Ningali single work   drama   - One person show
Issue Details: First known date: 1994... 1994 Ningali
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Production Details

  • First produced at Moores Building, Fremantle, Western Australia by Deck Chair Theatre and Montage Productions, 20 August 1994. Directed by Angela Chaplin. Subsequently toured to Bonn and Berlin in Germany in 1995, regional United Kingdom and the Edinburgh Festival where it won the award for Best New Production in 1996. It was remounted for the Olympic Festival of the Dreaming in Sydney in 1997.

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: 1994
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Works about this Work

y separately published work icon A Compelling Force : Indigenous Women Playwrights Maryrose Casey , 2007 St Lucia : AustLit: The Australian Literature Resource , 2007 Z1271301 2007 single work criticism
y separately published work icon Mapping Cultural Identity in Contemporary Australian Performance Helena Grehan , Brussels New York (City) Berne : Peter Lang , 2001 Z932026 2001 single work criticism

Focuses on a critical reading of four key Australian performance pieces to demonstrate ways in which cultural identity can be represented and interpreted in performance. Grehan takes as her point of departure questions of place, belonging and cultural identity to formulate an analytical framework ('mapping') for contemporary performance. Drawing on theoretical ideas of Gilles Deleuze and Felix Guattari, Rosi Braidotti and Edward Casey, she develops her own theory of mapping as an analytical tool which can facilitate the opening of multiple layers of meaning within contemporary performance.
Reconciliation? Aboriginality and Australian Theatre in the 1990s Helen Gilbert , 1998 single work criticism
— Appears in: Our Australian Theatre in the 1990s 1998; (p. 71-88) Australian Studies Now : An Introductory Reader in Australian Studies 2007; (p. 85-108) Helen Gilbert considers a wide range of Aboriginal theatre produced in the 1990s, tracing the various articulations of Aboriginality in these performances and how, in spite of difficulties and frustrations, they opened up a space for 'productive dialogue' between Aboriginal and non-Aboriginal Australians.
To Sir, with Love Jane Wheatley , 1997 single work column
— Appears in: Good Weekend , 20 September 1997; (p. 34-35)
Modest Life a Hit Ron Banks , 1997 single work biography
— Appears in: The West Australian , 25 September 1997; (p. 6)
Ningali Takes a Look at Good Times - and Bad Todd Condie , 1996 single work review
— Appears in: Koori Mail , 28 February no. 120 1996; (p. 23)
— Review of Ningali Robyn Archer , Josie Ningali Lawford , Angela Chaplin , 1994 single work drama
Meld a Singular Triumph Ron Banks , 1994 single work review
— Appears in: The West Australian , 22 August 1994; (p. 8)
— Review of Ningali Robyn Archer , Josie Ningali Lawford , Angela Chaplin , 1994 single work drama
Theatre Gareth Griffiths , 1994 single work review
— Appears in: The Australian , 26 August 1994; (p. 19)
— Review of Ningali Robyn Archer , Josie Ningali Lawford , Angela Chaplin , 1994 single work drama
One-Woman Show of a Lifetime David Hough , 1994 single work review
— Appears in: The Bulletin , 20 September vol. 116 no. 5938 1994; (p. 98)
— Review of Ningali Robyn Archer , Josie Ningali Lawford , Angela Chaplin , 1994 single work drama
Ningali's Journery Brims with Emotional Vitality Ann Nugent , 1994 single work review
— Appears in: The Canberra Times , 12 October 1994; (p. 22)
— Review of Ningali Robyn Archer , Josie Ningali Lawford , Angela Chaplin , 1994 single work drama
y separately published work icon A Compelling Force : Indigenous Women Playwrights Maryrose Casey , 2007 St Lucia : AustLit: The Australian Literature Resource , 2007 Z1271301 2007 single work criticism
Reconciliation? Aboriginality and Australian Theatre in the 1990s Helen Gilbert , 1998 single work criticism
— Appears in: Our Australian Theatre in the 1990s 1998; (p. 71-88) Australian Studies Now : An Introductory Reader in Australian Studies 2007; (p. 85-108) Helen Gilbert considers a wide range of Aboriginal theatre produced in the 1990s, tracing the various articulations of Aboriginality in these performances and how, in spite of difficulties and frustrations, they opened up a space for 'productive dialogue' between Aboriginal and non-Aboriginal Australians.
Writing Ningali Angela Chaplin , 1996 single work criticism
— Appears in: Telling Time : Papers, Perfomances and Images from Playworks Playing with Time Festival Held at the Wharf Theatre, Sydney 13-15 October 1995 1996; (p. 73-77) Chaplin discusses the collaborative creation of the play, Ningali.
In the Big House Now Peter Cochrane , 1995 single work column
— Appears in: The Sydney Morning Herald , 13 December 1995; (p. 17)
Deck Chair's Flouring after Drought Ron Banks , 1994 single work criticism
— Appears in: The West Australian , 14 February 1994; (p. 4)
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Last amended 23 May 2006 11:48:04
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