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'This article is the second in a series examining the links, problems and dynamics of writing, recording and recreating history, whether in fiction or non-fiction.'
Publication Details of Only Known VersionEarliest 2 Known Versions of
The Intriguing Dance of History and FictionTom Griffiths,
2015single work criticism — Appears in:
TEXT Special Issue Website Series,April
no.
282015;'In this essay I explore the common ground of history and fiction, suggesting that they are a tag team, sometimes taking turns, sometimes working in tandem, to deepen our understanding and extend our imagination. But I also argue that there are times when the distinction between them is vital, and that it is incumbent on historians – on those who choose at certain moments to write history – to insist and reflect on the difference. I hope to create a context in which such explanations will not be misinterpreted as defending territory. In the course of the essay I refer to historians who write fiction and novelists who write history, and I draw especially on the work of the novelists Eleanor Dark and Kate Grenville, poet and historian Judith Wright, and the historians Inga Clendinnen, Grace Karskens and Ross Gibson.' (Publication summary)
https://theconversation.com/on-the-frontier-the-intriguing-dance-of-history-and-fiction-40326On the Frontier : The Intriguing Dance of History and FictionThe Conversation
On the Frontier : The Intriguing Dance of History and Fiction