person or book cover
Photo courtesy of Kerry Kilner
Kerry Kilner Kerry Kilner i(A17498 works by)
Born: Established: 1961
c
Singapore,
c
Southeast Asia, South and East Asia, Asia,
;
Gender: Female
Heritage: Irish ; Australian ; Samoan
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Works By

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1 Digital Curation, AustLit, and Australian Children's Literature Amy Cross , Cherie Allan , Kerry Kilner , 2019 single work criticism
— Appears in: International Research in Children's Literature , July vol. 12 no. 1 2019; (p. 1-17)

'This paper examines the effects of curatorial processes used to develop children's literature digital research projects in the bibliographic database AustLit. Through AustLit's emphasis on contextualising individual works within cultural, biographical, and critical spaces, Australia's literary history is comprehensively represented in a unique digital humanities space. Within AustLit is BlackWords, a project dedicated to recording Australia's Aboriginal and Torres Strait Islander storytelling, publishing, and literary cultural history, including children's and young adult texts. Children's literature has received significant attention in AustLit (and BlackWords) over the last decade through three projects that are documented in this paper. The curation of this data highlights the challenges in presenting ‘national’ literatures in countries where minority voices were (and perhaps continue to be) repressed and unseen. This paper employs a ‘resourceful reading’ approach – both close and distant reading methods – to trace the complex and ever-evolving definition of ‘Australian children's literature’.'

Source: EUP.

1 I Have Taken a Prisoner and the Drama of Love and Loneliness in a Conventional World Kerry Kilner , 2018 single work essay
— Appears in: I Have Taken a Prisoner : Play in Six Scenes 2018; (p. 4-18)
1 y separately published work icon Growing Up Indigenous in Australia Kerry Kilner (editor), St Lucia : AustLit: The Australian Literature Resource , 2018-2020 12974192 2018 anthology autobiography short story life story Indigenous story

This collection of autobiographical short stories captures the experience of growing up in Australia as an Aboriginal and/or Torres Strait Islander person. The authors range in age from young adults to older women and men but common to all of their experience is resilience and respect. The stories are published by BlackWords as a result of an overwhelming volume of stories submitted to Black Inc. for consideration in a print collection entitled Growing Up Aboriginal in Australia edited by Professor Anita Heiss.

1 Searching for My Lady’s Bonnet : Discovering Poetry in the National Library of Australia’s Newspapers Database Kerry Kilner , Kent Fitch , 2017 single work criticism
— Appears in: Digital Scholarship in the Humanities , April vol. 32 no. Supplement 1 2017; (p. i69–i83)

'The AustLit database (Kilner, 2002) contains bibliographical records for more than 882,000 works of Australian creative and critical writing and over 161,000 author and organization records. As an information resource, it is unsurpassed in comprehensiveness and breadth of coverage and is a central plank in Australia’s research infrastructure for the fields of cultural history and heritage. As a full-text repository, AustLit contains over a thousand items selected and digitized from original documents. These comprise seminal works of nineteenth and early twentieth-century Australian literature, a collection of early speculative fiction, a large corpus of early children’s literature, and selected criticism and scholarly works. Much of the creative writing full text is out of copyright, and we are soon to embark upon a digitization project to make available play-scripts written and performed in the first half of the twentieth century. In addition to this aspect of our activities, AustLit’s comprehensive bibliographical records link outwards to more than 80,000 full-text items that are available online. This selection, curation, and development of full-text collections make AustLit a valuable site for finding contextualized reading material and content that supports historical research and teaching.' (Introduction)

1 'Unlovely and Unloving' : An Introduction to Dorothy Blewett's 1949 Story 'This Girl Came to Our School' Kerry Kilner , 2016 single work criticism
— Appears in: Hecate , vol. 42 no. 2 2016; (p. 55-61)

'Dorothy Blewett's story, 'This Girl Came to Our School' broadcast on the Australian Broadcasting Commission (ABC) in 1949 and published here in print for the first time, is a more complex work that it seems on first reading. Into its mere 1,600 words are packed themes of colonisation and its collapse, racism and prejudice, guerrilla warfare, constructed white privilege with its perception of the threat of miscegenation, and the enduring impacts of schoolgirl bullying on both the bullied and the bully. The story, written in the late 1940s, is a psychological study of the narrator's dawning recognition that her racist behaviour has, in part, fed into the creation of a revolutionary engaged in a battle against European culture and its colonial enterprise.

