Cirrus@Austlit

'Set between rural Australia and London, The Echoes is a story about the weight of the past and the promise of the future

'Max didn’t believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he remains, he watches his girlfriend Hannah lost in grief in the flat they shared and begins to realise how much of her life was invisible to him.

'In the weeks and months before Max’s death, Hannah is haunted by the secrets she left Australia to escape. A relationship with Max seems to offer the potential of a different story, but the past refuses to stay hidden. It finds expression in the untold stories of the people she grew up with, the details of their lives she never knew and the events that broke her family apart and led her to Max.

'Both a celebration and autopsy of a relationship, spanning multiple generations and set between rural Australia and London, The Echoes is a novel about love and grief, stories and who has the right to tell them. It asks what of our past can we shrug off and what is fixed forever, echoing down through the years.' (Publication summary)

'Irreverent, witty and wise, But the Girl is a campus novel set off campus, and a coming-of-age story about not wanting to leave your family behind

'I used to have this line I saved and brought out for grant applications and writers festivals - that having been Jane Eyre, Anna Karenina and Esther Greenwood all my life, my writing was an opportunity for the reader to have to be me

'Girl was born on the very day her parents and grandmother immigrated from Malaysia to Australia. The story goes that her mother held on tight to her pelvic muscles in an effort to gift her the privilege of an Australian passport. But it's hard to be the embodiment of all your family's hopes and dreams, especially in a country that's hostile to your very existence.

'When Girl receives a scholarship to travel to the UK, she is finally free for the first time. In the gilded rooms of London and then Scotland she is meant to be working on a PhD on Sylvia Plath and writing a postcolonial novel. But Girl can't stop thinking about her upbringing and the stories of the people who raised her. How can she reconcile their expectations with her lived reality? Did Sylvia Plath have this problem? What even is a 'postcolonial novel'? And what if the story of becoming yourself is not about carving out a new identity, but learning to understand the people who made you who you are?' (Publication summary)

'In Mother's Boy, Booker-Prize winner Howard Jacobson reveals how he became a writer. It is an exploration of belonging and not-belonging, of being an insider and outsider, both English and Jewish.

'Jacobson was forty when his first novel was published. In Mother's Boy he traces the life that brought him there. Born to a working-class family in 1940s Manchester, the great-grandson of Lithuanian and Russian immigrants, Jacobson was raised by his mother, grandmother and aunt Joyce. His father was a regimental tailor, as well as an upholsterer, a market-stall holder, a taxi driver, a balloonist, and a magician.

'Grappling always with his family's history and his Jewish identity, Jacobson takes us from the growing pains of childhood to studying at Cambridge under F.R. Leavis, and landing in Sydney as a maverick young professor on campus. After his first marriage and the birth of his son, he lived in places as disparate as London, Wolverhampton, Boscastle and Melbourne, and worked many different jobs to make ends meet, from selling handbags on a market stall, to teaching English in schools, universities and sometimes football stadiums, and even helping to run an Australian-inspired restaurant in the middle of Cornwall.

'Full of Jacobson's trademark humour and infused with bittersweet memories of his parents, this is the story of a writer's beginnings - as well as the twists and turns that life takes - and of learning to understand who you are before you can become the writer you were meant to be.'(Publication summary)

'Who or what is watching Jake Whyte from the woods?

'Jake Whyte is the sole resident of an old farmhouse on an unnamed island, a place of ceaseless rains and battering winds. It's just her, her untamed companion, Dog, and a flock of sheep. Which is how she wanted it to be. But something is coming for the sheep - every few nights it picks one off, leaves it in rags.

'It could be anything. There are foxes in the woods, a strange boy and a strange man, rumours of an obscure, formidable beast. And there is Jake's unknown past, perhaps breaking into the present, a story hidden thousands of miles away and years ago, in a landscape of different colour and sound, a story held in the scars that stripe her back.

'Set between Australia and a remote English island, All the Birds, Singing is the story of one how one woman's present comes from a terrible past. It is the second novel from the award-winning author of After the Fire, A Still Small Voice.' (Publisher's blurb)

'Following the breakdown of a turbulent relationship, Frank moves from Canberra to a shack on the east coast once owned by his grandparents. There, among the sugar cane and sand dunes, he struggles to rebuild his life.

Forty years earlier, Leon is growing up in Sydney, turning out treacle tarts at his parents' bakery and flirting with one of the local girls. But when he's conscripted as a machine-gunner in Vietnam, he finds himself suddenly confronting the same experiences that haunt his war-veteran father.

As these two stories weave around each other - each narrated in a voice as tender as it is fierce - we learn what binds together Frank and Leon, and what may end up keeping them apart.' (From the publisher's website.)

'In this tantalizing tale of Victorian ghost stories and family secrets, timid, solitary librarian Gerard Freeman lives for just two things: his elusive pen pal Alice and a story he found hidden in his mother's drawer years ago. Written by his great-grandmother Viola, it hints at his mother's role in a sinister crime. As he discovers more of Viola's chilling tales, he realizes that they might hold the key to finding Alice and unveiling his family's mystery-or will they bring him the untimely death they seem to foretell?

'Harwood's astonishing, assured debut shows us just how dangerous family skeletons-and stories-can be.' (Publication summary)

'Kate Byrne is having an affair with the father of her most gifted pupil, Lucien. Unnervingly, her lover's wife has just published Murder at Black Swan Point, a true crime novel about the brutal slaying of a young adulteress. Suspecting the adult account of Black Swan Point's murder to be wrong, Kate imagines her own version of the novel, for children, narrated by Australian animals. But has her obsession with the crime aligned her fate with that of the murdered adulteress?

'Compelled by the lives of her nine-year-old students, Kate is a misfit among their parents. And though, in scenes of escalating eroticism, Lucien's father brings her to life sexually, he does nothing to penetrate her obsession with the past. Kate is fixated on the crime of passion that occurred years earlier, less and less aware of her own reputation in the present.' (Synopsis)

'This enchanting tale is at once a beautifully rendered narrative of childhood loss and a powerfully simple fable about the necessity of imagination.

'Pobby and Dingan are Kellyanne Williamson’s best friends, maybe her only friends, and only she can see them. Kellyanne’s brother, Ashmol, can’t see them and doesn’t believe they exist anywhere but in Kellyanne’s immature imagination. Only when Pobby and Dingan disappear and Kellyanne becomes heartsick over their loss does Ashmol realize that not only must he believe in Pobby and Dingan, he must convince others to believe in them, too.' (Publication summary)