Cirrus@Austlit

'‘Would you mind terribly, old boy, if I borrowed the rest of your life? I promise I’ll take excellent care of it.'

'Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car he’d return it washed and polished, with a full tank of petrol. The problem is, he has no one left to borrow from. At 82 he’s desperately lonely, broke and on the brink of homelessness.

'But Fred's luck changes when, in a bizarre case of mistaken identity, he takes the place of cranky Bernard Greer at Wattle River Nursing Home. Suddenly he has a roof over his head, warm meals in his belly and, most importantly, the chance to be part of a family again.

'Fingers crossed his poker face is in better nick than his prostate or the jig is up.

'As Fred walks in Bernard’s shoes (and underpants), he discovers more about the man’s past - and what it would take to return a broken life to mint condition.' (Publication summary)

'In this compelling study, Anna Johnston shows how colonial knowledge from Australia influenced global thinking about convicts, natural history and humanitarian concerns about Indigenous peoples. These were fascinating topics for British readers, and influenced government policies in fields such as prison reform, the history of science, and humanitarian and religious campaigns. Using a rich variety of sources including natural history and botanical illustrations, voyage accounts, language studies, Victorian literature and convict memoirs, this multi-disciplinary account charts how new ways of identifying, classifying, analysing and controlling ideas, populations, and environments were forged and circulated between colonies and through metropolitan centres. They were also underpinned by cultural exchanges between European and Indigenous interlocutors and knowledge systems. Johnston shows how colonial ideas were disseminated through a global network of correspondence and print culture.'  (Publication summary)

'As the Internet does today, the illustrated magazine significantly defined Australian readers’ knowledge of the nation and the world for much of the 20th century. Magazines graced domestic spaces and dentists’ surgeries; magazine stands filled busy city street corners and transport hubs; and publishers, government departments, and tourism bureaus sent magazines overseas to attract migrants, business investments and tourists. Up to 800,000 Australians read the Australian Women’s Weekly by 1961, with many other titles regularly achieving large circulation figures in a commercial market that in 1963 included 900 journals and magazines. The Weekly continues to provide new avenues for scholarly research, from education to art history to Cold War politics, as well as food and fashion histories. Our themed section for the Journal of Australian Studies forms part of a research project designed to diversify magazine studies in Australia, to broaden the sources and understanding of their significance in Australian cultural history, and to connect scholarship across disciplines and link it to new international developments.' (Introduction)

'Colonial linguistic studies are fascinating textual sources that reveal much about everyday life and knowledge production under frontier conditions. Gender also influenced the conditions of language learning and cultural exchange. This chapter uses the archival traces left by two women in colonial Australia to explore the relationship between language study and knowledge production, paying particular attention to linguistic texts that reveal traces of cross-cultural relationships and the Indigenous intermediaries who engaged in knowledge-making practices. Eliza Hamilton Dunlop learnt languages in New South Wales in the 1840s, and published poetry that included Indigenous vocabulary. Harriott Barlow lived on the Queensland frontier in the late 1860s, and she worked with local Indigenous people to make one of the first language studies of the region, published in one of Britain’s leading anthropological journals. These intimate exchanges on colonial frontiers reveal the imbrication of language collection, knowledge production, Indigenous engagement, and settler advocacy, and determined in what forms these issues emerged from the colonial south to influence imperial print culture.'

Source: Abstract.

'Eliza Hamilton Dunlop’s poem The Aboriginal Mother was published in The Australian on December 13, 1838, five days before seven men were hanged for their part in the Myall Creek massacre.' (Introduction)

'Eliza Hamilton Dunlop (1796–1880) arrived in Sydney in 1838 and became almost immediately notorious for her poem “The Aboriginal Mother,” written in response to the infamous Myall Creek massacre. She published more poetry in colonial newspapers during her lifetime, but for the century following her death her work was largely neglected. In recent years, however, critical interest in Dunlop has increased, in Australia and internationally and in a range of fields, including literary studies; settler, postcolonial and imperial studies; and Indigenous studies.

'This stimulating collection of essays by leading scholars considers Dunlop's work from a range of perspectives and includes a new selection of her poetry.'

Source: Publisher's blurb.

