Cirrus@Austlit

In a post-apocalyptic future, a group of children search for the mythical New Eden, reputed to be the last unpolluted place on Earth. But the Doom Troopers and their maniacal leader Dr Kao are also searching for New Eden, and won't let a group of children stand in their way.

Written by American script-writers Barney Cohen and Ken Lipman, Doom Runners was produced by Posie Graeme-Evans's production company, Millennium Pictures: Graeme-Evans acted as both story editor and script editor.

Mirror, Mirror II was a sequel to Mirror, Mirror, but only in so far as both programs involved travel between two time periods through the agency of a magic mirror, allowing people who live in the same house at different times to interact with one another. The two programs were closely linked aesthetically, including identical title sequences. However, the programs had very little overlap in script-writers.

In this series, Daniel and Fergus McFarlane (from the late 1990s) and Constance de Lutrelle (fom the 1860s) travel between each others' time periods, experiencing culture shock from such events as sealing (in the 1860s) and school discos (in the 1990s). As with the original series, there is also a significant object over which the protagonists struggle: in this case, a mysterious crown.

When fourteen-year-old Jo Tiegan is given an antique mirror by a mysterious antique-shop owner in 1995, she finds she can travel through the mirror's surface into her bedroom as it was in 1919. She and the house's previous occupant, Louise Iredale, become firm friends, but find themselves caught up in two interlocking mysteries: the presence of a container of toxic chemicals in Louise's neighbour's well (which seriously injures two of Jo's classmates during an archaeological excavation in 1995) and the entrapment of Nicholas Romanov (the Tsesarevich Alexei Nikolaevich) by Louise's neighbour, who has smuggled him out of Russia in the hopes of selling him to the highest bidder.

Mirror, Mirror was a co-production between Australian-based Millennium Pictures (founded five years earlier by show creator Posie- Graeme-Evans) and New Zealand-based Gibson Group.

The program was successful and highly awarded, and was followed two years later by a loose sequel, which shares nothing with the original series but the basic premise of time travel through a mirror.

The Miraculous Mellops centred on the curious adventures of the Mellop children who, after the death of their mother, live at the Lazy Daisy Nursery with their father and aunt, but manage to get caught up in events of intergalactic significance. Series one centred on the search for the new Grand Baby, leader of the Moon, after the former Grand Baby's powers were accidentally fractured into ordinary objects in the Mellops' home. Series two concerned the intergalactic threat offered by the Grubs, who turn anything into their path into toffee before devouring it.