Cirrus@Austlit

'How Australian poetry has evolved throughout time

'Just over a century ago poetry was all the rage in Australia. Newspapers and magazines published it, entertainers and elocutionists performed it on stages across the country, and ordinary Australians recited it in schools, local halls and suburban parlours. Yet this communal experience of poetry has now largely disappeared. In The Wild Reciter Peter Kirkpatrick examines how this change occurred by exploring the shifting relationships between poetry and popular culture, and in particular the arrival of new media, taking the reader from 'penny readings' and vaudeville to slam and Instapoetry.

'Many extraordinary yet wholly forgotten works are brought to light, while some well-known poems and their authors receive a critical makeover. 'The Man from Snowy River' encounters the Wild West; Lesbia Harford turns singer-songwriter; Kenneth Slessor finds his groove; Yevgeny Yevtushenko blows up the Adelaide Festival; rock music inspires both John Laws and the Generation of '68; Dorothy Porter resorts to crime fiction; and Clive James abandons media fame for poetic glory. This pioneering study reimagines the history of Australian verse to arrive at a more expansive notion of poetry.' (Publication summary)

'Many of us gain inspiration, solace, beauty and a sense of wonder from our interactions with nature, and writers have long plumbed and explored these depths.

'At the same time as many of us tune in to natural landscapes, our environment is imperilled as never before. We are in the midst of a climate emergency that is challenging the future of our species, and all living creatures we share the earth with.

'This unique collection of Australia's best new nature writing gathers together some of our most widely known and most original voices to reflect on our relationship with nature.

'These pieces, by turns compelling, urgent, poignant and passionate, offer an insight into the wonder of the natural world around us, and form a clarion call for its protection.

'With an introduction from Dave Witty, and featuring contributors including Tim Winton, Bruce Pascoe and Inga Simpson, this collection makes the perfect summer read or gift for the nature-lover in your life.' (Publication summary) 

'A curated collection of essays that shaped Australia's culture and society

'Since the 1940s, Meanjin essays have set the national cultural agenda. Arthur Phillips' idea of 'cultural cringe' has become a household word, instantly conveying Australians' sense of place in the world while expressing our frustrations and our ambitions - yet very few of us know it came from an essay first published in Meanjin. Over half a century later, Chelsea Watego's 2021 'Always bet on Black (power)' roars with the fire of a manifesto; Hilary Charlesworth's 1992 'A law of one's own?' challenges Australia's legal system with a formidable feminist ethic; Tim Rowse's 1978 'Heaven and a Hills Hoist' passionately defends suburbia; David Yencken's 1988 'Creative City' sparks a global urban planning movement with artists at the centre. This anthology brings togethers twenty impactful Meanjin essays for the first time. An introduction by editor Esther Anatolitis offers critical context and scrutiny, illustrating how profoundly Meanjin essays have changed Australia.' (Publication summary)

'Relive the Matildas' dramatic Women's World Cup campaign, and their wider impact

'The 2023 Women's World Cup semifinal gripped Australia in a way that few sporting events have achieved. On any level it was transformative, capturing the highest TV audience since records began and ending in the longest penalty shootout in World Cup history. To chronicle the euphoric road to the 2024 Paris Olympics, Fiona Crawford draws on interviews with players, administrators, sponsors and fans ranging from Mackenzie Arnold, Bruce McAvaney to Annabel Crabb, skilfully unpicking questions of gender, human rights, race and women's sports. The Rise and Rise of the Matildas highlights the astonishing impact of one team's determination to leave the game in a better place.' (Publication summary)

'A thoughtful memoir on living well in the face of death

'Mark Raphael Baker was no stranger to death. Over seven years he had become a mourner three times over: for his first wife, for his brother and for his father. When diagnosed with pancreatic cancer, he began to reflect on their deaths, his probable death and on Death as, in the words of Ecclesiastes, a 'season' that produced a large and bitter harvest for the Baker family. Powerful and conflicting emotions assailed him, but their destructive power was always defeated by his love of his family and of life, which never deserted him even when his spirit was most weary. Over the short course of his illness, he came to realise that to love both truly, he must die as the most authentic version of himself he can achieve. It enabled him to die with humbling grace and dignity.' (Publication summary)