'The story was submitted to an ABC short story competition in 1949. Although it didn't win, the story was one of four commended submissions purchased by the ABC and broadcast around Australia in July and August 1949. The story was broadcast in Sydney, Darwin, Adelaide and Melbourne and is likely to have been broadcast across the entire ABC network in Australia.' (Abstract)

1 Report from a Border : Text and Typography in Australian Artist's Books Angela Gardner , Kerry Kilner , 2016 single work criticism
— Appears in: JAB39 , no. 39 2016; (p. 29-32)
'In 1967, Ad Reinhardt wrote: "Words in art are words, Letters in art are letters, Writing in Art is writing." This statement can be borne out by how we "read" text and image differently. Alfred Yarbus's eye-tracking research in the 1950s and '60s showed that the observer's eye repeatedly returns to the same elements of a painting when examining it. Thus, additional time spent on perception is not used to examine the secondary elements, but to re-examine the most important elements.' (Introduction, 29)
2 1 y separately published work icon The BlackWords Essays Kerry Kilner (editor), Gus Worby (editor), Anita Heiss , St Lucia : AustLit: The Australian Literature Resource , 2015 8665955 2015 selected work criticism

This collection of essays has been produced for teachers, students, researchers, and readers in order to highlight AustLit’s BlackWords project, the most comprehensive resource of Indigenous Australian writing available. The essays aim to assist readers to better understand the impact of Aboriginal and Torres Strait Islander writing and publishing on Australia’s literary landscape.

The essays showcase recent trends in Aboriginal and Torres Strait Islander writing and highlight the diversity of voices, the range of themes, the genres authors are publishing in, and the ongoing importance of storytelling in contemporary Indigenous society. Common themes emerge in the concerns of Indigenous writers: identity; connection to country; urban life; language maintenance and reclamation. While Indigenous authored books to assist with literacy at a community level is a growing aspect of publishing.

Terminology

A range of terminology has been used in these essays in order to define Aboriginal and Torres Strait Islander writers and storytellers who make up the BlackWords dataset. In each case, the chosen term reflects the context of the work being considered. The term ‘First Peoples’ and ‘First Nations’ will mean Aboriginal only, while Indigenous and Black are inclusive of both Aboriginal and Torres Strait Islander Peoples.


Acknowledgements

The author, Dr Anita Heiss, would like to thank Emeritus Professor Gus Worby, Flinders University and Yunggorendi First Nations Centre, for his professional support and good will in undertaking a scholarly edit of these essays; and to Kerry Kilner for textual editing and for recognising the importance of having them as part of the AustLit database.

Dr Heiss would also like to acknowledge the support of the Aboriginal and Torres Strait Islander Arts Board of the Australia Council who granted her a literature fellowship to research and write these essays, and thereby making them freely available to visitors to BlackWords. AustLit maintains BlackWords through the support of The University of Queensland and the generosity of our subscribers.

1 David Malouf : A Life of Letters Kerry Kilner , 2014 single work criticism
— Appears in: Island , no. 138 2014; (p. 44-45)
'At the State Library of Queensland on Friday 6 June 2014, David Malouf gave an address as a part of his SW Brooks visiting lectureship at the University of Queensland. The event was also part of Queensland Week and was one of a series of events honouring Malouf ’s contribution to Australia’s literary culture. Malouf opened his inspiring talk by reflecting on how recent public events associated with his 80th birthday had given him cause to think about the complex factors at play in the creation of what has become his ‘body of work’. The metaphor of the body in this phrase struck him as significant because of the sort of writer he is.' (Author's introduction)
1 The BlackWords Symposium : The Past, Present, and Future of Aboriginal and Torres Strait Islander Literature Kerry Kilner , Peter Minter , 2014 single work criticism
— Appears in: JASAL , vol. 14 no. 3 2014;
'The BlackWords Symposium, held in October 2012, celebrated the fifth anniversary of the establishment of BlackWords, the AustLit-supported project recording information about, and research into, Aboriginal and Torres Strait Islander writers and storytellers. The symposium showcased the exciting state of Aboriginal and Torres Strait Islander creative writing and storytelling across all forms, contemporary scholarship on Indigenous writing, alongside programs such as the State Library of Queensland’s black&write! project, which supports writers’ fellowships, editing mentorships, and a trainee editor program for professional development for Indigenous editors. But really, the event was a celebration of the sort of thinking, the sort of resistance, and the re-writing of history that is evident in the epigraph to this introduction. ' (Authors introduction)
1 Black Words Kerry Kilner , 2014 single work criticism
— Appears in: Island , no. 137 2014; (p. 44-45)

