: the Bicentenary of the arrival of the First Fleet, which marked the official beginning of British colonisation of Australia.’ (Introduction)
 
guo jia qing dian yu ao da li ya li shi xiao shuo Celebration of a Nation : The Bicentenary and the Australian Historical Novels Jie Huang , 2017 single work criticism
— Appears in: Foreign Literature Review , vol. [2017] no. 3 2017; (p. 122-140)

'1988年澳洲殖民二百周年庆是一个具有重大历史意义的事件。该庆典的官方组织者希望这次庆祝活动成为民族自我欢庆的和谐大合唱,可实际上它却成了各种政治势力和利益群体竞技的话语场。凯特·格伦维尔的《琼创造历史》和彼得·凯里的《奥斯卡与露辛达》这两部当年出版的历史小说是典型的"二百周年庆作品",反映了该时期独特的期待视野、价值观和利益;它们也是作家以写作方式积极参与社会大辩论、表达自己政治立场、历史观和对民族接触问题态度的产物'

Source: CAOD.

Manifestations of Landscape, Language and Ethnicity in Post-War Australian Literature Deepkumar J. Trivedi , 2016 single work criticism
— Appears in: Narratives of Estrangement and Belonging : Indo-Australian Perspectives 2016; (p. 75-92)

'The post-war Australian literature offers multitude in terms of ethnicity. The talk of Aborigines, the stories of the whites, the psychological state of a migrant mind, the idea of home, the civilization and savagery, superiority and inferiority, rationality and sensuality, these all share the pages of Australian literature…' (75)

Implicit Acts of Filth : The Parodic Virtues of Cleanliness Aritha van Herk , 2015 single work criticism
— Appears in: TEXT : Special Issue Website Series , October no. 33 2015;
'From ‘the Wolf’ Wolfe in Quentin Tarantino’s Pulp Fiction to the laundress in Kate Grenville’s Joan Makes History, the act of nettoyage is called into service as an intertextual gesture toward decoding all that is virtuous (or not), all that is filthy (or not). As an inevitable repetition or agent of redundancy, complete with all the recursive energies of concealment and discovery, cleaning and the cleaner serve a parodic practice that has been entirely overlooked in its representation in various forms of narrative (fiction, film, and image). Parody may be, as Hutcheon claims, ‘a more restricted form, in pragmatic terms, than allusion or quotation’ (1985: 50), but it has also not been accorded the power that it wields in a quotidian presence, its gestural and recitative marking performing a contestation that is ignored because it is ‘unmarked’ (60). In short, its association with the erotic and the criminal, erasure and commodification, make nettoyage a transgressive site in disguise. Scouring and laundering’s ‘transcontextualizing’ power resides in its invisibility, and its work as an ‘authorized transgression’ (Hutcheon 1985: 101) enunciates a persistent parodic presence in an aesthetically incognizant world. The play of disinfectant as part of Foucault’s ‘writing of things’ thus alludes to parody’s most powerful affect: its connection to the most ordinary and quotidian of gestures, doubled by cultural aesthetic and instructional pragmatism.' (Publication abstract)
Kate Grenville's Enduring Witches Carolyn Tetaz , 2002-2003 single work review
— Appears in: Australian Book Review , December-January no. 247 2002-2003; (p. 65)

— Review of Bearded Ladies : Stories Kate Grenville , 1984 selected work short story poetry ; Dreamhouse Kate Grenville , 1986 single work novel ; Joan Makes History Kate Grenville , 1988 single work novel
Second Look Peter Craven , 2003 single work review
— Appears in: The Sunday Age , 6 April 2003; (p. 10)

— Review of Joan Makes History Kate Grenville , 1988 single work novel
[Review] Joan Makes History Kate Veitch , 1988 single work review
— Appears in: Fremantle Arts Review , September vol. 3 no. 9 1988; (p. 15)

— Review of Joan Makes History Kate Grenville , 1988 single work novel
Dusk, Sunlight, Fire Martin Flanagan , 1988 single work review
— Appears in: Overland , October no. 112 1988; (p. 77-78)

— Review of Voices Peter Cowan , 1988 selected work short story ; Joan Makes History Kate Grenville , 1988 single work novel ; Out of the Line of Fire Mark Henshaw , 1988 single work novel
Fantasy of the Female Susan McKernan , 1988 single work review
— Appears in: The Bulletin , 3 May vol. 110 no. 5617 1988; (p. 127)

— Review of Fictions 88 1988 anthology short story ; Poetry Australia no. 114 Philip Hodgins , 1988 periodical issue poetry ; Joan Makes History Kate Grenville , 1988 single work novel
Sociological and Historical Perspectives on Australia as Portrayed by Contemporary Australian Writers Rosemary Kerr , 1995-1996 single work criticism
— Appears in: The Commonwealth Review , vol. 7 no. 1 1995-1996; (p. 19-27)
"Africa and Australia" Revisited" Reading Kate Grenville's Joan Makes History Kwaku Larbi Korang , 2003 single work criticism
— Appears in: Antipodes , June vol. 17 no. 1 2003; (p. 5-12) Lighting Dark Places : Essays on Kate Grenville 2010; (p. 73-92)
Korang engages with Grenville's novel Joan Makes History from the perspective of his 'reading self', that is 'African, male, non-white and non-Australian'. Through this experience, he discovers that 'against the ironic necessity of accepting that each time we travel we discover ourselves only, we must posit the freedom to make the disclaimer, postcolonially, that in our worldly encounters we are enjoined to discover in ourselves other selves.'
The Return of the Oppressed : Re-Writing the Female Self in Lilian's Story and Joan Makes History Mridula Jose , 2004 single work criticism
— Appears in: Cultural Interfaces 2004; (p. 100-106)
Examining the female protagonists in two of Grenville's novels, Jose concludes that 'Storytelling is one of the strongest strategies used by Grenville. The story replaces what happens, and having control over the story provides control over the truth. It is the one who tells the story, who is made immortal. Grenville has control, very much like her protagonists Lilian and Joan. It is in the act of "telling" and "voicing" their stories, that Grenville is able to avenge those who have tradtionally been rendered voiceless.'
Joan Makes Her Mark as 'Living History' Russell Wenholz , 2006 single work column
— Appears in: Canberra Sunday Times , 25 June 2006; (p. 14)
Kate Grenville's Mythopoeic Imagination : A Study of Her Novels Atiqa Masih , 2006 single work criticism
— Appears in: Caring Cultures : Sharing Imaginations : Australia and India 2006; (p. 131-141)
The article examines the portrayal of female characters and the female voice in the novels of Kate Grenville.
Last amended 6 Mar 2020 11:48:37
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