'Dhoombak Goobgoowana acknowledges and publicly addresses the long, complex and troubled relationship between the Indigenous people of Australia and the University of Melbourne. It is a book about race and how it has been constructed by academics in the University. It is also about power and how academics have wielded it and justified its use against Indigenous populations, and about knowledge, especially the Indigenous knowledge that silently contributed to many early research projects and collection endeavours.

'By appropriating Wurundjeri land for its buildings, and accepting donations drawn from the proceeds of colonisation of Indigenous Country, the University of Melbourne advertised its superiority as a whole institution to Indigenous people. Within its buildings, academics and students explored a worldview that effectively banished Indigenous knowledge and culture.

'The University has supported injustices called progress, half-truths presented as facts, and prejudices pretending at objectivity. It follows the failings of many biographies and institutional histories that excluded race from their stories of achievement, overlooking how racist ideas complicated and shaped their narratives. Although many things have changed, the stain of the past remains. But the University no longer wishes to look away.
Dhoombak Goobgoowana can be translated as ‘truth-telling’ in the Woi Wurrung language of the Wurundjeri Woi Wurrung people on whose unceded lands several University of Melbourne campuses are located.

'The cover photograph shows the members of a 1901 expedition through central Australia led by Frank Gillen (seated, left) and Baldwin Spencer (seated, right). To the rear stands mounted constable Harry Chance. Beside these white men are two Arrernte men, Erlikilyika (to the left) and Purunda (to the right). This image has been chosen to represent the unacknowledged participation of Indigenous people in the activities of academics in the University’s history. The uncredited work of Erlikilyika as interpreter of both language and culture informed many of the conclusions of the white ethnographers and the anthropologists who followed. The expedition would have been impossible without the knowledge of these Indigenous men, and the scholarship it produced exists only because of them.' (Publication summary)

'A revealing portrait of Joan London's intimate writings about family, love and loss.

'Joan London's remarkable body of work, including the award-winning novels and short fiction The Golden Age, Gilgamesh and Sister Ships, tells everyday stories of family, love and loss, with her signature poetic vision. London's stories portray how ordinary people get caught up in extraordinary circumstances and come to live in a world of violence and fear, of beauty and hope.

'In London Tanya Dalziell takes the reader through the literary career of the Western Australian living treasure, journeying through space and time to offer a unique insight into the development of Australian literature and women's writing across the past four decades.

'London engages deeply with Joan London's work to reflect on its artistry and the conversations it provokes with the changing times. Dalziell invites readers to traverse London's writing and discover the significant contributions she has made to the contemporary literary landscape.' (Publication summary)

'The lives of the women who joined a closed convent in Melbourne in a time of great upheaval

'In the 1950s and 60s, six young women left their families to join a strictly enclosed order of nuns in Melbourne. They could leave the convent only for medical appointments and rarely received visitors, who they would meet from behind a partition built into the parlour. Their lives were confined by the convent walls, the rhythms of the Divine Office and the dictates of the Mother Superior.

'By the late 1960s, this community of women was upended by the reforms of the Second Vatican Council, and by the changing times. Their convent threw open its doors on a new world and the women wanted to be part of it.

'The personal accounts of the six nuns and ex-nuns in Unconventional Women are unusually candid, giving a rare insight into the world of the convent, and exploring their changing relationship with both God and the world.' (Publication summary)

(Publication summary)

'Following a three-year drought and during the hottest and driest year on record, a flume of scorching air set the Australian continent aflame. The Black Summer fires were unprecedented. Over six months in 2019-20 they burned more than 24 million hectares of Australia's southern and eastern forests - one of the largest areas burnt anywhere on Earth in a single event. The fires killed 33 people and 430 more died as an indirect consequence and they caused unfathomable harm to native species. Their economic ramifications were extensive and enduring.

