Cirrus@Austlit

'Elderly and in poor health, Mary fulfils her wish to herself to live out her last days on Bruny Island with only her regrets and memories for company. A long time ago, her late husband was the lighthousekeeper on Bruny, and she'd raised a family on the wild windswept island, until terrible circumstances forced them back to civilisation. The long-buried secret that has haunted her for decades now threatens to break free and she is hoping to banish it once and for all before her time is up.

'But secrets have a life of their own, and as Mary relives the events that led up to the shattering revelation, she realises she needs to trust a later generation to put things right. As she steadily weakens, she imposes herself on the island's ranger, Leon, who is reluctant to become nursemaid to Mary and resentful that he appears to have little choice in the matter. He has problems of his own and the last thing he needs is another drain on his time.

'Mary's adult children are respectively outraged, non-committal and sympathetic, but no amount of coaxing, pleading or threats will shake her resolve. Her youngest son Tom loves Bruny as much as his mother does, and can understand her primal connection to that wild island, a place of solitude, healing and redemption for them both.

'Years before Tom had spent a winter working on a base in Antarctica and had returned from that empty loneliness to find his marriage over and his life destroyed. Not for nothing do Antarctic regulars call that gruelling experience The Division of Broken Marriages and Shattered Lives. Still wounded, Tom lives a simple life in Hobart, unable and unwilling to make real connections with people in case he gets hurt again. But then he meets Emma, newly returned from Antarctica and as open and welcoming as Tom is not. Will Tom be healed by Emma's interest, or come to terms with his first trip there?

'As Mary's time winds down, both she and Tom must face their pasts in ways they cannot even begin to imagine. And Mary finds that the script she's written to the end of her life has taken on a few twists of its own. The Lightkeeper's Wife is a moving and redemptive story of love, loss and family, and what we have to do to live the best kind of life.' (From the publisher's website.)

'Polly the witch and Buster the monster shouldn’t be friends. And they definitely shouldn’t be on the run from almost everyone in town. But when Polly is called to the Hollow Valley Mines – the forbidden, haunted mines – by her magic stones, these two best friends have a big decision to make. Do they stay hidden and safe, or risk it all to save the day?' (Source: Publisher's blurb)

'My real name, no one remembers.
The truth about that summer, no one else knows.

'In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor in rural Oxfordshire. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe's life is in ruins.

'Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist's sketchbook containing the drawing of a twin-gabled house on the bend of a river.

'Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?

'Told by multiple voices across time, The Clockmaker's Daughter is a story of murder, mystery and thievery, of art, love and loss. And flowing through its pages like a river, is the voice of a woman who stands outside time, whose name has been forgotten by history, but who has watched it all unfold: Birdie Bell, the clockmaker's daughter.' (Source: Publisher's blurb)

'Who ever heard of a witch and a monster being friends? Everyone knows that witches don't mix with monsters. Witches are educated, clever, sophisticated. But monsters? Monsters are just uncouth. Some are even dangerous. But Polly the witch and Buster the feelings monster have been best friends forever. It's the sort of friendship that makes your heart squeeze with happiness. Somehow, they've managed to keep their friendship a secret. Until one day, when everything changes ...' (Synopsis)

J. M. Coetzee's trilogy of fictionalised memoir comprises Boyhood, Youth and Summertime. Although each part has been published separately, they have been collected and revised for publication in this version under the title Scenes from Provincial Life, the sub-title of the component works.

We have decided to list this as a novel, thought it might also have been called autobiography.

'Edie Burchill and her mother have never been close, but when a long-lost letter arrives one Sunday afternoon with the return address of Milderhurst Castle, Kent, printed on its envelope, Edie begins to suspect that her mother's emotional distance masks an old secret. Evacuated from London as a thirteen-year-old girl, Edie's mother is chosen by the mysterious Juniper Blythe, and taken to live at Milderhurst Castle with the Blythe family: Juniper, her twin sisters and their father, Raymond, author of the 1918 children's classic The True History of the Mud Man. In the grand and glorious Milderhurst Castle, a new world opens up for Edie's mother. She discovers the joys of books and fantasy and writing, but also, ultimately, the dangers.

Fifty years later, as Edie chases the answers to her mother's riddle, she, too, is drawn to Milderhurst Castle and the eccentric Sisters Blythe. Old ladies now, the three still live together, the twins nursing Juniper, whose abandonment by her fiance in 1941 plunged her into madness. Inside the decaying castle, Edie begins to unravel her mother's past. But there are other secrets hidden in the stones of Milderhurst Castle, and Edie is about to learn more than she expected. The truth of what happened in the distant hours has been waiting a long time for someone to find it.' Source: www.allenandunwin.com/ (Sighted 03/11/2010).

