Cirrus@Austlit

'Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.

'Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.' (Publication summary) 

"The retreat at health and wellness resort Tranquillum House promises total transformation. Nine stressed city dwellers are keen to drop their literal and mental baggage, and absorb the meditative ambience while enjoying their hot stone massages. 

"Watching over them is the resort's director, a woman on a mission to reinvigorate their tired minds and bodies. 

"These nine perfect strangers have no idea what is about to hit them.

"With her wit, compassion and uncanny understanding of human behaviour, Liane Moriarty explores the depth of connection that can be formed when people are thrown together in... unconventional circumstances." (Publisher's website)

'Two summers, decades apart. Two women whose lives are forever entwined. And a house that holds the secrets that could free them both.

'At twenty-six, Lillian feels ancient and exhausted. Her marriage to Charles Oberon has not turned out the way she thought it would. To her it seems she is just another beautiful object captured within the walls of Cloudesley, her husband's Chilterns manor house. But, with a young step-son and a sister to care for, Lillian accepts there is no way out for her. Then Charles makes an arrangement with an enigmatic artist visiting their home and her world is turned on its head.

'Maggie Oberon ran from the hurt and resentment she caused. Half a world away, in Australia, it was easier to forget, to pretend she didn't care. But when her grandmother, Lillian, falls ill she must head back to Cloudesley. Forced to face her past, she will learn that all she thought was real, all that she held so close, was never as it seemed.'

Source: Publisher's blurb.

'On a hot January afternoon, Fairlie Winter receives a phone call. Her best friend has just taken her own life.

'Jenna Rudolph, 26 years old, has left behind a devoted husband, an adorable young son and a stunning vineyard. But Fairlie knows she should have seen this coming.

'Yet Fairlie doesn't know what Jenna's husband Ark is hiding, nor does she know what Jenna's mother Evelyn did to drive mother and daughter apart all those years ago.

'Until Fairlie opens her mail and finds a letter. In Jenna's handwriting. Along with a key.

'Driven to search for answers, Fairlie uncovers a horrifying past, a desperate mother, and a devastating secret kept by those she loves the most.

'Heartbreaking and terrifying, Like I Can Love explores love in all its forms - from the most fragile to the most dangerous - and the unthinkable things we do in its name.' (Publication summary)

'1923

'Maria Vittoria is embroidering a sheet for her dowry trunk.

'Her father has gone to find her a husband. He’s taken his mule, a photograph and a pack of food: home-made sopressa sausage, cold polenta, a little flask of wine – no need to take water – the world is full of water.

'There are no eligible men in this valley or the next one, and her father will not let her marry just anyone, and now, despite Maria’s years, she is still healthy. Her betrothed will see all that. He’ll be looking for a woman who can do the work.

'Maria can do the work. Everyone in the contrà says that.

'And the Lord knows Maria will need to be able to work. Fascism blooms as crops ripen, the state craves babies just as the babies cry for food. Maria faces a stony path, but one she will surely climb to the summit.

'In this sumptuous and elegant novel you will taste the bigoli co l’arna, touch the mulberry leaves cut finer than organdie, and feel the strain of one woman attempting to keep her family safe in the most dangerous of times.'

Source: Publisher's blurb.

'My real name, no one remembers.
The truth about that summer, no one else knows.

'In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor in rural Oxfordshire. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe's life is in ruins.

'Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist's sketchbook containing the drawing of a twin-gabled house on the bend of a river.

'Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

'Told by multiple voices across time, The Clockmaker's Daughter is a story of murder, mystery and thievery, of art, love and loss. And flowing through its pages like a river, is the voice of a woman who stands outside time, whose name has been forgotten by history, but who has watched it all unfold: Birdie Bell, the clockmaker's daughter.' (Source: Publisher's blurb)

'How far would you go to protect a child in danger?

'When a new family moves in next door, it takes Anna just two days to realise something is very wrong. She can hear their five-year-old daughter Charlie crying, then sees injuries on the little girl which cannot be ignored. Anna reports the family to the police and social services but when no one comes to Charlie's aid, Anna understands that she is alone with her fears for the child's life.

'So when Charlie comes to her door asking for help, the only thing Anna can think to do is take the girl and run.

'Raising delicate but deeply felt questions about our individual responsibility for the children around us, Promise is a novel that obliges the reader to ask: if Charlie were my neighbour, what would I do?' (Publication summary)

'An abandoned house…

'After a particularly troubling case, Sadie Sparrow is sent on an enforced break from her job with the Metropolitan Police and retreats to her beloved grandfather’s cottage in Cornwall. There she finds herself at a loose end, until one day she stumbles upon an abandoned house surrounded by overgrown gardens and dense woods, and learns the story of a baby boy who disappeared without a trace.

'A missing child…

'June 1933, and the Edevane family’s country house, Loeanneth, is polished and gleaming, ready for the much-anticipated Midsummer Eve party. For Eleanor, the annual party has always been one of her treasured traditions, but her middle daughter, Alice, sixteen years old and with literary ambitions, is especially excited. Not only has Alice worked out the perfect twist for her novel, she’s also fallen helplessly in love with someone she shouldn’t. But by the time midnight strikes and fireworks light up the night sky, the Edevane family will have suffered a loss so great they leave Loeanneth and never return.

'An unsolved mystery…

'Seventy years later, in the attic writing room of her elegant Hampstead home, the formidable Alice Edevane, leads a life as neatly plotted as the bestselling detective novels she writes. Until a young police detective starts asking questions about her family’s past and seeking to resurrect the complex tangle of secrets Alice has spent her life trying to escape…'

Source: Publisher's blurb.