'State and federal governments and communities were under-prepared for that inferno and its many impacts. Yet global warming is increasing the likelihood of such events. The Fires Next Time offers a comprehensive assessment of the Black Summer fires. Its contributors analyse the event from many vantage points and disciplines - historical, climate scientific, ecological, economic, and political. They assess its impacts on human health and wellbeing, on native plants and animals, and on fire management and emergency response. They consider whether reactions could have been different, and what is needed to improve our handling of future bushfires.' (Publication summary)

‘From where will we draw the moral energy to stay true to justice?’

For more than three decades the incomparable voice of Raimond Gaita has been
summoning us to new conversations that deepen our understanding of what matters most to human life and awaken the sense of our common humanity. For Gaita, we are never  more fully alive than when we are fully present to one another in conversation.

In a time when modes of communication tend to superficiality and self-promotion, when
political debates are increasingly inured to lies and even violence, and the moral demands of dialogue give way to a torrent of competing monologues, Gaita’s invitation to rediscover what genuine conversation requires of us could not be more timely.

These collected writings at once invite us into that conversation and enact its severe
demands. Gaita asks us to confront the distinctive evil of genocide, to examine the true cost of the ‘War on Terror’, to interrogate what justice requires in response to Australia’s dispossession of its First Peoples, to understand our need for truth in politics, especially during war, to see what is at stake in the decline of the universities, to grasp what was lost during the Black Summer bushfires, and to reckon with the experience of the COVID-19 pandemic—when we learned, he writes, ‘how much we needed to touch and hold other people’.

Gaita’s astonishing range of concerns is held together by the consistency and unrelenting tenderness of his moral vision. To see the world through Gaita’s eyes is to discover, once again, what it means to love the world and to remain faithful to it. He tells us that an unconditional love of the world is the deepest form of hope and the truest source of our energies to honour the demands of justice. This is how we learn to be human.' (Publication summary)

'A heartfelt look at the life of a man who placed his role as a father, with an autistic son above his service to the country as deputy Prime-Minister

''My name is Tim, and that is what I want you to call me, except if another officer is present and especially if it is the CO, Lt Col Bennett, then I am Sir. At all other times I am Tim.'

'When Tim Fischer's elder son was diagnosed with autism spectrum disorder, it triggered Tim's resignation as federal National Party leader and deputy prime minister of Australia. An outpouring of emotion across the political divide greeted his decision, a rarity in a political environment where few leaders choose to give up power and prominence.

'In I am Tim, Peter Rees uncovers the influences that shaped a key figure of twentieth-century Australian political life, from a Jesuit boarding school to the rigours of officer training and the battlefields of Vietnam, time in state and federal politics, marriage to Judy Brewer and life at home. Fischer's interests and activities after politics were many and varied, spanning a diplomatic posting to the Holy See, new historical studies, and chairing the Global Seed Vault in Svalbard, Norway.

'Tim Fischer emerges as a man of energy and ambition but also of humanity, courage and love.' (Publication summary)

'What does the first poetry in Australia, written by the Judge who declared the land terra nullius, tell us about the singular nature of colonialism here?

'On 24 February 1817, Barron Field sailed into Sydney Harbour on the convict transport Lord Melville to a ceremonial thirteen-gun salute. He was there as the new Judge of the Supreme Court of Civil Judicature in New South Wales - the highest legal authority in the turbulent colony. Energetic and gregarious, Field immediately set about impressing his vision of a future Australia as a liberal and prosperous nation. He courted the colony's leading figures, engaged in scientific research and even founded Australia's first bank. He also wrote poetry: in 1819, he published First Fruits of Australian Poetry, the first book of poems ever printed in the country. In England, Field had been the theatre critic for The Times, and a friend of such major Romantic writers as William Wordsworth, Charles Lamb and Leigh Hunt. In New South Wales, he saw the chance to become a major figure himself…' (Publication summary)

'Did Margaret Sutherland achieve more for Australian music than any other composer?

