Cirrus@Austlit

'To Become a Whale tells the story of 13-year-old Sam Keogh, whose mother has died. Sam has to learn how to live with his silent, hitherto absent father, who decides to make a man out of his son by taking him to work at Tangalooma, then the largest whaling station in the southern hemisphere. What follows is the devastatingly beautiful story of a gentle boy trying to make sense of the terrible reality of whaling and the cruelty and alienation of his new world, the world of men.

'Set around Moreton Island and Noosa in 1961, To Become a Whale is an extraordinarily vivid and haunting novel that reads like an instant classic of Australian literature. There are echoes of Craig Silvey, Favel Parrett, Tim Winton and Randolph Stow in this moving, transformative and very Australian novel.' (Publication summary)

'Eyrie tells the story of Tom Keely, a man who’s lost his bearings in middle age and is now holed up in a flat at the top of a grim highrise, looking down on the world he’s fallen out of love with. He’s cut himself off, until one day he runs into some neighbours: a woman he used to know when they were kids, and her introverted young boy. The encounter shakes him up in a way he doesn’t understand. Despite himself, Keely lets them in. What follows is a heart-stopping, groundbreaking novel for our times – funny, confronting, exhilarating and haunting – populated by unforgettable characters. It asks how, in an impossibly compromised world, we can ever hope to do the right thing..' (Publisher's blurb)

'Gabriel Brockwell, aesthete, poet, philosopher, disaffected twenty-something decadent, is thinking terminal. His philosophical enquiries, the abstractions he indulges, and how these relate to a life lived, all point in the same direction. His destination is Wonderland. The nature and style of the journey is all that's to be decided.

Taking in London, Tokyo, Berlin and the Galapagos Islands, Lights Out In Wonderland documents Gabriel Brockwell's remarkable global odyssey. Committed to the pursuit of pleasure and in search of the Bacchanal to obliterate all previous parties, Gabriel's adventure takes in a spell in rehab, a near-death experience with fugu ovaries, a sexual encounter with an octopus, and finally an orgiastic feast in the bowels of Berlin's majestic Tempelhof Airport.

Along the way we see a character disintegrate and re-shape before our eyes. Lights Out In Wonderland carries you through its many corridors of delight and horror on the back of Gabriel's voice, which is at once skeptical, idealistic, broken and optimistic. An allegorical banquet and a sly commentary on these End Times and the march towards insensate banality, DBC Pierre's third novel completes a loose trilogy of fictions, each of which stands alone as a joyful expression of the human spirit.(Publisher website)

'For Detective Dusty Buchanon, a female cop in the very male world of the Northern Territory Police Force, it always pays to expect the unexpected. When the body of a young Thai prostitute is found in a billabong near a camp of disaffected Vietnam Veterans, Dusty knows this is what she's been looking for - a spectacular case to get her back on top after the debacle of an infamous British backpacker murder trial that almost destroyed her career.

'But when the body disappears and her colleagues turn against her, Dusty gets help from an unlikely source: a handsome German bird-watcher holidaying in the Northern Territory, who just happens to be a cop. And soon, the case becomes much more than just another step on her career ladder...' (Publisher's blurb)

'Cliff Hardy starts out to help a friend but before long he's looking for an enemy - William Mountain: a boozer, TV scriptwriter, would-be novelist who is missing and searching for adventure. Mountain's adventure is Hardy's 'case' which rapidly becomes a case he would rather not have. Mountain is the dealer in a deadly game and the hands he deals become more and more bizarre...' (Publication summary)

Tim Winton is Australia’s best-loved novelist. Breath is an extraordinary evocation of an adolescence spent resisting complacency, testing one’s limits against nature, finding like-minded souls, and discovering just how far one breath will take you. It’s a story of extremes—extreme sports and extreme emotions.

On the wild, lonely coast of Western Australia, two thrill-seeking and barely adolescent boys fall into the enigmatic thrall of veteran big-wave surfer Sando. Together they form an odd but elite trio. The grown man initiates the boys into a kind of Spartan ethos, a regimen of risk and challenge, where they test themselves in storm swells on remote and shark-infested reefs, pushing each other to the edges of endurance, courage, and sanity. But where is all this heading? Why is their mentor’s past such forbidden territory? And what can explain his American wife’s peculiar behaviour? Venturing beyond all limits—in relationships, in physical challenge, and in sexual behaviour—there is a point where oblivion is the only outcome. Full of Winton’s lyrical genius for conveying physical sensation, Breath is a rich and atmospheric coming-of-age tale from one of world literature’s finest storytellers.

The Turning comprises seventeen overlapping stories of second thoughts and mid-life regret set in the brooding small-town world of coastal Western Australia. Here are turnings of all kinds - changes of heart, nasty surprises, slow awakenings, sudden detours - where people struggle against the terrible weight of the past and challenge the lives they've made for themselves.

These elegiac stories examine the darkness and frailty of ordinary people and celebrate the moments when the light shines through.

