Cirrus@Austlit

'To Become a Whale tells the story of 13-year-old Sam Keogh, whose mother has died. Sam has to learn how to live with his silent, hitherto absent father, who decides to make a man out of his son by taking him to work at Tangalooma, then the largest whaling station in the southern hemisphere. What follows is the devastatingly beautiful story of a gentle boy trying to make sense of the terrible reality of whaling and the cruelty and alienation of his new world, the world of men.

'Set around Moreton Island and Noosa in 1961, To Become a Whale is an extraordinarily vivid and haunting novel that reads like an instant classic of Australian literature. There are echoes of Craig Silvey, Favel Parrett, Tim Winton and Randolph Stow in this moving, transformative and very Australian novel.' (Publication summary)

'Eyrie tells the story of Tom Keely, a man who’s lost his bearings in middle age and is now holed up in a flat at the top of a grim highrise, looking down on the world he’s fallen out of love with. He’s cut himself off, until one day he runs into some neighbours: a woman he used to know when they were kids, and her introverted young boy. The encounter shakes him up in a way he doesn’t understand. Despite himself, Keely lets them in. What follows is a heart-stopping, groundbreaking novel for our times – funny, confronting, exhilarating and haunting – populated by unforgettable characters. It asks how, in an impossibly compromised world, we can ever hope to do the right thing..' (Publisher's blurb)

'Gabriel Brockwell, aesthete, poet, philosopher, disaffected twenty-something decadent, is thinking terminal. His philosophical enquiries, the abstractions he indulges, and how these relate to a life lived, all point in the same direction. His destination is Wonderland. The nature and style of the journey is all that's to be decided.

Taking in London, Tokyo, Berlin and the Galapagos Islands, Lights Out In Wonderland documents Gabriel Brockwell's remarkable global odyssey. Committed to the pursuit of pleasure and in search of the Bacchanal to obliterate all previous parties, Gabriel's adventure takes in a spell in rehab, a near-death experience with fugu ovaries, a sexual encounter with an octopus, and finally an orgiastic feast in the bowels of Berlin's majestic Tempelhof Airport.

Along the way we see a character disintegrate and re-shape before our eyes. Lights Out In Wonderland carries you through its many corridors of delight and horror on the back of Gabriel's voice, which is at once skeptical, idealistic, broken and optimistic. An allegorical banquet and a sly commentary on these End Times and the march towards insensate banality, DBC Pierre's third novel completes a loose trilogy of fictions, each of which stands alone as a joyful expression of the human spirit.(Publisher website)

'For Detective Dusty Buchanon, a female cop in the very male world of the Northern Territory Police Force, it always pays to expect the unexpected. When the body of a young Thai prostitute is found in a billabong near a camp of disaffected Vietnam Veterans, Dusty knows this is what she's been looking for - a spectacular case to get her back on top after the debacle of an infamous British backpacker murder trial that almost destroyed her career.

'But when the body disappears and her colleagues turn against her, Dusty gets help from an unlikely source: a handsome German bird-watcher holidaying in the Northern Territory, who just happens to be a cop. And soon, the case becomes much more than just another step on her career ladder...' (Publisher's blurb)

'Cliff Hardy starts out to help a friend but before long he's looking for an enemy - William Mountain: a boozer, TV scriptwriter, would-be novelist who is missing and searching for adventure. Mountain's adventure is Hardy's 'case' which rapidly becomes a case he would rather not have. Mountain is the dealer in a deadly game and the hands he deals become more and more bizarre...' (Publication summary)

The Turning comprises seventeen overlapping stories of second thoughts and mid-life regret set in the brooding small-town world of coastal Western Australia. Here are turnings of all kinds - changes of heart, nasty surprises, slow awakenings, sudden detours - where people struggle against the terrible weight of the past and challenge the lives they've made for themselves.

These elegiac stories examine the darkness and frailty of ordinary people and celebrate the moments when the light shines through.