'Margaret Sutherland was one of the most innovative and influential Australian composers. In the first half of the twentieth century, her desire to be both serious composer and mother was atypical, and she faced significant challenges - public and private - in blending these roles. Against the backdrop of an unhappy and unsupportive marriage and a society not yet ready to accept her creative ambitions and strong views on Australia's musical development, she remained admirably steadfast in pursuing her goals. Sutherland created over two hundred compositions, ceaselessly campaigned on behalf of Australian music and musicians, and led the initial push to construct what is now Arts Centre Melbourne. In her attempts to redefine beauty in music she used idiosyncratic musical language, being at the mercy of 'sound pictures' and 'floating ideas'. This book tells her remarkable story, laying bare something of Sutherland's inspiring 'inner song'.' (Publication summary)

'How did Menzies develop as the giant of Australian politics?

'Sir Robert Menzies is a towering figure in Australian history. As the nation's longest-serving prime minister, he transformed and ultimately dominated the political landscape, implementing policies that laid the foundations of modern Australia. The story of Menzies and his governments is essential to the Australian narrative- the centrality of political liberalism, the defence of democracy through trying times, and the expanding horizons of our identity, prosperity and appreciation.

'The Young Menzies- Success, Failure, Resilience 1894-1942 explores the formative period of Menzies's life, when his personal outlook and system of beliefs that would help shape modern Australia were themselves still being formed. Contributors look at Menzies's ideas prior to their political practice and examine their context and origins. This period is also the time in which Menzies first attained power, though in difficult circumstances, when the focus of the nation was on survival. It was in losing office that Menzies was given the impetus to develop his vision for post-war Australia.

'This is the first of a four-volume history of Menzies and his world, based on conferences convened by the Robert Menzies Institute at the University of Melbourne. Contributors include Troy Bramston, Judith Brett, David Kemp and Frank Bongiorno. '  (Publication summary)

'In September 1939, Britain declared war on Germany, and the life of Uwe Radok, a young German-born engineer working in Scotland, changed forever. Classified as an ‘enemy alien’, Uwe was deported to Canada on the Arandora Star. When the ship was torpedoed, drowning more than 800, Uwe and his brothers survived – only to be marched onto the infamous Dunera, bound for Australia.

'From 1940 to 1943 Uwe kept a series of diaries. Their pages offer a remarkable account of the effects of displacement. The harrowing voyage and the tedium of indefinite detainment are rendered with clarity. Over time, this gives way to an exploration of the contours of love, as Uwe formed a sustaining connection with another male internee.

'Edited by Uwe’s daughter Jacquie Houlden and historian Seumas Spark, the diaries offer a fascinating insight into life in wartime internment. In depicting the barriers to homosexual and bisexual love in the 1940s, they reveal a new element to the Dunera story that has gone unexplored. Vivid and poignant, Shadowline is a powerful portrait of a man torn between his feelings and society’s expectations.'(Publication summary) 

'From the outside looking in, Sandra Thom-Jones was living a successful life: she had a great career, a beautiful home, a caring husband, two loving sons and supportive friends. But from the inside looking out, she was struggling to make sense of her place in the world, constantly feeling overwhelmed and exhausted, and convinced that her challenges with daily life just meant that she had to try harder. In Growing In to Autism, Thom-Jones tells the story of gradually realizing that she was autistic, and that she experienced the world in ways which were markedly different from neurotypical people. This was a profound awakening - throughout her life she had been masking her true self and this effort had come at great physical, mental and emotional cost. Applying her skills as an experienced and expert researcher, Thom-Jones delved into the literature on autism in adults, learning much more than she already knew as a parent of two autistic boys. Part personal, funny, endearing and enlightening memoir, and part rigorous explication of the nature of autism, Growing in to Autism is a book for all people, memorably conveying the need for better understanding and ways of making space for a group of individuals in our society who have so much to offer.'  (Publication summary)