After two separate catastrophes, two very different families leave the country for the bright lights of Perth. The Lambs are industrious, united and – until God seems to turn his back on their boy Fish – religious. The Pickleses are gamblers, boozers, fractious, and unlikely landlords.

Chance, hardship and the war force them to swallow their dignity and share a great, breathing, shuddering joint called Cloudstreet. Over the next twenty years they struggle and strive, laugh and curse, come apart and pull together under the same roof, and try as they can to make their lives.

'From the subtropical lushness of Queensland’s Tamborine Rainforest to the claustrophobic bedroom of a Boston physicist, Janette Turner Hospital’s characters breathe an atmosphere of passion and suspense. Charade Ryan, an enigmatic story-spinning Scheherazade, searches for a way to unravel the long-held secrets of her family origins. As the narrative flits between the present and the past, and truth becomes increasingly subjective, Charade weaves a rich and textural tale out of the myths of her past. This vibrant, superbly crafted novel explores the elusive boundaries between existence and imagination, memory and truth.'

Source: Publisher's blurb (UQP, 2015 ed.)

'Lowell tries not to think about the past, about the hijacking that killed his mother. Samantha, on the other hand, cannot let go. As a child she survived the hijacking of Air France 64, and as an adult she obsessively digs for answers, seeking a man called Salamander whom she believes holds key information.

'It is the death of Lowell's father, and his legacy of a blue sports bag crammed with documents and videotapes, that finally brings Lowell and Samantha together and unravels the interconnections between victims and perpetrators, saved and damned.

'But in this murky world of endless aliases and surveillance, who can be trusted? When does the quest for truth become a dangerous obsession? And what difference can the truth make?

'Janette Turner Hospital has crafted a taut and confronting novel that propels us into the chaos of terror and the cruelty - and unexpected hope - of survival. ' (Publication summary)

Luther Fox, a loner, haunted by his past, makes his living as an illegal fisherman, a shamateur. Before everyone in his family was killed in a freak rollover, he grew melons and played guitar in the family band. Robbed of all that, he has turned his back on music. There's too much emotion in it, too much memory and pain.

One morning Fox is observed poaching by Georgie Jutland. Chance, or a kind of willed recklessness, has brought Georgie into the life and home of Jim Buckridge, the most prosperous fisherman in the area and a man who loathes poachers, Fox above all. But she's never fully settled into Jim's grand house on the water or into the inbred community with its history of violent secrets. After Georgie encounters Fox, her tentative hold on conventional life is severed. Neither of them would call it love, but they can't stay away from each other no matter how dangerous it is, and out on White Point it is very dangerous.

Set in the dramatic landscape of Western Australia, Dirt Music is a love story about people stifled by grief and regret; a novel about the odds of breaking with the past and about the lure of music. Dirt music, Fox tells Georgie, is "anything you can play on a verandah or porch, without electricity." Even in the wild, Luther cannot escape it. There is, he discovers, no silence in nature. Ambitious, perfectly calibrated, Dirt Music resonates with suspense and supercharged emotion, and it confirms Tim Winton's status as the preeminent Australian novelist of his generation.

'A client happens to fall from the twentieth story of a building; a rock star goes missing; an erotic Mongol scroll vanishes; a film star has a problem that has nothing to do with creativity - it's all in a day's work for Cliff Hardy.

'Yachts dance on the sparkling waters of the harbour, and the back alleys are busy; the city's high and low classes go about their daily business. But nothing really surprises Hardy; and, for a hundred and twenty-five a day (plus expenses), he'll provide a few surprises of his own...' (Publication summary)

'Night falls. In a lonely valley called the Sink, four people prepare for a quiet evening. Then in his orchard, Murray Jaccob sees a moving shadow. Across the swamp, his neighbour Ronnie watches her lover leave and feels her baby roll inside her. And on the verandah of the Stubbses’ house, a small dog is torn screaming from its leash by something unseen. Nothing will ever be the same again. ' (Publication summary)

'A timely, haunting drama of utopian dreams confronted with baleful reality, Hall's new novel captures the bizarre appeal of religious cults. Catherine Byrne marries self-proclaimed prophet Muley Moloch and leaves 19th-century England with him and his eight female disciples to search for paradise on earth in the wilds of Australia. But life as a prophet's wife is not all that Catherine had expected; her first-person narration recounts a shipwreck, illness, death and outbursts of jealousy among the disciples. Muley's visionary charisma leads the group ever farther from civilization but does not draw them together, nor do the shared hardships of settling the wilderness, building two houses (one for Muley, one for the nine women, called the Household of Hidden Stars) and coping with apparitions that stare at them from the edges of the forests. After Muley disappears on a mysterious voyage, Catherine begins to see the apparitions more clearly; she alternates between enchantment and fear, wondering what is real and what is imagined. When the police arrive to investigate a brutal murder, Catherine vents her anger and frustration in a high-pitched, almost inchoate account of deception, betrayal, holy and unholy mysteries (including purported virgin births), and, finally, redemption.'

Source: Publishers Weekly https://www.publishersweekly.com/978-0-374-16704-2