Stefano Mercanti Stefano Mercanti i(A112074 works by)
Gender: Male
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1 y separately published work icon I’m Listening Like the Orange Tree : In Memory of Laurie Hergenhan Antonella Riem Natale (editor), Sue Ballyn (editor), Stefano Mercanti (editor), Caterina Colomba (editor), Udine : Forum : The University of Udine Press , 2021 25115375 2021 anthology criticism essay

'This volume in memory of Laurence Hergenhan is a collective demonstration of affection and gratitude for the kind and wise man he was and for all the wonderful things he accomplished in Literary Studies. He taught generations of students how to study in depth, sharing the finesse of literature and showing us how friendship, warmth and creativity are gifts to be cherished at all times and across countries. To honour the bountiful generosity of his life and work, the first section of this volume collects critical essays by prominent scholars, colleagues and friends who had an enriching and long-standing relationship with him. The second part of this volume gathers personal appreciations, stories and memories.'

Source: Publisher's blurb.
1 Re-storying the Past, Re-imagining the Future in Adib Khan’s Homecoming and Spiral Road Stefano Mercanti , 2016 single work criticism
— Appears in: Journal of Postcolonial Writing , December vol. 52 no. 5 2016; (p. 622-633) Mediating Literary Borders : Asian Australian Writing 2018; (p. 96-108) 'This article argues that Adib Khan’s fiction challenges the orthodoxies of rigid cultural boundaries and dominator systems by creatively reconfiguring histories, landscapes and identities into forms of transcultural dialogue. Both Homecoming (2003) and Spiral Road (2007) tell the story of the disquieted lives of their protagonists, Martin and Masud, who struggle to inhabit an empathetic consciousness in a world ranked and measured by labels, points of origin, skin colour and religion. Their sense of displacement and yearning to belong – a feature in all Khan’s novels – enable them to move beyond the anxieties of finding a fitting place within the culture around them and embrace new ways of overcoming disconnection, violence and other forms of cultural stereotyping common to all cultures, thus rethinking their past and recreating a more equitable future.' (Publication abstract)
1 Brave New Words in Adib Khan's The Storyteller Stefano Mercanti , 2013 single work criticism
— Appears in: The Tapestry of the Creative Word in Anglophone Literatures 2013; (p. 241-248)
1 y separately published work icon The Tapestry of the Creative Word in Anglophone Literatures Antonella Riem Natale (editor), Maria Renata Dolce (editor), Stefano Mercanti (editor), Caterina Colomba (editor), Udine : Forum : The University of Udine Press , 2013 8839343 2013 anthology criticism
1 ‘No Better or Worse than Anyone, but an Equal’ : Negotiating Mutuality in Adib Khan’s 'Seasonal Adjustments' Stefano Mercanti , 2012 single work criticism
— Appears in: JASAL , vol. 12 no. 2 2012; In this article, after a brief consideration of the limitations revolving around South Asian Australian writers as an under-researched literary category, I use Riane Eisler’s partnership and dominator models to explore the complexities of cultural belonging, seen as a new narrative of unique experience, through which a distinctive transcultural identity is fluidly forged beyond the expectations and ideals of dominant nationalist cultures and traditions. By particularly focusing on Adib Khan’s novel Seasonal Adjustments, this analysis suggests that his migrant identity should be understood as a dialectical ever-growing process, enabling him to link cultural differences as transcultural global constants. [Author's abstract]
1 y separately published work icon Partnership Id-Entities : Cultural and Literary Re-Insciption/s of the Feminine Antonella Riem Natale (editor), Luisa Camaiora Conti (editor), Maria Renata Dolce (editor), Stefano Mercanti (editor), Udine : Forum : The University of Udine Press , 2010 Z1796097 2010 anthology criticism 'The essays in this volume examine the implications of 'equalitarian' and 'dominator' modes of living within a series of canonical, traditional and indigenous texts and narratives. They analyse the concept of Id-Entities from a range of perspectives, through the contributions of writers, scholars and researchers in various disciplines - literature, applied linguistics, education and language teaching - and give evidence of 'other' possible patterns of construction of the self and forms of coexistence generated by non-hierarchical relational processes. The title, Partnership Id-Entities, signals the discursive grounds for exploring intercultural relationships within an equalitarian and mutual paradigm and points to the need of a more profound awareness of transnational dialogue and modalities of cooperation based on a common ground of shared values in world cultural traditions' (Source: Publisher website).
1 Untitled Stefano Mercanti , 2005 single work review
— Appears in: Le Simplegadi , November no. 3 2005; (p. 125-127)
— Review of The Art of Partnership : Essays on Literature, Culture, Language and Education towards a Cooperative Paradigm 2003 anthology criticism essay
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