Paul Maloney Paul Maloney i(A132532 works by)
Gender: Male
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1 3 form y separately published work icon SeaChange Deb Cox , Andrew Knight , Deb Cox , Matt Cameron , Hannie Rayson , Graeme Koetsveld , Sherri McIver , Andrea Denholm , Chris Hawkshaw , Tim Pye , Stuart McDonald , Sue Hore , Luke Devenish , Elizabeth Coleman , Max Dann , Margaret Kelly , Doug MacLeod , Andrew Knight , ( dir. Michael Carson et. al. )agent 1998 Australia : Artist Services Australian Broadcasting Corporation , 1998-2000 Z1888232 1998 series - publisher film/TV

'In one day successful city lawyer, Laura Gibson's world falls apart. Suddenly she realises she no longer knows her husband, her children, or where her all-consuming career is going. On a whim, Laura grabs at a position as magistrate in the small coastal town of Pearl Bay and with two bewildered kids in tow sets off to change their lives forever.'

Source: Australian Television Information Archive. (Sighted: 18/9/2012)

1 form y separately published work icon The Balanced Particle Freeway Carole Wilkinson , ( dir. Paul Maloney ) Australia : Rosenbaum Whitbread Film & Television Productions , 1997 Z1865512 1997 single work film/TV adventure children's fantasy

'"Welcome to the far-famed and most reliable Balanced Particle Freeway, a magical adventure that can take you anywhere in the world in no time at all!" That's what the dragon Mizuchi tells Lili and Bede when he unexpectedly crash lands in their backyard. The children discover that there is an entrance to the Balanced Particle Freeway just outside their back gate and it catapults them from school holiday boredom into high adventure'.

Source: Screen Australia. (Sighted: 7/6/2012).

1 form y separately published work icon Halfway Across the Galaxy and Turn Left John Reeves , Ray Boseley , Graeme Farmer , Roger Dunn , Everett de Roche , Chris Anastassiades , Aleksi Vellis , Vince Moran , Michael Harvey , Matthew Lovering , Seven Network (publisher), ( dir. Rod Hardy et. al. )agent 1992 Melbourne Australia : Crawford Productions Seven Network , 1994 Z1028716 1992 single work film/TV young adult science fiction

On the cold and inhospitable planet of Zyrgon in a galaxy light years away, X's father wins the state lottery for the 27th time in a row. Knowing he will now be severely punished, twelve-year-old X is determined to save her family from jail, and decides to buy a spaceship. The whole family then set off into space, head halfway across the galaxy, and turn left. They land on an even stranger planet: Earth.

1 form y separately published work icon Kelly Denise Morgan , Judith Colquhoun , Sheila Sibley , Ysabelle Dean , Shane Brennan , Peter A. Kinloch , Andrew Kennedy , Peter Hepworth , David Phillips , Alison Nisselle , ( dir. Mark DeFriest et. al. )agent Australia : Westbridge Entertainment Jonathan M. Shiff Productions Network Ten , 1991-1992 Z1888821 1991-1992 series - publisher film/TV children's crime

The first television program from prolific children's television producer Jonathan M. Shiff, Kelly follows the adventures of a police dog who, after being injured at work, is sent to recuperate in the country; here, Kelly becomes the constant companion of Jo Patterson and her friend Danny Foster, and manages to ferret out some criminals even in the country.

1 form y separately published work icon Prime Time Terry Stapleton , Graham Hartley , Shane Brennan , Graeme Farmer , Howard Griffiths , Michael Harvey , Rick Maier , Vince Moran , David Phillips , Peter Schreck , David Worthington , Alison Nisselle , ( dir. Paul Maloney et. al. )agent Melbourne : Crawford Productions , 1986 Z1817018 1986 series - publisher film/TV

Like the earlier Crawford's series The Box, Prime Time was concerned with television production. In this case, the programme focused on the fictional Lockhart Productions and its prime-time current-affairs program, Assignment: according to Moran, in his Guide to Australian TV Series, 'although there was no physical resemblance between actor Chris Orchard and real-life current affairs host and company owner, Mike Willesee, nevertheless the reference was clear.' The show was produced in such a way that, according to Moran, its 'format was flexible enough to allow both the presence of ongoing narratives about the principal characters as well as featuring guest characters, narratives and situations arising out of the stories that Assignment was focusing on.'

Unlike The Box, Prime Time was not successful, though Moran emphasises that Channel 9, the network airing the program, 'did much to snatch disaster from the jaws of victory by scheduling Prime Time on Thursday and Friday nights'.

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