'Anita Heiss's latest novel, Tiddas (Simon and Schuster, 2014), is a demonstration of the way Black Australian stories are surging through a wide variety of genres in Australian literature. The story explores friendship, family, books and the challenges and pleasures that women meet along life's pathways as culture, history, love and babies collide with the realities of modern Australia. Heiss, who has been described as inventing Aboriginal Chick Lit (or 'Chock Lit'), is a dynamic, committed writer with a social conscience. So many of the writers whose careers, lives and writing is showcased in BlackWords (the most popular project in the AustLit web resource) deal with the realities 'of living Black in Australia.' (Publication abstract)

1 Tasmanian Hauntings Kerry Kilner , 2014 single work essay
— Appears in: Island , no. 137 2014; (p. 38-39)
'A few years ago an AustLit research project, 'The Literature of Tasmania', was undertaken at the University of Tasmania. Led by Philip Mead, now professor of Australian literature at the University of Western Australia, the research team gathered data on all forms of creative writing and the authors and subjects of those works that related to Tasmania, plugging that data into AustLit to create a rich collection of data and information. Records about Tasmanian related works now number more than 24,000.' (Publication summary)
1 AustLit and Australian Periodical Studies Kerry Kilner , 2014 single work criticism
— Appears in: TEXT Special Issue Website Series , April no. 25 2014;

'AustLit is an important destination for those researching in the field of Australian literary studies. As a vehicle for periodical studies, AustLit provides invaluable resources in the form of indexes to the literary content of many magazines, newspapers and scholarly journals; the history, editorship and purpose of many small and large periodicals; and collections of records that demonstrate a particular aspect of the history of Australian periodical publishing and readership. As a virtual research environment, AustLit provides researchers with tools for creating, aggregating and annotating collections of relevant data and for publishing these datasets as scholarly outcomes of research projects. Amongst other AustLit supported research projects, Jill Julius Matthews, for example, used AustLit as a publication vehicle for her historical survey, 1895–1930, on the collection of magazines in the State Library of New South Wales’s Mitchell Library.

'This paper will present some of the ways that AustLit has engaged with historical research into Australian magazine and newspaper culture, presenting the outcomes of projects that have, collectively, built our understanding of the important role periodicals have played. It will show how AustLit is embedded in the wider research environment and discuss how scholars and others can use AustLit as a site for their own research outcomes, foreshadowing some of the options becoming available as a result of a major restructure of the database and interface. ' (Publication abstract)

1 [Introduction] : Anita Heiss in Conversation with BlackWords Kerry Kilner (interviewer), 2014 single work interview
— Appears in: In Conversation with BlackWords 2014;
1 The Poetry Book as Art Object Kerry Kilner , Angela Gardner , 2012 single work criticism
— Appears in: Australian Poetry Journal , vol. 2 no. 2 2012; (p. 99-113)
This article explores the rich interplay between visual art and the literary arts as represented in artist’s books and fine press publications, describing and discussing some exemplary works and collaborations created by practitioners engaged with the idea that poetry and the visual arts form a natural marriage within the structure of a ‘book’. The books in this context are possessed of multiple layers of meaning, referents, literary and visual allusions and are a part of a tradition where these two art forms create material objects to be experienced spatially rather than as a line to follow. (99)
1 AustLit Coming Your Way Kerry Kilner , 2012 single work column
— Appears in: Australian Book Review , November no. 346 2012; (p. 57)
'After twelve years of building a vast online database of information about Australian literary culture, the consortium of universities responsible for the AustLit resource (www.austlit.edu.au) has decided that it is time for a major makeover.'
1 Bringing Research and Researchers to Light : Current and Emerging Challenges for a Discipline-based Knowledge Resource Kerry Kilner , Roger Osborne , 2011 single work criticism
— Appears in: Sustainable Data From Digital Research: Humanities Perspectives on Digital Scholarship 2011; (p. 153-170)

