'Eliza Hamilton Dunlop’s poem The Aboriginal Mother was published in The Australian on December 13, 1838, five days before seven men were hanged for their part in the Myall Creek massacre.' (Introduction)
'This chapter explores the contradictions and fallacies inherent in popular literary representations of the metropolis and the bush. It examines the way the representation was constructed retrospectively, ignoring the range of perspectives and lack of a dominant popular portrayal of the bush in the nineteenth-century periodical press. The Bulletin encouraged the simplified representation to advance its agenda of ‘Australia for Australians’ and used the popular poetry of A.B. Paterson and Henry Lawson to support this agenda. This chapter uses examples of the writing of four nineteenth-century women to challenge this simplified representation of the ‘city or the bush’ with this underlying thesis that the true Australian character somehow derives from the strength of the lone bushman.'
Source: Abstract
'The depiction of aboriginals in early Australian literature, i.e., that written before 1850, resembles in many respects their pictorial depiction as outlined by Bernard Smith in European Vision and the South Pacific. Writers who attempted the longer literary forms on Australian themes — the epic poem or the novel — usually, like the landscape artists, placed the aboriginal to one side. He was part of the exotic background, representing for the post the old order which was rapidly giving way to the march of civilization, or, along with bushrangers, fire and Rood, providing the fiction writer with the necessary "adventures" to break up the drab monotony of outback life. Certain shorter pieces of prose and verse focused more directly on the aboriginal, In these he was often either refined and classicalized along the "noble savage" lines of Blake's engraving of an aboriginal family, or caricatured as a comic specimen of brute creation. During the eighteen—forties there are signs of a third, more realistic and anthropological, approach with the incorporation of aboriginal words into poems and attempts at detailed descriptions of their customs in prose, though still with traces of the old simplifications in the directions of refinement or comedy.' (Publication abstract)