Cirrus@Austlit

'Stephen Villani is the acting head of the Victoria Police homicide squad. But his first months on the job have not gone well: two Aboriginal teenagers shot dead in a botched operation he authorised in the provincial city of Cromarty; and, no progress on the killing of a man in front of his daughter outside a private girls' school.

Now five men are found dead in horrifying circumstances on the outskirts of the city. Villani's superiors and the media are baying for arrests. To add to his woes, some of the country's richest people are alarmed by the baffling killing of a young woman in the high-security tower where they live.

Villani, a man who has built his life around his work, begins to find the certainties of both crumbling. As the pressure mounts, he finds that he must contemplate things formerly unthinkable. Truth is a novel about murder, corruption, family, friends, honour, honesty, deceit, love, betrayal and truth.' (from Quercus website)

'Joe Cashin was different once. He moved easily then; was surer and less thoughtful. But there are consequences when you've come so close to dying. For Cashin, they included a posting away from the world of Homicide to the quiet place on the coast where he grew up. Now all he has to do is play the country cop and walk the dogs. And sometimes think about how he was before.

'Then prominent local Charles Bourgoyne is bashed and left for dead. Everything seems to point to three boys from the nearby Aboriginal community; everyone seems to want it to. But Cashin is unconvinced. And as tragedy unfolds relentlessly into tragedy, he finds himself holding onto something that might be better let go.'
Source: Publisher's website (Sighted 22/8/11)

In Elizabeth Costello: Eight Lessons, the eponymous protagonist is a retired author of international literary acclaim, who now spends her time giving guest lectures and interviews at scholarly events around the world. Old age has loosened, rather than reified, her ethical and literary convictions, and swelled her emotional reserves; rather than provide the staid academic wisdom expected of her, Costello offers provocative, unsettling opinions on issues such as animal rights, literary censorship, and the nature of belief - opinions she may or may not believe in herself. Profoundly aware of itself, Coetzee's novel is about human morality and mortality, but above all, about literature itself and the ethical responsibilities of writers and readers.

'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."

'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)

'The entries in this collection take us to the farthest extremes of travel with tales of danger, disorientation and bemused discomfort; combines reportage, fiction and poetry representing some of the best-known writers of our time.' (Publication summary)