'Australian literary studies have, in the past decade, been greatly assisted by AustLit: The Australian Literature Resource (www.austlit.edu.au), a multi-institutional collaboration between researchers, librarians and software designers from ten universities and the National Library of Australia. Under the leadership of The University of Queensland, this collaboration has produced a web-based research environment that supports a wide range of projects and publications across a diverse array of fields in Australian literary and narrative cultures while also becoming a key resource for teaching and general information. AustLit has consistently worked to integrate the research output of associated projects and is currently planning to expand its position in the community with a new open access and open contribution model. A major innovation in data management and maintenance, the AustLit Research Community structure supports the study of Australian literary and story-making cultures by providing a web-based environment where segments of these cultures can be explored and presented as distinct topics within a larger knowledge framework. Scholars are able to build datasets, annotate, analyse and present that data in a range of ways, and publish scholarly interpretations of their findings in the form of peer reviewed articles. The incorporation of these research-rich datasets into AustLit contributes to an overarching goal of building a comprehensive database of information about Australian writers, writing and print culture more broadly. With a recent decision to move from the current access model as a subscription service, available to relatively few users, to an open access and open contributions model incorporating content produced by a network of volunteers, AustLit is now facing a significant new challenge. The Aus-e-Lit Project has delivered innovative tools and services that will enable AustLit users to engage more directly with AustLit data and to contribute to a Research Commons with collaborative annotations and richly described collections of internet resources. This paper will report on the implications that these innovations bring to current and future research practices. It will consider the successes and challenges that AustLit faces with its aim to be the definitive virtual research environment and information resource for Australian literary, print, and narrative culture, not only for scholars in the field but for students of all levels and the general public.' (Publication abstract)

1 1 y separately published work icon Australian Literature Teaching Survey : Final Report Philip Mead , Kerry Kilner , Alice Healy , Strawberry Hills : Australian Learning and Teaching Council , 2010 8645430 2010 single work information book

'The context of the Teaching Australian Literature (TAL) Survey project is the ongoing national debate about education in contemporary Australia, including the teaching of language and literature in our schools and universities, and the development of a national curriculum that includes the study of Australian literature. (Introduction to Executive Summary (1)'

1 AustLit : Creating a Collaborative Research Space for Australian Literary Studies Kerry Kilner , 2009 single work criticism
— Appears in: Resourceful Reading : The New Empiricism, eResearch and Australian Literary Culture 2009; (p. 299-314)
The chapter discusses some of the requirements the layers of technical and institutional support impose upon the emerging landscape of eResearch practice in literary studies. It also considers some of the larger, global issues around scholarly communication within the research sector. Finally it outlines the innovative ways in which AustLit 'is trying to address emergent eResearch needs of scholars of Australian literary culture through the Aus-e-Lit project, funded by the Australian Federal Government's National E-Research Architecture Taskforce, an NCRIS Platforms for Collaboration program' (300).
1 1 In the Age of the Internet : Australian Literature and Research Practices Kerry Kilner , 2009 single work criticism
— Appears in: Reading Down Under : Australian Literary Studies Reader 2009; (p. 56-66)
'This chapter aims to provide information on how the internet revolution affects discovery and research opportunities for students of Australian literature in India. It will discuss some of the resources available on the World Wide Web and how they might benefit researchers working in the virtual environment. It will then consider AustLit: The Resource for Australian Literature ... which is the key resource for all things relating to many aspects of Australian literary culture' (57).
1 3 y separately published work icon The Bibliography of Australian Literature : P-Z John Hay (editor), John Arnold (editor), Kerry Kilner (editor), Terence O'Neill (editor), St Lucia : University of Queensland Press , 2008 Z1542391 2008 single work bibliography

'The Bibliography of Australian Literature P-Z is the fourth and final volume of a major collaborative national bibliographical project recording details of all separately published creative literature by Australian writers from European arrival in Australia to the end of the 20th century.

'Genres covered are poetry, drama, fiction and children's writing. One of the strengths of this unique multi-volume work is that it has no canon, aiming to include all works by all Australian authors regardless of perceived literary merit. For each work details of the first edition are listed, as well as significant new or revised editions and translations. Biographical details, awards and other additional information relevant to an individual author or title is also included.' (Publisher's blurb)

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