Cirrus@Austlit

''Her self is an illusion yet it is one beloved by most everyone who has heard her speak . . . She is thirty-three years old and there is no one else in the world who knows who she used to be.'

'The motherless child of an English priest living in ninth-century Mainz, Agnes is a wild and brilliant girl with a deep, visceral love of God. At eighteen, to avoid a future as a wife or nun, Agnes enlists the help of a lovesick Benedictine monk to disguise herself as a man and devote her life to the study she is denied as a woman.

'So begins the life of John the Englishman: a matchless scholar and scribe of the revered Fulda monastery, then a charismatic heretic in an Athens commune and, by her middle years, a celebrated teacher in Rome. There, Agnes (as John) dazzles the Church hierarchy with her knowledge and wisdom and finds herself at the heart of political intrigue in a city where gossip is a powerful—and deadly—currency.

'And when the only person who knows her identity arrives in Rome, she will risk everything to once again feel what it is to be known—and loved.

'Rapture is an astonishing, transformative and audacious novel that confirms Emily Maguire as one of our finest writers.' (Publication summary)

'Nic is a forty-five-year-old trivia buff, amateur nail artist and fairy godmother to the neighbourhood's stray cats. She's also the owner of a decade's worth of daily newspapers, enough clothes and shoes to fill Big W three times over and a pen collection which, if laid end-to-end, would probably circle her house twice.

'The person she's closest to in the world is her beloved niece Lena, who she meets for lunch every Sunday. One day Nic fails to show up. When Lena travels to her aunt's house to see if Nic's all right, she gets the shock of her life, and sets in train a series of events that will prove cataclysmic for them both.

'By the acclaimed author of An Isolated Incident, Love Objects is a clear-eyed, heart-wrenching and deeply compassionate novel about love and family, betrayal and forgiveness, and the things we do to fill our empty spaces.'

Source: Publisher's blurb.

'After discovering most novels of ‘literary value’ are written by dead white men, Emily Maguire asks, who gets to decide? And what’s the criteria?' (Introduction)

'When beautiful 25-year-old Bella Michaels is brutally murdered in the small New South Wales town of Strathdee, the community is stunned and a full investigation gets underway as a media storm descends.

'Unwillingly thrust into the eye of that storm is Bella's beloved older sister, Chris, a barmaid at the local pub and occasional sex worker, and a woman whose apparent easygoing nature conceals hard-won wisdom and the kind of street-smart only experience can bring.

'As Chris is plunged into despair and searches for answers, reasons, explanations - anything - that could make even the smallest sense of Bella's death, her ex-husband, friends and neighbours do their best to support her. But as the days tick by with no arrest, Chris's suspicion of those around her grows.

'Also interested in Chris is May Norman, a young, self-absorbed city journalist, who is determined that Bella's murder will be the story to launch her career. But the longer May spends in Strathdee, the more she feels unable to do the job she was sent to do, yet unwilling to leave until she knows how the story ends.

'An Isolated Incident is a psychological thriller about everyday violence, the media's obsession with pretty dead girls, the grip of grief and the myth of closure, and the difficulties of knowing the difference between a ghost and a memory, between a monster and a man. ' (Publication summary)