'From the subtropical lushness of Queensland’s Tamborine Rainforest to the claustrophobic bedroom of a Boston physicist, Janette Turner Hospital’s characters breathe an atmosphere of passion and suspense. Charade Ryan, an enigmatic story-spinning Scheherazade, searches for a way to unravel the long-held secrets of her family origins. As the narrative flits between the present and the past, and truth becomes increasingly subjective, Charade weaves a rich and textural tale out of the myths of her past. This vibrant, superbly crafted novel explores the elusive boundaries between existence and imagination, memory and truth.'

Source: Publisher's blurb (UQP, 2015 ed.)

'Lowell tries not to think about the past, about the hijacking that killed his mother. Samantha, on the other hand, cannot let go. As a child she survived the hijacking of Air France 64, and as an adult she obsessively digs for answers, seeking a man called Salamander whom she believes holds key information.

'It is the death of Lowell's father, and his legacy of a blue sports bag crammed with documents and videotapes, that finally brings Lowell and Samantha together and unravels the interconnections between victims and perpetrators, saved and damned.

'But in this murky world of endless aliases and surveillance, who can be trusted? When does the quest for truth become a dangerous obsession? And what difference can the truth make?

'Janette Turner Hospital has crafted a taut and confronting novel that propels us into the chaos of terror and the cruelty - and unexpected hope - of survival. ' (Publication summary)

'Georgie Jutland is a mess. At forty, with her career in ruins, she finds herself stranded in White Point with a fisherman she doesn't love and two kids whose dead mother she can never replace. Her days have fallen into domestic tedium and social isolation. Her nights are a blur of vodka and pointless loitering in cyberspace. Leached of all confidence, Georgie has lost her way; she barely recognises herself.

'One morning, in the boozy pre-dawn gloom, she looks up from the computer screen to see a shadow lurking on the beach below, and a dangerous new element enters her life. Luther Fox, the local poacher. Jinx. Outcast...' (From the publisher's website.)

'A client happens to fall from the twentieth story of a building; a rock star goes missing; an erotic Mongol scroll vanishes; a film star has a problem that has nothing to do with creativity - it's all in a day's work for Cliff Hardy.

'Yachts dance on the sparkling waters of the harbour, and the back alleys are busy; the city's high and low classes go about their daily business. But nothing really surprises Hardy; and, for a hundred and twenty-five a day (plus expenses), he'll provide a few surprises of his own...' (Publication summary)

'Night falls. In a lonely valley called the Sink, four people prepare for a quiet evening. Then in his orchard, Murray Jaccob sees a moving shadow. Across the swamp, his neighbour Ronnie watches her lover leave and feels her baby roll inside her. And on the verandah of the Stubbses’ house, a small dog is torn screaming from its leash by something unseen. Nothing will ever be the same again. ' (Publication summary)

'A timely, haunting drama of utopian dreams confronted with baleful reality, Hall's new novel captures the bizarre appeal of religious cults. Catherine Byrne marries self-proclaimed prophet Muley Moloch and leaves 19th-century England with him and his eight female disciples to search for paradise on earth in the wilds of Australia. But life as a prophet's wife is not all that Catherine had expected; her first-person narration recounts a shipwreck, illness, death and outbursts of jealousy among the disciples. Muley's visionary charisma leads the group ever farther from civilization but does not draw them together, nor do the shared hardships of settling the wilderness, building two houses (one for Muley, one for the nine women, called the Household of Hidden Stars) and coping with apparitions that stare at them from the edges of the forests. After Muley disappears on a mysterious voyage, Catherine begins to see the apparitions more clearly; she alternates between enchantment and fear, wondering what is real and what is imagined. When the police arrive to investigate a brutal murder, Catherine vents her anger and frustration in a high-pitched, almost inchoate account of deception, betrayal, holy and unholy mysteries (including purported virgin births), and, finally, redemption.'

Source: Publishers Weekly https://www.publishersweekly.com/978-0-374-16704-2