Cirrus@Austlit

'The classic Australian story Dot and the Kangaroo jumps into the digital age with this stunning new stage adaptation. Featuring breathtaking aerial acrobatics, live music and spectacular 3D projections, you will discover the Australian landscape as you’ve never seen it before. See indigenous flora and fauna, meet creatures in their natural habitat and explore their quirky characteristics amidst the beauty and fragility of the Australian bush. 

'When 5-year-old Dot gets lost in the bush, she is rescued by a kangaroo who gives her magic ‘berries of understanding’ that allow her to follow the languages of all the animals and insects around her. With this new gift, Dot and Kangaroo set out on an action-packed adventure to return her home – an adventure that changes the way she sees the Australian bush and her place within it forever.

'But how long before this unique native wildlife disappears as humans encroach on their habitat? Creature invites you to enter the magical world of the Australian bush to explore how our actions and choices affect the world around us.'

Source: Darwin Entertainment Centre.

'This collection, introduced by John McCallum, includes three previously unpublished works: Jonah, a Brechtian musical reinvention of Louis Stone's novel of the same name; Top End, a political drama set in Darwin during the Indonesian invasion of East Timor, and Lost Weekend which takes a class-based look at 'Australianess'. They are published together with Romeril's best-known play, The Floating World, the story of a returned serviceman's descent into madness on a cruise ship bound for Japan.

'Romeril's writing conveys the immediacy of the times that stems from his beginnings as an agitprop writer, but he focuses on everyday lives. The plays in Damage explore the twentieth century stresses and strains, the damage we do and the damage done to us.' (From the publisher's website.)

'Uncle Jack Charles is an Australian legend: veteran actor, musician, Koori elder and activist, but for a good portion of his nearly 70 years he has also been an addict, a thief and a regular in Victoria’s prisons.'

'From Stolen Generation to Koori theatre in the 70s, from film sets to Her Majesty’s prisons, JACK CHARLES V THE CROWN runs the gamut of a life lived to its utmost. Charles’ unswerving optimism transforms this tale of addiction, crime and doing time into a kind of vagabond’s progress – a map of the traps of dispossession and a guide to reaching the age of grey-haired wisdom.'

'This fleet-footed, light-fingered one-man show is a theatrical delight and a celebration of Black Australia’s dogged refusal to give up on getting on.' (Source: Ilbijerri Theatre Company website)

A young girl goes missing within the Australian landscape and her father refuses to let an Aboriginal man, Albert, be included in the search party and utilise his tracking skills. It is a decision that proves fatal. Months later, the child's mother approaches Albert to begin the tracking process that eventually leads her to her lost child.