History, Fiction and The Secret River single work   criticism  
Issue Details: First known date: 2010... 2010 History, Fiction and The Secret River
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AbstractHistoryArchive Description

'In this essay, Sarah Pinto is concerned with the historical novel's imaginative re-creation of historical moments and figures. She considers Grenville's fascination with archival research and with the processes of historical investigation in the context of the seemingly unceasing public debates about The Secret River as a way of explaining why historians felt the need to respond to t he novel. At stake, she suggests, were questions about the ways in which history is told and, in the process, how accounts of history by be differentiated from Historical fiction. Indeed, it is the very notion of empathy that some historians regarded as 'unhistorical'. Pinto argues that the rivalry between history and fiction, and history's claim to have access to a verifiable past, have tended to shut down what could and should be a productiove exchange between the two.'( Kossew, 'Introduction' xix)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Lighting Dark Places : Essays on Kate Grenville Sue Kossew (editor), Amsterdam New York (City) : Rodopi , 2010 Z1801205 2010 anthology criticism 'This is the first published collection of critical essays on the work of Kate Grenville, one of Australia's most important contemporary writers. Grenville has been acclaimed for her novels, winning numerous national and international prizes including the Orange Prize for Fiction and the Commonwealth Writers' Prize. Her novels are marked by sharp observations of outsider figures who are often under pressure to conform to society's norms. More recently, she has written novels set in Australia's past, revisiting and re-imagining colonial encounters between settlers and Indigenous Australians. This collection of essays includes a scholarly introduction and three new essays that reflect on Grenville's work in relation to her approach to feminism, her role as public intellectual and her books on writing. The other nine essays provide analyses of each of her novels published to date, from the early success of Lilian's Story and Dreamhouse to the most recently published novel, The Lieutenant.' (Publisher's blurb)

    Her work has been the subject of some debate and this is reflected in a number of the essays published here, most particularly with regard to her most successful novel to date, The Secret River. This intellectual engagement with important contemporary issues is a mark of Grenville's fiction, testament to her own analysis of the vital role of writers in uncertain times. She has suggested that "writers have ways of going into the darkest places, taking readers with them and coming out safely." This volume attests to Grenville's own significance as a writer in a time of change and to the value of her novels as indices of that change and in "lighting dark places."
    Amsterdam New York (City) : Rodopi , 2010
    pg. 179-198
Last amended 26 Aug 2011 11:41:09
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