Cirrus@Austlit

'The first biography of Shirley Hazzard, the author of The Transit of Venus and a writer of "shocking wisdom" and "intellectual thrill" (The New Yorker).

'Shirley Hazzard: A Writing Life tells the extraordinary story of a great modern novelist. Brigitta Olubas, Hazzard's authorized biographer, has drawn, with great subtlety and understanding, on her fiction (itself largely based on Hazzard's own experience); on an extensive archive of letters, diaries, and notebooks; and on the memories of surviving friends and colleagues to create this resonant portrait of an exceptional woman.

'This biography explores the distinctive times of Hazzard's life, from her youth and middle age to her widowhood and years of decline, and traces the complex and intricate processes of self-fashioning that lay beneath Hazzard's formidable, beguiling presence. Olubas shows us the places of Hazzard's life, of which she wrote with characteristic lyricism: her childhood in Depression-era Sydney; her youth in postwar Hong Kong, New Zealand, and London; her years in New York in the 1950s, working at the United Nations and The New Yorker. Olubas also describes Hazzard's long marriage to the writer Francis Steegmuller and their deep involvement in postwar Naples and Capri. Rare photographs from Hazzard's collection and elsewhere accompany the text.

'Hazzard was the last of a generation of selftaught writers, devotees of a great literary tradition, and her depth of perception and expressive gifts have earned her iconic status. Brigitta Olubas has brought her brilliantly alive, enhancing and deepening our understanding of the singular woman who created some of the most enduring fiction of the past sixty years.

'As Dwight Garner wrote in The New York Times, "Hazzard's stories feel timeless because she understands, as she writes in one of them: 'We are human beings, not rational ones.'" Here, in Shirley Hazzard, is the story of a remarkable human being.'  (Publication summary)

'The collected short fiction of a master prose stylist

'Twenty-eight works of short fiction in all, Shirley Hazzard's Collected Stories is a work of staggering breadth and talent. Here, Hazzard's short-story collections, Cliffs of Fall and People in Glass Houses, are presented in their entirety alongside uncollected stories, concluding with two previously unpublished stories found in typescript among her papers.

'Taken together, Hazzard's short stories are masterworks in telescoping focus, "at once surgical and symphonic" (The New Yorker), ranging from quotidian struggles between beauty and pragmatism to satirical sendups of international bureaucracy, from the Italian countryside to suburban Connecticut. In an interview, Hazzard once said, "The idea that somebody has expressed something, in a supreme way, that it can be expressed; this is, I think, an enormous feature of literature." Her stories themselves are a supreme evocation of writing at its very best: probing, uncompromising, and deeply felt.' (Publication summary)

'When the eldest daughter of a whaling family in Eden, New South Wales, sets out to chronicle the particularly difficult season of 1908, the story she tells is poignant and hilarious, filled with drama and misadventure.

Swinging from her own hopes and disappointments, both domestic and romantic, to the challenges that beset their tiny whaling operation, Mary's tale is entirely relatable despite the hundred-odd years that separate her world from ours.

Chronicling her family's struggle to survive the season and her own attempts to navigate an all-consuming crush on an itinerant whaleman with a murky past, Rush Oh! is also a celebration of an extraordinary episode in Australian history when a family of whalers formed a fond, unique allegiance with a pod of Killer whales - and in particular, a Killer whale named Tom.'

Source: Publisher's blurb.

'Three young boys in postwar London at Christmas time hear a story of the fox who came to the manger to see the Christ Child, and defended to the other animals his right to be there and his gift for the child.'

Source: Trove.

'Friends come in many guises. In these autobiographical stories, three characters - an eccentric great aunt, a Chinese cook and a foul-mouthed ex-jockey - assert a lifelong influence on the narrator, as she looks back over her childhood. Much like Mary Poppins, each comes into the child's life just when she needs them most. And each, however unlikely, becomes a friend and a champion to the young girl.' (Publication summary)

'One unforgettable night in 1785, in a theatre in Drury Lane, the heady alchemy of love and murder suddenly fuses the lives of Mimosina Dolcezza, a Venetian actress and Valentine Greatrakes, prince of London's medical underworld.

'Dangerous secrets and elaborate lies soon send the lovers spinning in different directions, desperate for the truth not just about one another but also their own pasts. Their quest takes them from the dank environs of London's Bankside to the enigmatic city of Venice; her playhouses and brothels, apothecaries and quack doctors, spies and noblemen, her convents and her crypts.' (From the author's website.)

'The year is 1947. The great fire of the Second World War has convulsed Europe and Asia. In its wake, Aldred Leith, an acclaimed hero of the conflict, has spent two years in China at work on an account of world-transforming change there. Son of a famed and sexually ruthless novelist, Leith begins to resist his own self-sufficiency, nurtured by war. Peter Exley, another veteran and an art historian by training, is prosecuting war crimes committed by the Japanese. Both men have narrowly escaped death in battle, and Leith saved Exley's life. The men have maintained long-distance friendship in a postwar loneliness that haunts them both, and which has swallowed Exley whole. Now in their thirties, with their youth behind them and their world in ruins, both must invent the future and retrieve a private humanity.

'Arriving in Occupied Japan to record the effects of the bomb at Hiroshima, Leith meets Benedict and Helen Driscoll, the Australian son and daughter of a tyrannical medical administrator. Benedict, at twenty, is doomed by a rare degenerative disease. Helen, still younger, is inseparable from her brother. Precocious, brilliant, sensitive, at home in the books they read together, these two have been, in Leith's words, delivered by literature. The young people capture Leith's sympathy; indeed, he finds himself struggling with his attraction to this girl whose feelings are as intense as his own and from whom he will soon be fatefully parted.'

Source: Publisher's blurb.

'Weekly, nicknamed The Newspaper, cleans the houses on Claremont Street, spreading the neighbourhood gossip as she works. No one knows or cares where Weekly goes in her spare time, or what she dreams of at night – no one, that is, until Nastasya discovers her secret.' (Publication summary)

'Edwin Page, a fussy middle-aged professor, no sooner bids farewell to his obstetrician wife, Cecilia, who accepted a fellowship abroad, when his new neighbors, Mrs. Botts and her sexy, twentyish daughter, Leila, arrive. Since they're locked out of their house, Edwin invites them in—and then can't get them to leave. He becomes obsessed with Leila and convinces himself that she is a perfect surrogate mother for the childless Cecilia.'

Source: Publisher's blurb (Persea ed.).

'The scene is Naples, against whose ancient and fantastic background the modern action takes place.

'Among the protagonists is Jenny, young and pretty, who has come to Naples in flight from a sombre drama, unaware that a larger drama waits her there.

'She has an introduction to a Neapolitan woman, and one day she idly follows it up. This is her leap through the looking glass.'

Source: Publisher's blurb.