"The narrator of Youth, a student in the South Africa of the 1950s, has long been plotting an escape from his native country: from the stifling love of his mother, from a father whose failures haunt him, and from what he is sure is impending revolution. Studying mathematics, reading poetry, saving money, he tries to ensure that when he arrives in the real world, wherever that may be, he will be prepared to experience life to its full intensity, and transform it into art." "Arriving at last in London, however, he finds neither poetry nor romance. Instead he succumbs to the monotony of life as a computer programmer, from which random, loveless affairs offer no relief. Devoid of inspiration, he stops writing. An awkward colonial, a constitutional outsider, he begins a dark pilgrimage in which he is continually tested and continually found wanting" (Source: Viking publisher's blurb)

Coetzee has been reluctant to talk about himself. Now, revisiting the South Africa of a half century ago, he writes about his childhood and his own interior life. Boyhood's young narrator grew up in a new development north of Cape Town, tormented by guilt and fear. With a father he did not respect, and a mother he both adored and resented, he led a double life - at school the brilliant and well-behaved student, at home the princely despot, always terrified of losing his mother's love. His first encounters with literature, the awakenings of sexual desire, and a growing awareness of apartheid left him with baffling questions; and only in his love of the veld ("farms are places of freedom, of life") could he find a sense of belonging. Bold and telling, this masterly evocation of a young boy's life is the book Coetzee's many admirers have been waiting for, but never could have expected (Source: Libraries Australia).

'Nobel Laureate and two-time Booker prize-winning author of Disgrace and The Life and Times of Michael K, J. M. Coetzee tells the remarkable story of a nation gripped in brutal apartheid in his Sunday Express Book of the Year award-winner Age of Iron. In Cape Town, South Africa, an elderly classics professor writes a letter to her distant daughter, recounting the strange and disturbing events of her dying days. She has been opposed to the lies and the brutality of apartheid all her life, but now she finds herself coming face to face with its true horrors: the hounding by the police of her servant's son, the burning of a nearby black township, the murder by security forces of a teenage activist who seeks refuge in her house. Through it all, her only companion, the only person to whom she can confess her mounting anger and despair, is a homeless man who one day appears on her doorstep' (Source: Libraries Australia).

'Set in England between the wars, this novel tells the story of an aristocratic family, a house, a mysterious death and a way of life that vanished forever, told in flashback by a woman who witnessed it all and kept a secret for decades.

'Grace Bradley went to work at Riverton House as a servant when she was just a girl, before the First World War. For years her life was inextricably tied up with the Hartford family, most particularly the two daughters, Hannah and Emmeline. In the summer of 1924, at a glittering society party held at the house, a young poet shot himself. The only witnesses were Hannah and Emmeline and only they - and Grace - know the truth.

'In 1999, when Grace is ninety-eight years old and living out her last days in a nursing home, she is visited by a young director who is making a film about the events of that summer. She takes Grace back to Riverton House and reawakens her memories. Told in flashback, this is the story of Grace's youth during the last days of Edwardian aristocratic privilege shattered by war, of the vibrant twenties and the changes she witnessed as an entire way of life vanished forever.

'The novel is full of secrets - some revealed, others hidden forever, reminiscent of the romantic suspense of Daphne du Maurier. It is also a meditation on memory, the devastation of war and a beautifully rendered window into a fascinating time in history.' (Publisher's blurb)

"From the author of Waiting for the Barbarians, another startling and disturbing portrait of today's South Africa, a land and a people beset by violence and siege. Coetzee here tells the story of a handicapped young man who has worked as a municipal gardener in Cape Town. His mother is dying, and she wishes to return to her birthplace out in the veldt. Without the required transit passes, mother and son set out on a journey that will end in death for her and in a new but temporary life on an abandoned farm for him. His respite in isolation and peace does not last long, however; grotesque reality soon returns to trouble this quiet new world. Against the solitude of this private drama, Coetzee paints an eloquent and pained picture of his homeland and of the bureaucrats, doctors, army deserters, and camp guards who reveal the stress and qualms of their existence and who uneasily sense that there is no conclusion to their troubles and no future for their lives." (Source: Libraries Australia)

After years teaching Romantic poetry at the Technical University of Cape Town, David Lurie, middle-aged and twice divorced, has an impulsive affair with a student. The affair sours; he is denounced and summoned before a committee of inquiry. Willing to admit his guilt, but refusing to yield to pressure to repent publicly, he resigns and retreats to his daughter Lucy's isolated smallholding. For a time, his daughter's influence and the natural rhythms of the farm promise to harmonise his discordant life. But the balance of power in the country is shifting. He and Lucy become victims of a savage and disturbing attack which brings into relief all the faultlines in their relationship.' (Publisher's blurb)