Cirrus

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'This article argues that Adib Khan’s fiction challenges the orthodoxies of rigid cultural boundaries and dominator systems by creatively reconfiguring histories, landscapes and identities into forms of transcultural dialogue. Both Homecoming (2003) and Spiral Road (2007) tell the story of the disquieted lives of their protagonists, Martin and Masud, who struggle to inhabit an empathetic consciousness in a world ranked and measured by labels, points of origin, skin colour and religion. Their sense of displacement and yearning to belong – a feature in all Khan’s novels – enable them to move beyond the anxieties of finding a fitting place within the culture around them and embrace new ways of overcoming disconnection, violence and other forms of cultural stereotyping common to all cultures, thus rethinking their past and recreating a more equitable future.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Appears in:

y Journal of Postcolonial Writing Asian Australian Writing vol. 52 no. 5 December 2016 10768503 2016 periodical issue Abstract
'This special issue of the Journal of Postcolonial Writing, the result of a collaboration with the South Asian Diaspora International Research Network (SADIRN) at Monash University, Australia, engages with Asian Australian writing, a phenomenon that has been staking out a place in the Australian literary landscape since the 1950s and 1960s. It has now burgeoned into an influential area of cultural production, known for its ethnic diversity and stylistic innovativeness, and demanding new forms of critical engagement involving transnational and transcultural frameworks. As Wenche Ommundsen and Huang Zhong point out in their article in this issue, the very term “Asian Australian” signals a heterogeneity that rivals that of the dominant Anglo Australian culture; just as white Australian writing displays the lineaments of its complex European heritage, so hybridized works by multicultural writers from mainland China, Vietnam, Hong Kong, the Philippines, Indonesia, India, Pakistan, Sri Lanka, Cambodia, Singapore and Malaysia can be read in terms of their specific national, ethnic, linguistic and cultural traditions. Nevertheless, this category’s primary location within the space of the host or Australian nation has determined its reception and interpretation. Marked by controversial representations of historical and present-day encounters with white Australian culture, and debates on alterity representational inequality, and conscious of its minority status, Asian Australian writing has become a force field of critical enquiry in its own right (Ommundsen 2012 Ommundsen, Wenche. 2012. “Transnational Imaginaries: Reading Asian Australian Writing.” Journal of the Association for the Study of Australian Literature 12 (2): 1–8.
, 2).' (Introduction)
2016
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2016
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pg. 622-633
Appears in:

y Mediating Literary Borders : Asian Australian Writing Janet Wilson (editor), Chandani Lokuge (editor), London : Routledge , 2018 21139239 2018 anthology criticism Abstract 'Engaging with Asian Australian writing, this book focuses on an influential area of cultural production defined by its ethnic diversity and stylistic innovativeness. In addressing the demanding new transnational and transcultural critical frameworks of such syncretic writing, the contributors collectively examine how the varied and diverse body of Asian Australian literary work intervenes into contemporary representational politics and culture. The book questions, for instance, the ideology of Australian multiculturalism; the core/periphery hierarchy; the perpetuation of Orientalist attitudes and stereotypes; and white Australian claims to belong as seen in its myths of cultural authenticity and authority. Ranging in critical analyses from the historic first Chinese-Australian novel to contemporary award winning Sri Lankan, Bangladeshi and Filipino Australian novels, the book provides an inside view of the ways in which Asian Australian literary work is reshaping Australian mainstream literature, politics and culture, and in the wider context, the world literary scene. This book was originally published as a special issue of the Journal of Postcolonial Writing.' (Publication summary) London : Routledge , 2018
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2018
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pg. 96-108