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'Narroondarie is the name of one of the many good men that were sent among the various tribes of the Australian Aborigines...' (David Unaipon, 1924-25)
Publication Details of Only Known VersionEarliest 2 Known Versions of
This 1930s publication describes the legends of the Australian Aborigines located in the southeast corner of Australia near the Murray River. It covers a range of narratives from the creation stories to those of witchcraft, and explanations of landmarks. (Source: Preface).
'This is the first collection to span the diverse range of Black Australian writings. Thirty-six Aboriginal and Islander authors have contributed, including David Unaipon, Oodgeroo Noonuccal, Gerry Bostock, Ruby Langford, Robert Bropho, Jack Davis, Hyllus Maris, William Ferguson, Sally Morgan, Mudrooroo Narogin and Archie Weller. Many more are represented through community writings such as petitions and letters.
Collected over six years from all the states and territories of Australia, Paperbark ranges widely across time and genre from the 1840s to the present, from transcriptions of oral literature to rock opera. Prose, poetry, song, drama and polemic are accompanied by the selected artworks of Jimmy Pike, and an extensive, up-to-date bibliography.The voices of Black Australia speak with passion and power in this challenging and important anthology.' Source: Publisher's blurb.
Originally written in the 1920s by David Unaipon. The original work was edited by W. Ramsay Smith and published in 1930 credited to W. Ramsay Smith as Myths & Legends of the Australian Aboriginals, without acknowledgement of Unaipon's authorship. Shoemaker and Muecke republished it in 2001 under Unaipon's name and original title.
AustLit uses the original Unaipon title as the main title showing Ramsay Smith's title as an alternative title on those editions published prior to the restitution edition.
The Tree and Its Voices : What the Casuarina SaysBarbara Holloway,
2011single work criticism — Appears in:
Australasian Journal of Ecocriticism and Cultural Ecology,Summervol.
1no.
2011;'The tree known popularly and scientifically as the casuarina has been consistently noticed for the sounds made as wind passes through its unusual foliage of needles and leaf scales. The acoustic experience of the casuarina — with subspecies found throughout Australia — has been represented as 'haunted', 'grieving' and voicing the secret language of initiates. This essay traces intriguing conceptual and aesthetic representations of the 'voice' and its listeners found across both Aboriginal and white Australian cultures in traditional English verse, Aboriginal prose narrative, accounts of cultural practices, and hybrid blends of all three. The essay adopts the notion of 'listening to listening' to set out the many forms of story the tree's sounds generate their contribution to identifying places, and to suggest a specific Aboriginal song-line appears to underlie the divergent replications of tree-'voice' across southern Australia.' (Author's abstract)
Appropriation or Post-Colonial RenaissanceStephen Muecke,
1992single work criticism — Appears in:
Textual Spaces : Aboriginality and Cultural Studies1992;(p. 163-178)'In this chapter I am going to advance the thesis that spatial movements, including landscape, everyday 'city spaces', writing and travel, are all closely interrelated, and that the extraordinary mobility of recent creative work by Aboriginal artists constitutes a strong movement towards post-colonisation as it carries a series of implications for the practice of perceiving the land.' (164)
The Tree and Its Voices : What the Casuarina SaysBarbara Holloway,
2011single work criticism — Appears in:
Australasian Journal of Ecocriticism and Cultural Ecology,Summervol.
1no.
2011;'The tree known popularly and scientifically as the casuarina has been consistently noticed for the sounds made as wind passes through its unusual foliage of needles and leaf scales. The acoustic experience of the casuarina — with subspecies found throughout Australia — has been represented as 'haunted', 'grieving' and voicing the secret language of initiates. This essay traces intriguing conceptual and aesthetic representations of the 'voice' and its listeners found across both Aboriginal and white Australian cultures in traditional English verse, Aboriginal prose narrative, accounts of cultural practices, and hybrid blends of all three. The essay adopts the notion of 'listening to listening' to set out the many forms of story the tree's sounds generate their contribution to identifying places, and to suggest a specific Aboriginal song-line appears to underlie the divergent replications of tree-'voice' across southern Australia.' (Author's abstract)
Appropriation or Post-Colonial RenaissanceStephen Muecke,
1992single work criticism — Appears in:
Textual Spaces : Aboriginality and Cultural Studies1992;(p. 163-178)'In this chapter I am going to advance the thesis that spatial movements, including landscape, everyday 'city spaces', writing and travel, are all closely interrelated, and that the extraordinary mobility of recent creative work by Aboriginal artists constitutes a strong movement towards post-colonisation as it carries a series of implications for the practice of perceiving the land.' (164)