''Her self is an illusion yet it is one beloved by most everyone who has heard her speak . . . She is thirty-three years old and there is no one else in the world who knows who she used to be.'
'The motherless child of an English priest living in ninth-century Mainz, Agnes is a wild and brilliant girl with a deep, visceral love of God. At eighteen, to avoid a future as a wife or nun, Agnes enlists the help of a lovesick Benedictine monk to disguise herself as a man and devote her life to the study she is denied as a woman.
'So begins the life of John the Englishman: a matchless scholar and scribe of the revered Fulda monastery, then a charismatic heretic in an Athens commune and, by her middle years, a celebrated teacher in Rome. There, Agnes (as John) dazzles the Church hierarchy with her knowledge and wisdom and finds herself at the heart of political intrigue in a city where gossip is a powerful—and deadly—currency.
'And when the only person who knows her identity arrives in Rome, she will risk everything to once again feel what it is to be known—and loved.
'Rapture is an astonishing, transformative and audacious novel that confirms Emily Maguire as one of our finest writers.' (Publication summary)
'This sensual account of a woman seeking knowledge and God in a man’s world brings us close to matters of faith and the body'
'The story of the only female pope (to date) emerged in the thirteenth century, and for some time thereafter was widely disseminated in Europe. She was initially alleged to have lived in the twelfth century, but what would become the best-known version of the story placed her election as pope in the year 855. The pontificate of ‘John Anglicus’ was said to have lasted for approximately two and a half years, between those of Leo IV and Benedict III. The story, which may have originated as parody, flourished in credence. The head of ‘Johannes VIII, Femina de Anglia’ was included in a series of busts of the legitimate popes in the nave of the Cathedral of Siena until 1600, when Pope Clement VIII ordered its removal and formally declared that the impostor pope had never existed. With no contemporary evidence substantiating the audacious tale of ‘Pope Joan’, it appears to have been a kind of medieval urban legend. Despite this, her appeal to artists and writers persists, adaptations of the story including two film versions, novels, plays, and (premièring in 2011) a musical.' (Introduction)
'The story of the only female pope (to date) emerged in the thirteenth century, and for some time thereafter was widely disseminated in Europe. She was initially alleged to have lived in the twelfth century, but what would become the best-known version of the story placed her election as pope in the year 855. The pontificate of ‘John Anglicus’ was said to have lasted for approximately two and a half years, between those of Leo IV and Benedict III. The story, which may have originated as parody, flourished in credence. The head of ‘Johannes VIII, Femina de Anglia’ was included in a series of busts of the legitimate popes in the nave of the Cathedral of Siena until 1600, when Pope Clement VIII ordered its removal and formally declared that the impostor pope had never existed. With no contemporary evidence substantiating the audacious tale of ‘Pope Joan’, it appears to have been a kind of medieval urban legend. Despite this, her appeal to artists and writers persists, adaptations of the story including two film versions, novels, plays, and (premièring in 2011) a musical.' (Introduction)
'This sensual account of a woman seeking knowledge and God in a man’s world brings us close to matters of faith and the body'