'He was dismayed how readily he took to lying. He'd always thought of it as a decisive abandonment of the truth. Instead, he realised, it was simply a matter of one word slipping into the place of another.'

'Dr Quinn Davidson and his wife Marianna have endured years of unsuccessful IVF and several miscarriages, and Quinn can't face another painful attempt to conceive. Marianna is desperate to be a mother and their marriage is feeling the strain. At a small-town practice a few hours from their home, Quinn meets Rachel, the daughter of one of his patients. Drawn to each other, it's not long before they find themselves in a passionate affair and Quinn realises he must choose between the two women. Then Marianna announces a surprise natural conception, news that will change the course of all their lives.

'Set in the lush Australian subtropics, this taut emotional drama poses questions about moral courage and accountability, and asks whether love means always telling the truth.' (Publication summary)

'On a sultry summer's day in 1980, five friends stumble upon an abandoned lakeside cottage hidden deep in the English countryside. For Kat and her friends, it offers an escape; a chance to drop out for a while, with lazy summer days by the lake and intimate winter evenings around the fire. But as the seasons change, tensions begin to rise and when an unexpected visitor appears at their door, nothing will be the same again ...

'Three decades later, Lila arrives at the same remote cottage. With her marriage in crisis, she finds solace in renovating the tumbledown house. Little by little she wonders about the previous inhabitants. How did they manage in such isolation? Why did they leave in such a hurry, with their belongings still strewn about? Most disturbing of all, why can't she shake the feeling that someone might be watching her?' (Publisher's blurb)

'Every family has its secrets. Some are small, like telling a white lie or snooping through a private drawer. Others are more serious, like infidelity and betrayal. And some secrets are so terrible they must be hidden away in a deep, dark place, for if they ever came to light, they would surely tear a family apart.

'The Tides are a family full of secrets. Returning to Clifftops, the rambling family house perched high on the Dorset coastline, youngest daughter Dora hopes for a fresh start, for herself and the new life she carries. But can long-held secrets ever really be forgiven? And even if you can forgive, can you ever really learn to love again?' (From the publisher's website.)

'Catherine-Jean Wishart - or CJ as she prefers - is a hardworking young country girl with a heart of gold but a tough and challenging life. She works long, strenuous days in the male-dominated world of the shearing sheds, but at home things are even harder. Her father has never recovered from a car accident years earlier and his violence is tearing the family apart.

'When strong, handsome Lindsay arrives on the scene, he brings fun and laughter into CJ's life. He even teaches her to shear, and they look set for a bright future together. But then tragedy strikes again, and CJ has to dig deeper than ever before. With help from her best mate Irene and a dear old farmer called Burt, CJ learns that when you stay true to yourself and open your heart, anything can happen.' (From the publisher's website.)

'Isabelle Simpson longs to take over the family farm, but her ailing father is locked in a tragedy of the past and won't give her the chance she deserves. The stand-off between them threatens to tear the family apart.

Izzy decides to break free and make a new start for herself - even though that means leaving the handsome Will Timmins and all her mixed emotions about him behind.

But when hardship falls on the farm again, Izzy returns with an even greater determination to resolve the family feud. As she gathers with her friends in the close community under the shade of the gum-tree tavern, confessions are made, long-held secrets are revealed and hearts are set free.' (From the publisher's website.)

'Edie Burchill and her mother have never been close, but when a long-lost letter arrives one Sunday afternoon with the return address of Milderhurst Castle, Kent, printed on its envelope, Edie begins to suspect that her mother's emotional distance masks an old secret. Evacuated from London as a thirteen-year-old girl, Edie's mother is chosen by the mysterious Juniper Blythe, and taken to live at Milderhurst Castle with the Blythe family: Juniper, her twin sisters and their father, Raymond, author of the 1918 children's classic The True History of the Mud Man. In the grand and glorious Milderhurst Castle, a new world opens up for Edie's mother. She discovers the joys of books and fantasy and writing, but also, ultimately, the dangers.

Fifty years later, as Edie chases the answers to her mother's riddle, she, too, is drawn to Milderhurst Castle and the eccentric Sisters Blythe. Old ladies now, the three still live together, the twins nursing Juniper, whose abandonment by her fiance in 1941 plunged her into madness. Inside the decaying castle, Edie begins to unravel her mother's past. But there are other secrets hidden in the stones of Milderhurst Castle, and Edie is about to learn more than she expected. The truth of what happened in the distant hours has been waiting a long time for someone to find it.' Source: www.allenandunwin.com/ (Sighted 03/11/2010).

'Set in England between the wars, this novel tells the story of an aristocratic family, a house, a mysterious death and a way of life that vanished forever, told in flashback by a woman who witnessed it all and kept a secret for decades.

'Grace Bradley went to work at Riverton House as a servant when she was just a girl, before the First World War. For years her life was inextricably tied up with the Hartford family, most particularly the two daughters, Hannah and Emmeline. In the summer of 1924, at a glittering society party held at the house, a young poet shot himself. The only witnesses were Hannah and Emmeline and only they - and Grace - know the truth.

'In 1999, when Grace is ninety-eight years old and living out her last days in a nursing home, she is visited by a young director who is making a film about the events of that summer. She takes Grace back to Riverton House and reawakens her memories. Told in flashback, this is the story of Grace's youth during the last days of Edwardian aristocratic privilege shattered by war, of the vibrant twenties and the changes she witnessed as an entire way of life vanished forever.

'The novel is full of secrets - some revealed, others hidden forever, reminiscent of the romantic suspense of Daphne du Maurier. It is also a meditation on memory, the devastation of war and a beautifully rendered window into a fascinating time in history.' (Publisher's blurb)