Texts

y separately published work icon Prelude to Christopher Eleanor Dark , Sydney : P. R. Stephensen , 1934 Z824226 1934 single work novel (taught in 22 units)

'Should a woman bear a child knowing that there are traces of insanity in her family? Linda Hainlin, niece of a famous biologist, was aware of the danger when she married Dr. Nigel Hendon, a practical idealist, whose creed was normality and the rational ordering of the world. This book tells how, years later, while temporarily deprived of her husband's sane companionship, Linda feels the oncoming of those homicidal impulses which presage madness. On this tragic theme, 'Prelude to Christopher' is written with strong literary art as a narrative of four days of crisis. The story goes back in memory to the happiness of Linda's love for Nigel, and forward in her frightened imagination to a future from which the strongest must flinch. Christopher, the unborn child, dominates terrific events in which he has no living part to play. The prelude to his birth is told with emotional power.'

Source: Publisher's blurb.

y separately published work icon Her Sister's Eye Vivienne Cleven , St Lucia : University of Queensland Press , 2002 Z985143 2002 single work novel (taught in 7 units)

'...always remember where you're from... To the Aboriginal Families of Mundra this saying brings either comfort or pain. To Nana Vida it is what binds the generations. To the unwilling savant Archie Corella it portends a fate too cruel to name. For Sophie Salte, whose woman's body and child's mind make her easy prey, nothing matters while her sister Murilla is there to watch over her.

For Murilla, fierce protector and unlikely friend to Caroline Drysdale, wife of the town patriarch, what matters is survival. In a town with a history of vigilante raids, missing persons and unsolved murders, survival can be all that matters'. (Source: back cover, 2002 edition)

y separately published work icon The Well Elizabeth Jolley , Ringwood : Viking , 1986 Z385481 1986 single work novel (taught in 17 units)
— Appears in: Kokainovyj Bljuz [and] Kolodec 1991;

'Miss Hester Harper, middle-aged and eccentric, brings Katherine into her emotionally impoverished life. Together they sew, cook gourmet dishes for two, run the farm, make music and throw dirty dishes down the well. One night, driving along the deserted track that leads to the farm, they run into a mysterious creature. They heave the body from the roo bar and dump it into the farm's deep well. But the voice of the injured intruder will not be stilled and, most disturbing of all, the closer Katherine is drawn to the edge of the well, the farther away she gets from Hester.' (From the publisher's website.)

Description

This course examines the literary production of a range of twentieth century women writers in France, Britain, the United States, New Zealand, Vietnam and Australia. Perspectives within which this writing will be placed include literary and political aspects of feminist and gender theory; the intersection of questions of gender, class, race and ethnicity, and sexualities; the specific situations of women writers at particular historical periods and in particular places; women and colonisation; thinking cross-culturally about gender; feminine articulations of "madness"; sexual politics; lesbian and Queer theory; masculinities and their discontents.

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