Sarah Pinto Sarah Pinto i(A123961 works by)
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 [Review] Memory, Place and Aboriginal-Settler History: Understanding Australians’ Consciousness of the Colonial Past Sarah Pinto , 2018 single work review
— Appears in: Australian Historical Studies , vol. 49 no. 2 2018; (p. 272-274)

'How do we come to know the past? That is the key question of this fascinating, moving, and troubling examination of historical consciousness in contemporary Australia. Memory, Place and Aboriginal-Settler History considers the ways in which settler descendants come to understand the past. It does so by looking closely at a particular people and place: non-Indigenous Australians with ‘generational connections’ to the Wirrabara and North-East Highland districts in mid-north South Australia (4). Krichauff is herself part of this group she terms settler descendants, and her own stories, observations, and research journeys are interwoven with those of her interviewees. Together they offer an evocative account of the presence of the past in place in the twenty-first century.'  (Introduction)
1 Tripping over Feathers Sarah Pinto , 2011 single work review
— Appears in: History Australia , vol. 8 no. 3 2011; (p. 210-212)
— Review of Tripping over Feathers : Scenes in the Life of Joy Janaka Wiradjuri Williams : A Narrative of the Stolen Generations Peter Read , 2009 single work biography
1 Ned Kelly Sarah Pinto , 2011 single work criticism
— Appears in: Making Film and Television Histories : Australia and New Zealand 2011; (p. 199-204)
1 'How Do You Plead?' : Guilt, Responsibility and Reconciliation on the Frontier in Rolf de Heer's The Tracker Sarah Pinto , 2010 single work criticism
— Appears in: Frontier Skirmishes : Literary and Cultural Debates in Australia after 1992 2010; (p. 115-128)
1 History, Fiction and The Secret River Sarah Pinto , 2010 single work criticism
— Appears in: Lighting Dark Places : Essays on Kate Grenville 2010; (p. 179-198) 'In this essay, Sarah Pinto is concerned with the historical novel's imaginative re-creation of historical moments and figures. She considers Grenville's fascination with archival research and with the processes of historical investigation in the context of the seemingly unceasing public debates about The Secret River as a way of explaining why historians felt the need to respond to t he novel. At stake, she suggests, were questions about the ways in which history is told and, in the process, how accounts of history by be differentiated from Historical fiction. Indeed, it is the very notion of empathy that some historians regarded as 'unhistorical'. Pinto argues that the rivalry between history and fiction, and history's claim to have access to a verifiable past, have tended to shut down what could and should be a productiove exchange between the two.'( Kossew, 'Introduction' xix)
1 Fighting for Legitimacy : Masculinity, Political Voice and Ned Kelly Sarah Pinto , Leigh Boucher , 2006 single work criticism
— Appears in: Journal of Interdisciplinary Gender Studies , January vol. 10 no. 1 2006; (p. 1-29)
X