'Eliza Hamilton Dunlop (1796–1880) arrived in Sydney in 1838 and became almost immediately notorious for her poem “The Aboriginal Mother,” written in response to the infamous Myall Creek massacre. She published more poetry in colonial newspapers during her lifetime, but for the century following her death her work was largely neglected. In recent years, however, critical interest in Dunlop has increased, in Australia and internationally and in a range of fields, including literary studies; settler, postcolonial and imperial studies; and Indigenous studies.
'This stimulating collection of essays by leading scholars considers Dunlop's work from a range of perspectives and includes a new selection of her poetry.'
Source: Publisher's blurb.
'Best known for her “crying mother” poem written in response to the Myall Creek massacre in 1838, the Anglo-Irish poet Eliza Hamilton Dunlop (1796–1880) is a transcolonial figure with familial, literary and political connections to Ireland, India and Australia. Raised by her paternal grandmother in Ireland, her father worked as an attorney in India (where she would travel in her 20s), while her second husband, David Dunlop, was deeply involved in progressive Ulster politics before becoming the police magistrate in Wollombi and Macdonald River in New South Wales. This new edited collection by Anna Johnston and Elizabeth Webby addresses the scholarly lacunae on Dunlop, shifting the dominance of readings of “The Aboriginal Mother” (1838) in favour of emphasising the transcolonialism of Dunlop’s writing and embedding her work within a global print network.' (Introduction)
'Best known for her “crying mother” poem written in response to the Myall Creek massacre in 1838, the Anglo-Irish poet Eliza Hamilton Dunlop (1796–1880) is a transcolonial figure with familial, literary and political connections to Ireland, India and Australia. Raised by her paternal grandmother in Ireland, her father worked as an attorney in India (where she would travel in her 20s), while her second husband, David Dunlop, was deeply involved in progressive Ulster politics before becoming the police magistrate in Wollombi and Macdonald River in New South Wales. This new edited collection by Anna Johnston and Elizabeth Webby addresses the scholarly lacunae on Dunlop, shifting the dominance of readings of “The Aboriginal Mother” (1838) in favour of emphasising the transcolonialism of Dunlop’s writing and embedding her work within a global print network.' (Introduction)