'Early colonial linguistic collection reveals the intimate and ongoing negotiations between Indigenous people and their European interlocutors, and provides insight into colonial knowledge production as a shared, cross-cultural process. The poet Eliza Hamilton Dunlop constructed a wordlist from informants in Wollombi, transcribed songs, and published poetry sympathetic to Aboriginal suffering and dispossession from her arrival in New South Wales in 1838. Dunlop’s concerns for Aboriginal people and culture were heightened by her marriage to an agent of the law (David Dunlop was a police magistrate), and the couple were keenly interested in Aboriginal culture, language, and plight on the volatile and violent colonial frontier that surrounded them. The Dunlops had an acquaintance with Reverend Lancelot Threlkeld at the nearby Lake Macquarie Mission, who had shared interests in recording Aboriginal linguistic and cultural knowledge, and in publicising and lamenting colonial violence. This chapter examines Dunlop’s linguistic and other work to reveal the imbrication of language collection, knowledge production, and humanitarian advocacy.'

Source: Abstract.

'Tasmania was a distinctive location for nineteenth-century travellers, and a regular feature of the rich print culture that emerged from the British Empire. Regularly dubbed a “little England” because of its physical and environmental features, the island provided an early source of imperial ideas about Greater Britain and the spread of the Anglo-Saxon race. This paper traces the emergence of the “little England” trope in travel writing, emphasising the importance of this form for knowledge formation. It argues that the contested and violent history of Tasmania, especially the treatment of Aboriginal people, complicated the trope by making explicit the violence that underpinned British imperial expansion. Debates about the morality of colonisation both in the colonial period, and in recent scholarly publications, reveal the high visibility of Tasmania and the complex inheritances of its colonial past locally and in Britain.'

Source: Abstract.

'Walkabout magazine was one of the most influential and innovative Australian magazines across much of the twentieth century and it is long overdue for an extended, appreciative study of its internal and external dynamics. Mitchell Rolls and Anna Johnston provide the significant and innovative study the magazine deserves drawing attention to its complex engagement with the natural environment and the land as resource, with history and heritage, with Aboriginal and Pacific Island cultures.' —David Carter, Fellow at Australian Academy of the Humanities

''Travelling Home' provides a detailed analysis of the contribution that the mid twentieth-century 'Walkabout' magazine made to Australia’s cultural history. Spanning five central decades of the twentieth century (1934-1974), 'Walkabout' was integral to Australia’s sense of itself as a nation. By advocating travel—both vicarious and actual—'Walkabout' encouraged settler Australians to broaden their image of the nation and its place in the Pacific region. In this way, 'Walkabout' explicitly aimed to make its readers feel at home in their country, as well as including a diverse picture of Aboriginal and Pacific cultures. Like National Geographic in the United States, Walkabout presented a cornucopia of images and information that was accessible to a broad readership.

'Given its wide availability and distribution, together with its accessible and entertaining content, 'Walkabout' changed how Australia was perceived, and the magazine is recalled with nostalgic fondness by most if not all of its former readers. Many urban readers learnt about Indigenous peoples and cultures through the many articles on these topics, and although these representations now seem dated and at times discriminatory, they provide a lens through which to see how contemporary attitudes about race and difference were defined and negotiated.

'Drawing on interdisciplinary scholarship, 'Travelling Home' engages with key questions in literary, cultural, and Australian studies about national identity and modernity. The book’s diverse topics demonstrate how 'Walkabout' canvassed subtle and shifting fields of representation. Grounded in the archival history of the magazine’s production, the book addresses questions key to Australian cultural history. These include an investigation of middle-brow print culture and the writers who contributed to Walkabout, and the role of 'Walkabout' in presenting diverse and often conflicting information about Indigenous and other non-white cultures. Other chapters examine how popular natural history enabled scientists and readers alike to define an unique Australian landscape, and to debate how a modernising nation could preserve its bush while advocating industrial and agricultural development. While the nation is central to 'Walkabout' magazine’s imagined world, Australia is always understood to be part of the Pacific region in complex ways that included neo-colonialism, and Pacific content was prominent in the magazine. Through complex and nuanced readings of Australian literary and cultural history, 'Travelling Home' reveals how vernacular understandings of key issues in Australia’s cultural history were developed and debated in this accessible and entertaining magazine.' (Publication summary)